so just a dee doo dee this time!

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I'm baaaaaack!

Thanks to everyone who reached out.

Life got super busy and something had to give.

Yesterday I looked at my M8 that has been sitting next to my bed, patiently waiting. I picked it up and got lost for a few hours and I'm so glad I did. I had a great time making this and I'm looking to have a solid streak from here on out!

A drum loop sample from https://www.vvundertone.com/ is doing a lot of heavy lifting here. Highly recommend his stuff and YT channel.

Good to be back now that life has calmed down a little bit *fingers crossed*

Looking forward to catching up on everything I've missed.

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1 hour challenge. serum 2 + 909.

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Another week that took a complete u-turn, started with making an industrial track using samples form an old sample cd, however things went in a lush direction from there and ended up with this.  The only thing that remained was the first vocal sample, which really does not have an industrial vibe to it, despite being on an industrial techno sample cd.  Have a wonderful week everyone!

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Working Title – Interlude: Crazy 11

A fun experiment to coincide with my rhythm theory panel at next week's MAGWest.

This entire track is in 11 with two separate grooves that imitate the feeling of 4. The first is sliced off 12/8 feel written as 3+3+3+2 or 6+5. The second takes the 16th note subdivisions to make a more natural feeling 4/4 groove but with off-kilter phrasing.

Also I wrote it in Amiga cause I knew I could do it quick and easy lol

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› notes‹ notes

Hi there!  Thank you so much for your kind words and support last week.  It was awesome to read and not feel so alone with everything. Listening to music was the best distraction. 

The MRI itself wasn’t the worst but egh I hope I don’t have to do another anytime soon. I did get to take a peek of the results but they’re in medical terms and all that fun stuff so I’m patiently waiting for Tuesday’s appointment to get the full explanation.  Fingers, toes and beard crossed. \m/

The afib was still part of the band this week and made an appearance this morning as well. 

So today’s noodle is inspired by its energy zapping qualities and also hospital gowns. We have break dancing robots but not a gown technology that doesn’t let your bootay hang out? C’mon! 

I looked like a crazy person clutching my phone and loose tie to keep things.. cinched.. er… private :o

On that note…

Hope you had a good week 32, looking forward to your tunes. 

Thanks for stopping by 
<3

eric

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This week's back on the PureSalem Mendiola, but with a much slower, more intuitive piece. I'd started with a two-note figure (the first one you hear) in which the three subsequent iterations increase the time between the notes. Slightly, but it's a deliberate slowing-down as a variation. Then I worked around that. Some responses made room for the slower iteration, and some remained time-consistent. Other sections emphasize some simple chord progressions, as a kind of release to the tension-building of the rests. It seems to work!

Three tracks of PureSalem into the UA Volt. Left channel is the neck pickup; right channel is the bridge pickup, and a line using both pickups is panned center. (That one also gets the "vintage" circuit of the UA Volt.) There's a bit of convolution reverb send, and the usual compression/eq/limiter on the stereo.

The title comes from a coast-to-coast long-distance cycling route in England, part of which is Route 658. (I've not ridden it, but I'd like to.)

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woooooooooommmmmmmmmmmmmmmmmm weuurrrrrrrmmmmmmmmmmmmm

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Little experimental thing. 3 Saw oscillators with a filter lfo attached to each which speed is modulated by the note value (higher notes wobble faster than slower ones) with additions to a slight distortion to the bass voice, delay on the middle one and more reverb on the lead note.

Inspired by some star citicen gameplay

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