In this final part of my conversation with Dana Simpson, we get the most personal, as we talk about a planned project of Dana to chronicle her gender transition, then we discuss different ways that has affected her life and other work, as well as get into some political discussion and gender theory.

Continuing our conversation with Dana Simpson, this second part (of three) focuses primarily on “Phoebe & Her Unicorn,” and how it’s changed over the years. Then we touch on a couple of other projects as well, one finished, and one left incomplete.

We start a new conversation this week, this time talking to Dana Simpson, creator of “Ozy and Millie” (now Ozy and Milo), and the NYT Bestselling “Phoebe & Her Unicorn.” This first part starts with her education, then her work on family-friendly “Ozy and Millie” and the political cartoon called “I Drew This.”

We wrap up my interview with Judd Winick by starting on his decision to bring back Jason Todd (the 2nd Robin) from the dead as The Red Hood, then move on to his work during the New 52 at DC, the animated shows he worked on, and finally get to his decade-plus work writing and drawing the Hilo series of books. But first, a remembrance for another comics book professional who left us too soon.

In this 2nd of three parts of my interview with Judd Winick, we talk about his time on The Real World, the doors that opened and how he grew as a storyteller from writing about his experiences, leading to his comic book work for DC (and a little Marvel).

Starting at the very beginning of Judd Winick’s life, part one of this interview continues through to his college days, the value of an art education, and his early comic strip, “Nuts & Bolts.”

In this final part of my interview with Darick Robertson, we start by discussing his work with Garth Ennis and a couple of other writers for a second stint at Marvel, then move on to Happy and The Boys, the latter of which you’ll hear how Darick has been involved in the adaptation process. Finally we look to Darick’s future work, some of which actually involves going to his distant past.

In part two of this three-part interview, we mostly focus on The New Warriors run that was Darick’s first regular gig at Marvel, and then move into more of his creator-owned work, as well as discussing the differences between collaborating vs writing and drawing all on his own.

In this first part of my interview with legendary artist Darick Robertson, we cover his early love of comics and drawing, how he got his first creator-owned comic book, Space Beaver, published, and how that led into his first bit of work for Marvel and DC.

The last of the rerun episodes, as I wrap up my interview with J.M. DeMatteis. We talk Moonshadow, the Bwah-Ha-Ha era of JLI, his animation work, and other parts of his career.