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After belated listening to Aesop for the first time a few weeks ago, we just HAD to review his two latest albums, both dropping in 2025. Who should check them out? Everyone? No one? Something in between? Find out what we think, and watch as we count down the ten best songs to dance to (if we ever dance again) and give you a playlist of five more songs to renew your passion for music.
What do you think of the new Aesop Rock albums? What are your favorite songs to dance to? Let us know in the comments!
Listen to the Extended Playlist (Spotify, YouTube)
Like/follow/subscribe to Extended Play
Join us on Patreon for exclusive playlists & a weekly newsletter
Fair Use Notice:
This episode features brief music clips used solely for purposes of criticism, commentary, or review, and are employed under the doctrine of “fair use” (17 U.S.C. § 107). These clips are owned by the original artists, composers, and recording labels, and we do not claim any ownership. All commentary and analysis is transformative. If you are the rights-holder and believe your content has been used improperly, please contact us.
By Extended PlayAfter belated listening to Aesop for the first time a few weeks ago, we just HAD to review his two latest albums, both dropping in 2025. Who should check them out? Everyone? No one? Something in between? Find out what we think, and watch as we count down the ten best songs to dance to (if we ever dance again) and give you a playlist of five more songs to renew your passion for music.
What do you think of the new Aesop Rock albums? What are your favorite songs to dance to? Let us know in the comments!
Listen to the Extended Playlist (Spotify, YouTube)
Like/follow/subscribe to Extended Play
Join us on Patreon for exclusive playlists & a weekly newsletter
Fair Use Notice:
This episode features brief music clips used solely for purposes of criticism, commentary, or review, and are employed under the doctrine of “fair use” (17 U.S.C. § 107). These clips are owned by the original artists, composers, and recording labels, and we do not claim any ownership. All commentary and analysis is transformative. If you are the rights-holder and believe your content has been used improperly, please contact us.