Voxcali

NVIDIA is bridging the gap between synthetic data and real-world application through a unique high-trust leadership model.

NVIDIA’s push for the “Omniverse” has transformed from a technical ambition into a core family mission.  At its foundation, the Omniverse is an industrial digitalization platform built on OpenUSD – essentially a physically accurate operating system for the 3D web.  It allows global teams to synchronize their workflows in real-time, creating “digital twins” or virtual replicas that obey the laws of physics.  At the heart of this initiative are CEO Jensen Huang’s children, Spencer and Madison, whose strategic roles suggest NVIDIA’s internal succession is yielding high-velocity results.

While Jensen remains the face of the AI revolution, his children are deeply embedded in the execution of these digital twins. 

Spencer Huang serves as a Product Manager within the Omniverse group, where he is instrumental in developing the infrastructure bridging the gap between synthetic data and real-world application.

Meanwhile, Madison Huang works as a Senior Director of Product Marketing, translating complex simulations into commercial narratives.  She focuses on how global industries utilize NVIDIA’s “Earth-2” and digital twin technology to predict climate patterns or optimize factory workflows.

This synergy appears to be working, as NVIDIA’s digital twin revenue and industrial partnerships continue to outpace competitors.  BMW has already industrialized its “Virtual Factory” across over 30 sites, reducing planning costs by 30%, while the Earth-2 initiative now provides kilometer-resolution weather forecasting 500x faster than traditional models.  Similarly, ABB Robotics’ integration of Omniverse libraries into its RobotStudio platform has yielded 99% simulation accuracy, slashing product introduction cycles by 50% and commissioning time by 80%.

By positioning family members at the helm of these initiatives, Jensen has created a high-trust environment where the long-term vision of a “simulated world” is guarded by those with a high personal stake in the company’s legacy.  Unlike traditional corporate nepotism, this strategy is delivering measurable industrial breakthroughs for global partners.

Following a career-defining Boiler Room set, the experimental DJ continues to inspire global audiences with his high-energy and deeply resilient performances.

Yousuke Yukimatsu is a Japanese DJ and electronic artist celebrated for a chaotic, genre-defying style that deconstructs techno, house, hip-hop, and avant-garde pop.

Known for his high-energy and eventually shirtless performances, Yukimatsu has become a fixture at major festivals like Berlin Atonal and Thailand’s Wonderfruit.

His path to the global stage was defined by a profound personal turning point.  In 2016, while working in construction, Yukimatsu was diagnosed with a malignant brain tumor.  The life-altering news prompted him to quit his construction job the same day to pursue music with singular focus.

Yukimatsu’s rise began in the vibrant club scene of Osaka, where he organized the “Zone Unknown” parties.  His ability to blend disparate elements – ranging from harsh industrial textures to delicate ambient passages – eventually caught the eye of major curators.

In 2025, his artistry was showcased through a featured set on Boiler Room – a popular broadcasting channel for underground club music – which instantly amplified his reach to a global audience.

Continuing his high-profile ascent, he performed at Coachella 2026, bringing his experimental Japanese underground sound to one of the world’s largest stages.

Now 46, the Osaka native moves with a personal perspective shaped by deep-seated resilience.  His sets provide inspiration to a crowd searching for their own breakthrough, fueled by the energy of someone who has come out the other side stronger.

I came home from Japan with a long list of things I wish America would adopt. In this episode, we break down the cultural differences and everyday conveniences that make Japan one of the the world's most convenient countries.

Kelli (00:01)

I wanted to talk about one of my favorite parts of visiting Japan, and it was really about all of the little everyday things that I was seeing there that stood out the most.

Things that aren't necessarily tourist attractions, but these are going to be things that just made daily life feel easier, cleaner, safer, and really just more thoughtful. After spending about nine days in Japan, I kept finding myself saying, Why don't we have this back home? and the longer I stayed, the longer my list became. So today I'm going to be sharing everyday things that I experienced in Japan.

that I genuinely think the United States could learn from.

Starting off with one of the most amazing things that stood out to me were women-only train cars. So if you have ever been to Japan, you know that the train transportation is amazing.

There are so many trains going to so many different destinations, and there are specific train cars that are reserved for just women during those busy commuting hours.

It literally says women only on the outside of the train car. And it made me realize how much peace of mind women must have taking these train cars.

The train system moves millions and millions of passengers every day. And during those rush hours, those trains can get so crowded. You sometimes might have to squish in and be touching another person. And honestly, the women-only cars must have been created to help address harassment. And overall it's just making commuting more comfortable for women.

It was really one of those things that made me feel like someone had actually considered the passenger experience of a woman specifically. And in the United States, we spent so much time talking about public safety, especially when it comes to public transit, but we do not have a woman.

only train car.

I've never seen women only train cars. I wouldn't say Japan's solution is perfect, but I thought it was really interesting to see a country actively trying to address issues of public safety rather than just simply accepting it as a part of everyday life.

the train

station is effective. It's efficient and it's just so punctual. You do not have to have a car in Tokyo because you can get everywhere on that train.

you can get across major cities. it doesn't just move people, it gives people that freedom. Students, seniors, employees, tourists, everybody can navigate this train system flawlessly.

Whereas in American cities,

You probably still need a car for almost every aspect of daily life. In Japan they have it down. They have the itinerary and they are not messing up. Their trains are clean, they're efficient, and I'm telling you, when you get to Japan, you will not need that car. That transportation system.

will definitely be your best friend.

Another thing I noticed about the trains is how seriously people take priority seating. So on the trains, many seats have priority seating signs. On these trains, these seats are reserved for elderly, pregnant women, people with disabilities. And in America, some people will see.

those kinds of things signs like this are treated as suggestions but in Japan they're rules

and the people there respect them. Not once did I see somebody who was not over the age of 60 years old sit in that priority seat. I even remember one time.

People have so much respect for the rules. They have so much respect for the transportation system that Japan has. And just the fact that they can follow this simple rule without any problem just really shows, just really reveals a larger cultural value.

Continuing with the whole public transportation idea.

This next thing was so simple, but I absolutely loved it. It was bus waiting rooms. Most of the bus stops that I saw, they had actual waiting rooms. So whereas here you'll see a bus stop, but it's tiny and only like two or three people can sit on that bench.

In Japan, they had actual bus waiting rooms where you can go inside and sit down in a nice chair and wait for the bus to come. And all you have to do, once you see the bus outside, you get up, you walk outside, and you get on the bus. This was a place to sit. It gives you AC on a hot day. It gives you that protection from the rain.

This isn't even a complicated idea. This is truly just a thoughtful one.

Alright, next is the heated toilet seats that I saw everywhere. So not only were the heated toilet seats in the hotel room, they are everywhere in Japan. So here, toilet seat covers are very common. In Japan, they're not common at all. It was nearly impossible to find a toilet that had a toilet seat cover. And I realized the reason why is because Japan holds their citizens accountable for cleaning up after themselves when they use the restroom. Wow, shocker.

Yeah.

I feel like in America, the public restrooms can get so dirty. It's disgusting. It's just incredible how dirty the restrooms here can get. In Japan, they hold everyone accountable and these citizens actually do it. There is a sanitizing station inside of each stall that you use to sanitize.

the toilet seat after. And that is the reason why there are no toilet seat covers because everybody is wiping down the toilet seat after they use it.

The very first time that I saw the public restroom in Japan, it was at the train station and I was very iffy. I was like, I really don't want to sit down on this seat. There's no toilet seat covers. I tried to, I wasn't, I wasn't really feeling it, but as soon as I sat down and I realized it was a heated toilet seat, I understand now why people never stop talking about them because this is definitely a small luxury

Make such a big difference, and Japan has completely normalized this kind of comfort in a way that America doesn't. And after experiencing it, I do not even want a regular toilet seat anymore. I definitely, since I've been back, have been looking into heated toilet seats with the bidets because these completely surprised me.

Another thing that completely surprised me about the bathroom features were the water noises that we're playing. So there are buttons on the toilet systems in the stalls in public restrooms that have water noises. So if you push the button, it'll start playing a water noise for relaxation and honestly for privacy too. Because if you have ever been in the restroom and it's just you and somebody else walks in, you know, those noises can be a little bit awkward, but in Japan, they totally think.

about that and have you covered so they have a button that will play water noises and water sounds so that you have full privacy while you're using the restroom. Again very thoughtful very practical

Another thing I noticed about the bathrooms in Japan is that a lot of them had mouthwash

This wasn't in every single bathroom that I went into, but many of the restaurants and many of the bathrooms in restaurants and in bars, they have mouthwash in the bathroom. Complimentary. Not something you expect, but honestly, after eating a big meal or even getting some drinks, it's so convenient. If you don't have gum, they have mouthwash in the bathroom. I noticed that

Japan does like to focus on helping people feel presentable. You wanna feel comfortable and be presentable throughout your day.

These are just little touches that make public spaces feel so much better and more accommodating because I have never seen mouthwash in a bathroom here in America.

Speaking of the bars and restaurants, another discovery that I noticed were all of the free snacks that they bring to you at bars.

You're served small little snacks, it's nuts. Sometimes it was pickled vegetables. ⁓ it's something very nice and unexpected that completely changes the experience again. It's a small gesture, but it helps make the customer feel welcome

Eaten all day and you are ready to order some drinks, but you have a completely empty stomach, you know that drink is going to do a lot more damage to you than if you had something else in your tummy.

I really wouldn't mind seeing American bars adopt this tradition. I think it'll be a great idea to make sure that your customer is munching on something immediately as soon as they sit down at that bar. It'll keep them there longer. And really, again, you just feel more welcome as soon as you sit down.

thing that I noticed that really showed me how much the country cares for their people was the yellow textured pathways running all throughout the sidewalks, train stations, and other public spaces. Now, this was extremely impressive because these textured pathways are tactile paving strips that are designed to help the visually impaired.

It was almost like braille on the sidewalks, so that anybody who is blind can navigate their way walking perfectly fine. They are everywhere. These yellow tiles are on every single sidewalk. And I kept wondering what is the point of this. And when I looked it up, it was actually called the they actually called them braille sidewalks. And I was

completely amazed. It was so great to see that this country cares so much about people with any disability that they will implement something that will help them and just them. I just realized ⁓ accessibility can be built into the country. Accessibility is built into Japan's infrastructure

So I thought that was extremely interesting. I've never seen that anywhere else. I don't know where else has braille sidewalks on the on the streets everywhere you go, but this was definitely another one of those things that made me realize how much the country truly cares about their citizens and their people.

One of the controversial things that I noticed about Japan were the designated smoking areas. Here in America, you can smoke in public. Marijuana is very illegal in Japan, and that was not found at all on the street. I didn't see anybody smoking marijuana, but

Japan has some smokers. They smoke cigarettes. They have their e-cigarettes and they are smoking them heavy. There are people, I saw so many people chain smoking their cigarettes. They were smoking like two or three at a time, and they were just smoking everywhere. But the difference is that they have designated smoking zones. So smoking in public in Japan, you will get a ticket and you will get fined.

Whether you're a smoker or not, the result of this is predictable. You'll get cleaner sidewalks, less secondhand smoke, and honestly, fewer conflicts between smokers and non smokers. So really it's a practical compromise. In the airport, there were smoking rooms, which I thought was so interesting. As soon as I got off of the plane flying from Osaka to Haneda Airport, the first turn

that we made, there was a smoking room right there. So people can get off that plane immediately and they need their cigarette and they walk into that smoking room and light it up right away.

away.

It's almost like Japan kind of made it a little bit easier for a smoker to get their fix in, but it also considers the non-smokers.

It's such a great compromise and I truly think that that should be something that we have here. I don't know I it keeps the smoke away from kids. It makes sure that smoking is completely regulated there.

I just feel like it was a very practical compromise because you're keeping the smoke away from the kids. The smokers get their fix in, they just have to keep it private.

this last culture shock might sound ridiculous, but Japan even made me rethink the elevators. People stand in those elevators so close together, they are not afraid to pack it in. If you are standing shoulder to shoulder to somebody, don't even worry about it. This is normal for people in Japan.

They they they politely enter the elevator. Everyone kind of squeezes in and tries to make room for everybody. And one thing that I noticed is whoever is the one by the buttons in the elevator, they are the one who stays in the elevator the longest and they hold the door that keeps the elevator, they hold they hold the button that keeps the door open until everybody gets out.

It's very kind. In America, I feel like there have been many situations where you walk into an elevator and

you have to push your own button because whoever was standing by the door by the by the buttons didn't want to push the button for you for some reason. In Japan, there's one designated button pusher and they're standing by they're standing right there in the elevator and they stay there the whole time and they allow everybody to get out of that elevator before they step out.

It's just again one of those moments where I realized how much smoother everyday life can be when people kind of collectively prioritize consideration for one another. These are unspoken rules. They're not written rules in Japan, but everyone follows them. And because everyone follows them, everything moves so much more efficiently. In Japan, it just really seems like every system was perfect.

Whether it's the accessibility, transportation, cleanliness, convenience, so many of these ideas start with the same question. How can we make this experience better for anyone? And this is a question that I think Americans could be asking a little bit more of.

After experiencing women-only train cars, heated toilet seats, braille sidewalks, transportation that truly runs on time, I came home with a very long list of things that I wish we had here.

Thank you guys so much for listening. We'll see you in the next episode.

From headlining Netflix slashers to her stand-up roots, Park’s unique background fits perfectly for Scary Movie 6.

Sydney Park is set to be featured in the highly anticipated revival of the horror-comedy franchise with Scary Movie 6 to be released on June 5th.  The Korean American actress has spent years carving out a versatile path across both film and various series, leaning on her sharp comedic timing and extensive background in suspense.

She starred in the 2025 polyamorous feature You, Me & Her, preceded by a romantic leading role in the 2022 film First Love.  Horror fans likely recognize her from the 2021 Netflix slasher There’s Someone Inside Your House.  Park’s presence in acclaimed series has been just as formidable. She starred in 2019’s Pretty Little Liars: The Perfectionists and took on a lead role on Lifeline in 2017.  Notably, Park also appeared in 12 episodes of the hit show The Walking Dead as Cyndie between 2016 and 2019.

Park broke into the industry in 2003, making history as the youngest comedian to ever perform at the Hollywood Improv at just six years old.  She later gained national attention as Syd the Kid on the inaugural season of America’s Got Talent in 2006 before her acting debut on That’s So Raven the same year.

The 28-year-old actress continues to bridge the gap between her roots in stand-up comedy and her status as a prominent screen talent.  As she steps into the Scary Movie universe, Park proves that her journey from a pint-sized comic to a versatile leading lady is only just beginning.

For decades Larry Itilong led Filipino farmworkers' fight for labor rights in California, culminating in the historic Delano Grape Strike.

When people think about farmer’s rights in the United States, one name usually comes to mind: Cesar Chavez. But many Americans don’t know that his first major action was joining the Delano Grape Strike, a movement started by Filipino farmworkers and led by Larry Itliong.

Born in the Philippines, Larry Itliong immigrated to the United States when he was 15 years old in 1929. He worked as a migrant laborer on the West Coast and like many other immigrants, he faced intense discrimination and racism. Immigrant workers were paid extremely low wages and were completely excluded from many opportunities in society. Through these restrictions, Itliong was still able to develop a reputation as a fearless labor organizer and throughout the 1930s and 1940s, he organized strikes throughout California and Alaska for cannery and agricultural workers.

In the 1960s, Filipino farmers in California’s grape industry were working in horrible conditions, receiving $1.20 to $1.25 an hour. So on September 8, 1965, Itliong and the Agricultural Workers Organizing Committee voted to strike against grape growers in Delano, California, where more than 1,500 Filipino farmworkers would walk off the vineyards to demand their rights.

Because of the exploited tensions between ethnic groups at the time, Itliong understood the strike would possibly fail if Filipino and Mexican workers stayed divided. He decided to go to the leaders of the National Farm Workers Association, Cesar Chavez and Dolores Huerta, and asked them to join the The Delano Grape Strike. Chavez agreed after initial hesitation and the alliance between Filipino and Mexican farm workers became one of the most important multiracial labor partnerships in history.

Over five years of marches and boycotts, financial pressure grew on grape growers and the AWOC and NFWA merged together to form the United Farm Workers. In 1970, major grape growing companies signed contracts to grant workers higher wages, benefits, and protections, completely changing the American labor movement.

Despite helping ignite the strike, Larry Itliong’s role is often overshadowed by Cesar Chavez. Historians argue that he was more media-visible and easier for America to rally behind, while many Filipino organizations received less attention due to the decreasing number of Filipino farmworkers. Itliong is rarely emphasized in school textbooks, but California did recognize “Larry Itliong Day” officially in 2015.

Cesar Chavez may have been the most recognizable face of the farmworkers movement, but the Delano Grape Strike itself began because of Filipino laborers who were willing to risk everything and Larry Itilong’s push for Filipino and Mexican farmworkers fighting together for survival.

Behind the all-you-can-eat deals and an exciting grilling experience, AYCE Korean BBQ restaurants are carefully calculating pricing, portion control, and volume to stay profitable.

Anytime you decide on all-you-can-eat Korean BBQ, you should feel like you ate more than what you paid for. In fact, sometimes all-you-can-eat Korean BBQ places feel like they barely break even. So how do they make a profit?

For a flat price, customers are able to order unlimited plates of rice, soups, brisket, pork belly, short rib, and more. Some all you can eat spots offer tier options ranging from $34.99 to $89.99, proving the all-you-can-eat Korean BBQ category has expanded past cheap buffet dining.

This business only works because restaurants are not betting on every customer eating the same amount. They are betting on averages. In 2024 the National Restaurant Association reported food and non-alcoholic beverage costs at full service restaurants represented a median of 32% of sales. So if a restaurant were to charge $35 per person, the food-cost target would be around $11 to $12 per guest and that’s before labor, bills, and other expenses.

Here’s the trick: Not every item at AYCE BBQ costs the restaurant the same. There’s premium cuts like short rib or ribeye that are more expensive than pork shoulder, chicken, salad, noodles, and soups. The most recent USDA beef data shows wholesale short plate short ribs can cost around $6 to $7 per pound, while other cuts are priced lower. If one customer were to eat only short rib, the restaurant could lose money on them, but other customers might fill up on rice, pork belly or chicken and the profit would come from the group average.

These restaurants are also controlling the amount of food served by portioning out smaller rounds, charging for excessive leftovers, and putting time limits on tables. Labor is also a part of the model as they save money due to the actual cooking process being partially shifted to the customer. Drinks like soju and beer also carry better margins than meat, as well as premium menu upgrades that have an extra charge.

AYCE BBQ is a volume business. Their goal is to keep tables full and turn them quickly, not to make a huge profit from each customer. The customer feels as if they’re getting endless value, while the restaurant carefully controls portions, timing, and the menu selection. The perfect balance is what makes all-you-can-eat Korean BBQ one of the smartest and riskiest restaurant models in the industry.

A special treat for the husband who isn't treating his wife right.

Here's a playful, fictional song lyric written from the perspective of a brassy, unapologetic narrator. It doesn't assert that any real person committed a crime; it treats the premise as satirical storytelling inspired by the news allegations.

(Verse 1)

You always said I oughta smile,

You'd tell your friends I had it made,

(Pre-Chorus)

Well, I listened and I nodded,

(Chorus)

So there's drain cleaner in your lemonade,

Drain cleaner in your lemonade,

(Verse 2)

You always loved control and charts,

You thought you'd written all the rules,

(Pre-Chorus)

Well, I wasn't born to curtsy,

(Chorus)

There's drain cleaner in your lemonade,

Drain cleaner in your lemonade,

(Bridge)

The lawyers are talkin',

The jury's still wonderin',

But I just shrug and flip my hair,

(Instrumental Break)

Hey!

(Last Chorus)

There's drain cleaner in your lemonade,

Drain cleaner in your lemonade,

(Outro)

You wanted sugar, you wanted shade,

So raise a glass of lemonade...

Just maybe check who made it, babe.

As a co-founder and CTO of Snapchat, Bobby Murphy helped engineer some of the many features that have reshaped modern social media.

The technical architect behind one of the biggest social media platforms is an Irish-Filipino-American who remained one of Silicon Valley’s most private billionaires. Snapchat’s public image has often been associated with co-founder Evan Spiegel, but without Bobby Murphy, its influence wouldn’t have stretched beyond disappearing selfies.

Bobby Murphy was born in 1988 in Berkeley, California to his mother who emigrated from the Philippines and his father who was a government employee in California. He spent most of his childhood in Northern California, attending Stanford University to study mathematical and computational science.

At Stanford, Murphy met Evan Spiegel and Reggie Brown in 2011 and their friendship soon turned into a business partnership after developing the idea of Snapchat. Originally the app was called Picaboo. The app was later rebranded to Snapchat after the team received a cease-and-desist letter from a New Hampshire-based photobook company that already owned the trademark for the name “Picaboo.

Snapchat was centered around photo messaging that would send disappearing images. While most social media platforms were focused on public identity and permanence, Snapchat leaned into spontaneity and privacy. Murphy was in charge of the app’s technical development and later became Chief Technology Officer of Snap Inc. The app exploded amongst younger users throughout the early 2010s and by 2013, Facebook attempted to acquire Snapchat for $3 billion, but Murphy and his co-founders declined.

That decision would become one Silicon Valley’s most famous rejections because Snap Inc. went public in 2017 and was one of the largest tech IPOs in the last decade. Today Snap Inc. is worth roughly $9 to $10 billion as Snapchat has hundreds of millions of active daily users all over the world.

Bobby Murphy played a huge role in developing features that would change social media culture because many of his ideas including disappearing messages and photo filters are used across many other social media platforms. In 2015 Murphy was 27 when Forbes ranked him number #15 on their list of U.S. Richest Entrepreneurs Under 40 and #374 on the Forbes 400 in 2016.

Outside of tech, Murphy and his wife have established a $15 million scholarship fund at Stanford which supports students from underserved backgrounds. They have also donated millions towards environmental efforts in California.

Murphy’s legacy goes far beyond Snapchat and while Evan Spiegel became the company’s face, Bobby Murphy was the quiet engineer who made it all happen.

The Texas Triangle blends frontier history with stunning spiritual landmarks and world-class fusion cuisine.

The Texas Triangle – anchored by Houston, Dallas-Fort Worth, and Austin – offers a vibrant blend of frontier legacy and global flair.  While the Alamo and the Fort Worth Stockyards represent the state’s historical roots, the modern Texas experience is increasingly defined by the sprawling Asian enclaves and cultural landmarks woven into these urban centers.

In Houston, the Teo Chew Taoist Temple stands as a serene architectural marvel, while the Friendship Pavilion celebrates international ties.  Just southwest of the city, Sugar Land has emerged as a premier cultural hub characterized by massive spiritual monuments.  The city is home to the intricate Sri Ashtalakshmi Temple and the stunning Vietnam Buddhist Center, which features a 72-foot statue of Guanyin. Joining these landmarks is the Statue of Union at the local Hanuman Temple; standing at 90 feet tall, it is the largest statue of Lord Hanuman in the United States and serves as a significant landmark for visitors across the country.

The Triangle is a playground for “Instagrammable” moments.  Houston’s Marriott Marquis features its famous Texas-shaped lazy river, while the Gerald D. Hines Waterwall Park offers an immersive oasis.  Austin’s Zilker Botanical Garden provides a tranquil escape from the city, contrasting the energy of 6th Street and the State Capitol.  

For those seeking fresh air, each city provides a distinct way to engage with the Texas landscape.  Austin offers an intimate look at the city center through kayaking on the Colorado River, while Lake Lewisville serves as a gateway to North Texas recreation.  In Houston, Buffalo Bayou run clubs provide a rhythmic, active way to take in the urban skyline.

The culinary landscape is where the “Tex-Asian” identity truly shines.  Houston’s Asiatown is the birthplace of Viet-Cajun fusion, where traditional crawfish boils are elevated with lemongrass and garlic butter.  In Austin, mornings start with iconic breakfast tacos before settling into the city’s celebrated patio dining, while North Texas districts like Carrollton offer a “Little Korea” experience filled with late-night karaoke and specialized bakeries.

From the neon glow of Dallas’s Reunion Tower to 8th Wonder’s colorful “We Love Houston” sign, the Texas Triangle proves the state’s strength lies in honoring its legends while embracing a diverse, global future.

The comedian is currently bringing her signature surrealism to stages worldwide on The Big Bowl Tour following the 2025 release of her Hulu special, Father.

Atsuko Okatsuka is a comedic force whose bowl cut and surreal timing have carved a singular path through Hollywood’s film, television, and stand-up landscapes.

Currently, the 37-year-old is headlining The Big Bowl Tour, a global circuit that builds on the momentum of her “Full Grown” tour, which sold out over 200 dates across 20 countries.

This live surge accompanies her second stand-up special, Father, released in 2025 as a flagship title for Hulu’s “Hularious” comedy initiative.  The new hour arrives as a follow-up to her 2022 HBO debut, The Intruder, which earned her a 2023 Gracie Award and was crowned the Best Debut Special of the Year by The New York Times.  These followed Okatsuka’s 2018 self-released special, They Call Me Stacey, which showcased her early experimental style.

Her mainstream breakthrough came in 2021 after performing on The Late Late Show with James Corden, where her eccentric stage persona immediately caught fire online.  She previously gained internet fame for a 2019 clip where she unflappably continued a stand-up set as a 7.1 magnitude earthquake struck the room.

Okatsuka’s cinematic presence is expanding just as rapidly.  In 2025, she joined the Pixar universe voicing Ambassador Naos in Elio and starred in the drama All That We Love.  Released in April, she appeared in the comedy film Outcome alongside Keanu Reeves.

Born in Taiwan and raised in Japan, Okatsuka moved to the U.S. at age ten.  She graduated from the Cal Arts in 2010, after dropping out of UC-Riverside to pursue her creative passions.

Today, she stands as a global headliner, blending vulnerable storytelling with a distinct, high-energy stage persona.