Once again, state violence in the novel have Emily and John pondering catastrophe and reality in our own world as readers…

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Our theme music is from “I Can’t See the Milky Way Anymore” by Alex Rudnick. We heartily encourage you to check out Alex’s music.

As climate legislations fails and devolves into police state hell, Matt flails in his relationships with Kate, and interrogates the nature of agency, love, and sex along the way.

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Our theme music is from “I Can’t See the Milky Way Anymore” by Alex Rudnick. We heartily encourage you to check out Alex’s music.

Escalate.
This podcast insists there is no accountability for lazy thinking in a boondoggle.

Emily
It wasn’t like she didn’t share the chapter’s disdain for the quasi-celebrities the climate non-movement kept spitting up. This wasn’t about Morris, though. For her to think about Fanon, the different registers and meanings of violence, and the gender politics of movements, something else must be going on.

John
Felt a thrill crawl up his legs and arms into the core of his chest. Finally, the opportunity arose to say they needed to consider Say Nothing, Italian feminist and workers’ movements, and internal social movement politics. He looked curiously toward Quinn, Allen, Shane, Kai, and Murdock as they debated whether or not to suddenly pick up the sword.

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Our theme music is from “I Can’t See the Milky Way Anymore” by Alex Rudnick. We heartily encourage you to check out Alex’s music.

An LLM political analyst leans too hard on the weather puns to report on the political upheaval impacting climate legislation in the US

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Our theme music is from “I Can’t See the Milky Way Anymore” by Alex Rudnick. We heartily encourage you to check out Alex’s music.

You push the boundaries of possibility for redemption as you once again fall into — but also explode — your familiar patterns.You feel the weather, the light, and the infinite sadness. 

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Our theme music is from “I Can’t See the Milky Way Anymore” by Alex Rudnick. We heartily encourage you to check out Alex’s music.

Jackie spearheads a counterintuitive ratf*** of an advertising strategy for the worst corporations in the world as she navigates her sex life and fights off an anti-nostalgic nostalgia

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Our theme music is from “I Can’t See the Milky Way Anymore” by Alex Rudnick. We heartily encourage you to check out Alex’s music.

Join your hosts Emily Crandall and John McMahon as they interview climate fiction podcasting experts John McMahon and Emily Crandall about Kate Morris’ interview on The Conversation podcast. They dive deep into right-left cancel culture horseshoe theory, the media, notions of violence and non-violence, ecofeminism, and more.

This episode is brought to you by AeroFresh and GreenBookie$.

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Our theme music is from “I Can’t See the Milky Way Anymore” by Alex Rudnick. We heartily encourage you to check out Alex’s music.

Alienated Young Men in 2029

Marveling at Markley’s Metafiction Multiplies

Gaza as an “auto-kill” zone: when and how do people get politicized?

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Our theme music is from “I Can’t See the Milky Way Anymore” by Alex Rudnick. We heartily encourage you to check out Alex’s music.

Ash struggles with the tension between the adequate and the possible — challenging coalitional concerns with dispassionate empiricism, disappointing climate hardliners, and ultimately presenting an assessment of Pres. Randall’s climate plan including a forecast of 7-15 feet of sea level rise by 2100 and 550 ppm by midcentury.

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Our theme music is from “I Can’t See the Milky Way Anymore” by Alex Rudnick. We heartily encourage you to check out Alex’s music.

The Climate Old Guard Forges Ahead As They Exit the Stage, But Have They Learned Anything About Politics?

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Our theme music is from “I Can’t See the Milky Way Anymore” by Alex Rudnick. We heartily encourage you to check out Alex’s music.