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First broadcast on FAB RADIO INTERNATIONAL at 19:00 on May 30th 2021
Episode thirty four of VISION ON SOUND finds the writer PAUL EBBS returning. Since we last spoke, way back in episode fourteen of the programme, PAUL has created the #SLEDGEHAMMER podcast in which he talks to various professional DOCTOR WHO writers about their individual writing processes, as well as deconstructing a favourite story from the point of view of just the writing. Good stuff, by the way, and well worth seeking out.
Not being one to let a good idea go uncopied, I got in touch with PAUL and wondered if he might like to try and do a bit of deconstruction on some other TV shows as well, which is basically how we ended up having an episode-long chat about the PILOT episode of the American political drama, THE WEST WING, which I think made for quite an entertaining hour of radio, which I hope you'll enjoy.
PLEASE NOTE - For Copyright reasons, musical content sometimes has to be removed for the podcast edition. All the spoken word content remains (mostly) as it was in the broadcast version. Hopefully this won't spoil your enjoyment of the show.
5
11 ratings
First broadcast on FAB RADIO INTERNATIONAL at 19:00 on May 30th 2021
Episode thirty four of VISION ON SOUND finds the writer PAUL EBBS returning. Since we last spoke, way back in episode fourteen of the programme, PAUL has created the #SLEDGEHAMMER podcast in which he talks to various professional DOCTOR WHO writers about their individual writing processes, as well as deconstructing a favourite story from the point of view of just the writing. Good stuff, by the way, and well worth seeking out.
Not being one to let a good idea go uncopied, I got in touch with PAUL and wondered if he might like to try and do a bit of deconstruction on some other TV shows as well, which is basically how we ended up having an episode-long chat about the PILOT episode of the American political drama, THE WEST WING, which I think made for quite an entertaining hour of radio, which I hope you'll enjoy.
PLEASE NOTE - For Copyright reasons, musical content sometimes has to be removed for the podcast edition. All the spoken word content remains (mostly) as it was in the broadcast version. Hopefully this won't spoil your enjoyment of the show.
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