New year, new name! For the inaugural episode of We Love the Love, Will and Marc are celebrating(?) #TwilightAt10 with a look at the 2008 teen vampire romance phenomenon. They're joined by reformed Twi-hard Katie Cain, and the gang discusses the appeal of Twilight to adolescent girls, other books from their youth they'd like to see adapted, the role of Twilight in the evolution of fan culture, and the best Bob's Burgers side characters.

Plus: Is Kuchi Kopi a horcrux? Did anyone see G-Force? Why is everyone so obsessed with Bella? And are vampires always wet?

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Next week: GEOSTORM (2017)

IS THIS THE END OF HEART OF PODNESS? Find out in this one-year anniversary celebration(/requiem?)!

Join Will and Marc as they return to the first movie they ever watched for the show - Vincent Minelli's 1944 family musical MEET ME IN ST. LOUIS, starring Judy Garland and Margaret O'Brien!

This overstuffed episode answers crucial questions like: Why did Judy Garland say this was the movie she liked herself in the most? Why did a lighting technician get fired from production for attempted murder? Just how disastrous were the 1904 St. Louis Olympics? What don't nice girls do? And is ketchup soup?

Plus: Marc plays the hashtag game, the secret origin of Heart of Podness is revealed, the final #PDSummary is read, and for the second week in a row, Will tries to make up some songs.

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Next week: #TwilightAt10

Will, Marc, and special guest Fiona are all in this together as they attempt to make sense of the romantic, theatrical, and educational chaos that is the 2006 Disney Channel Original Movie HIGH SCHOOL MUSICAL.

Join in as they discuss their own experiences in high school musicals, DVD trailer packages, the Darbus-Coach Bolton duet that never was, and the difficulties of doing more than one thing.

Plus: How is this movie connected to GREASE 3? Does East High have a uniform? And just how dumb is Ryan Evans? Also Will sings some original music, and we get our penultimate #PDSummary!

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Next week: MEET ME IN ST. LOUIS and our one-year anniversary episode!

The podcast's ALIIIIIIIVVEEEEE!!!!! Will and Marc are celebrating Halloween by digging up an old movie: James Whale's 1935 monster sequel BRIDE OF FRANKENSTEIN!

Join in as they rave about Dr. Pretorius, barely-concealed gay subtext, 1930s movie censorship, Universal's aborted Dark Universe project, and the incredible career of Elsa Lanchester.

Plus: Why are there so few female movie monsters? How did they decide what words the monster should be able to speak? And just what moral is Mary Shelley trying to teach us here?

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Next week: HIGH SCHOOL MUSICAL (2006)

Time to rock, eh? Join Will and Marc as they jam into Edgar Wright's 2010 video game/punk rock/interdimensional travel/romance SCOTT PILGRIM VS THE WORLD.

Along the way, they catch up on fall TV, the thorny issue of liking a movie while not liking any of the characters, chart the pre-Marvel careers of Chris Evans and Bree Larson, and sing the praises of punctuality.

Plus: Why is it weird seeing a movie actually be set in Canada? Why did Edgar Wright have to direct some castmembers using hand gestures? Did Scott kill seven people? Who is G-Mna? And just what is the L word?

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Next week: BRIDE OF FRANKENSTEIN (1935)

Will and Marc are MFEO, an acronym familiar to both children and Rosie O'Donnell in Nora Ephron's 1993 transcontinental rom com SLEEPLESS IN SEATTLE.

Join in as Will and Marc discuss fate, bad maps, Venom, and Monaco, and Will shouts "It's news!" more often than is probably necessary.

Plus: Why did Marc think every character was going to die? Where does this movie fit in BoxOfficeMojo's list of New Year's movies? Is this a horror movie? Does Tom Hanks have a cute butt? And why can't we all be nicer to Bill Pullman?

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Next week: SCOTT PILGRIM VS THE WORLD (2010)

Will and Marc are off the deep end - will they ever reach the ground?

Find out as they cover the 1976 version of A STAR IS BORN, aka the Barbra Streisand vanity project nobody should ever watch. But you should join in as they discuss remakes, reboots, and relaunches, terrible kisses, water beds, and a musical group called the Oreos.

Plus: Why did Streisand's hairdresser get a producer credit? Why did director Frank Pierson publish an essay bashing his own movie before it came out? Why did star Kris Kristofferson say this project left him "cured of the movies"? (Hint: The answer to all of these questions is "Barbra Streisand.")

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Next week: SLEEPLESS IN SEATTLE (1993)

By the power of Ra! Returning to their ongoing coverage of DreamWorks animation, Will and Marc tackle the first one they put into production: 1998's THE PRINCE OF EGYPT.

Join as they explore little-known parts of the Exodus story, 90s animation studios, a stacked cast, and this movie's many soundtracks.

Plus: Why did this movie lead with a disclaimer? Why didn't Voldemort get any musical numbers? Who is Bobby Motown?

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Next week: A STAR IS BORN (1976)

Note: In this episode, Will says ARMAGEDDON was produced by DreamWorks. It was actually produced by Buena Vista (aka Disney); DreamWorks distributed was the international distributor for DEEP IMPACT.

Will and Marc dive back into the stack of DVDs Will bought in 2017 to look at Tim Story's 2002 neighborhood dramedy, BARBERSHOP. Join in as they look at the history of barbers, DVD extras, and the classic film "Eagles are Turning People into Horses."

Plus: Should you drink Eve's apple juice? What's going on with Cedric the Entertainer's voice? Whatever happened to Ice Cube? To top it all off, Will also coins a new word.

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Next week: THE PRINCE OF EGYPT (1998)

Will and Marc are branching out this week for their first episode fully dedicated to a movie about a same-sex romance: Mike Nichols's hilarious 1996 thongtacular, THE BIRDCAGE.

Join in as they discuss the astonishing achievements of this movie's cast and crew, marvel at Robin Williams's mustache, have an appropriate reaction to Christine Baranski, and shop for Laserdisc players. Plus: Is Kevin Keely just Lex Luthor in Congress? What are "dumps like a truck"? Do Armand and Albert know any women at all? All that, plus a new installment of #PDSummaries.

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Next week: BARBERSHOP (2002)