The Latin word “juvenilia” is commonly used for works produced in an artist’s, writer’s, or composer’s youth. Sometimes, as in the case of Mozart or Mendelssohn, these early works are still worth hearing. Other composer’s juvenilia, such as the early, bombastic concert overtures of Richard Wagner, are seldom granted more than one hearing—if that. Take his “Columbus” Overture… PLEASE!

Most musicologists—and modern audiences—have decided the title is probably the best thing about that work of the 20-something Wagner.

But persistence pays, and some seven years later, on today’s date in 1844, a 31-year-old Wagner conducted the premiere in Dresden of an overture he wrote that still shows up occasionally on concert programs today. This piece is entitled “A Faust Overture,” and was originally conceived as the first movement of a “Faust” Symphony that Wagner never got around to completing.

In his autobiography, Wagner claimed Beethoven’s Ninth Symphony as a principal influence, but to modern ears it’s apparent that Wagner had been studying the scores of his slightly older French contemporary, Hector Berlioz, when at work on this piece. Berlioz’s “Romeo and Juliet” Symphony, in particular, seems to have impressed Wagner at the time, and so Wagner’s orchestra recounts the Faust legend with just the slightest hint of a French accent.