This episode, Derek and Aaron tackle 1976's science fiction horror movie "God Told Me To" written, directed, and produced by Larry Cohen. They talk about Cohen's wildly creative ideas, the gorilla, shot-on-location style of the flick, and the horror of random mass violence towards innocent people. They also get into the insane swings and twists through the plot, the inspirations from the Bible and "Chariots of the Gods," and so much more about the film. Why? God told Aaron and Derek to.

Lauren and Heather return to talk 2004's horror film "Saw" directed by James Wan in his feature directorial debut with the Spoop Bois. They tackle how "Saw" impacted horror and popularized "torture-porn," what aged well vs what didn't, Leigh Whannell's involvement with the franchise including writing the script, and audience reactions in a post-9/11 world. They also get into their own experiences, compare the movie to nu metal, delve into its effect on pop culture, and discuss many other aspects of the film and franchise. Lauren wants to play a game! Heather is sick of those who scoff at the suffering of others. Aaron and Derek may have to cut through their own feet. 

On this episode, Sean Marz returns to the show to discuss 1989's black comedy film "The 'Burbs" directed by Joe Dante with Aaron and Derek. They talk about whether or not this counts as horror or horror-adjacent, the excellent comedic timing of Tom Hanks, Carrie Fisher and rest of the cast, and the nostalgic value of this movie. They also get into the themes of Americana, the horror of living in the suburbs, Joe Dante's ability of blending humor and macabre, among many other aspects of the film. Sean is about a nine on the tension scale. People who mow their lawn for the 800th time, and then SNAP? WELL, THAT'S AARON AND DEREK. 

Dr. Jeff returns to the show to discuss 1990's medical horror flick "Flatliners" directed by Joel Schumacher with the Spoop Bois Aaron and Derek. They talk about Schumacher's wild career, certain lighting and aesthetics he brings out in his movies, and how this project came about. They also get into the medical inaccuracies, the way the plot handles near death experiences, the superstar lineup of the cast, among many other aspects of the film. Aaron and Derek will bring the equipment. Jeff will bring his balls.

This episode, Jonathan returns to the show to talk 1982's Spanish-American slasher "Pieces" (Mil gritos tiene la noche "The Night Has 1,000 Screams") directed by Juan Piquer Simón. They discuss how this movie is trying to be serious despite the crazy and transgressive premise and how it accidentally becomes a parody. They also get into all the horror genres and movies it's riffing on, some of Simón's other work, Jonathan's response as a non-horror and movie watcher, etc. Jonathan will send you a case of lollipops! Aaron and Derek will be playing so much tennis it'll be coming out of their ears!

This episode, Aaron and Derek tackle 2001's Spanish gothic horror film "The Devil's Backbone" directed by Guillermo del Toro. They get into a brief history of the Spanish Civil War, Guillermo del Toro's background and career, and del Toro's exploration of boyhood, fairytale and horror. They also talk about each character in the orphanage and what fuels their motivations, how well this ghost story functions within the Spanish Civil War, and many other aspects of the movie. What is a Derek? Aaron, that is what I am. 

This episode, the Spoop Bois Aaron and Derek cover 1973's British folk horror classic "The Wicker Man" directed by Robin Hardy. They spend a lot of time comparing and contrasting Sgt. Neil Howie and Lord Summerisle and how both are presenting dubious, religious exteriors. They also talk about the influence the film had on folk horror and pop culture, the creation of the fictious community, the menacing acting presence of Sir Christopher Lee, the wild mess of a remake, among many other aspects of the movie. Derek is fine, but his acceptability is limited. Aaron is even better, but not nearly as effective as the right kind of podcaster.

Guest and friend of the show Kelly returns to talk Sam Raimi's 1981 supernatural horror classic "The Evil Dead" with Aaron and Derek. They discuss how impressive the production was despite the many limitations, what makes this movie still horrifying under the modern horror lens, it's legacy in pop culture, etc. They also get into Raimi and Bruce Campbell's history, argue in favor of the film's competency vs the idea of it being endearingly amateur, explain the real life grossness of the gore effects, and talk about many other aspects of the movie. Derek and Aaron have become hosts to a Kandarian demon. Kelly awakened from his ancient slumber.

This episode, guest James returns to the podcast to tackle 1984's science fiction horror film "C.H.U.D." directed by Douglas Cheek with Aaron and Derek. They discuss the budget constraints, the social and political commentary, and the appearance or lack thereof of creatures during the film runtime. They also cover what C.H.U.D. means in and outside the film, references through pop culture, both the disappointment and potential of the concept, and many other aspects of the movie. Derek is a pretty important fella, fella. Aaron's got a flamethrower. James is going to take this to the papers.

This episode, Derek and Aaron get into 1987's neo-noir psychological horror movie "Angel Heart" written and directed by Alan Parker. They talk about Mickey Rourke's noir detective performance, how the film tackles 1950s period piece between New York and New Orleans, and the portrayals of spirituality and religion. They also get into the disturbing nature of the horror by the end, the differences between this adaptation and the book "Falling Angel" by William Hjortsberg, noir versus neo-noir, and many other aspects of the movie. Aaron doesn't know anything, he's from Brooklyn. Derek can be a mouthful in Manhattan.