Ayad Akhtar’s Pulitzer Prize–winning drama Disgraced changed Ruthie Fierberg’s life. In fact, it’s the whole reason this podcast exists. The play fused theatre and social justice for her. Theatre is not just a mirror to society, it’s a catalyst to change it. Listen to this 2-minute origin story. Part of the <a href="http://bpn.fm/">Broadway Podcast Network</a>. Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a>

Ayad Akhtar’s Pulitzer Prize–winning drama Disgraced changed Ruthie Fierberg’s life. In fact, it’s the whole reason this podcast exists. The play fused theatre and social justice for her. Theatre is not just a mirror to society, it’s a catalyst to change it. Listen to this 2-minute origin story. Part of the Broadway Podcast Network. Learn more about your ad choices. Visit megaphone.fm/adchoices

Ayad Akhtar’s Pulitzer Prize–winning drama Disgraced changed Ruthie Fierberg’s life. In fact, it’s the whole reason this podcast exists. The play fused theatre and social justice for her. Theatre is not just a mirror to society, it’s a catalyst to change it. Listen to this 2-minute origin story. Part of the <a href="http://bpn.fm/" rel="noopener noreferrer">Broadway Podcast Network</a>. Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices" rel="noopener noreferrer">megaphone.fm/adchoices</a>

Welcome, to Why We Theater

Social justice meets theatre in this podcast from Playbill’s former Executive Editor Ruthie Fierberg. Artists and experts unite for curated panels, using plays and musicals (Broadway, Off-Broadway, and works in development) as a jumping-off point to confront societal issues such as racism, colorism, voting rights, fake news, digital technology addiction, the school-to-prison pipeline, anti-Semitism, raising LGBTQIA+ kids, and more. We help listeners grapple with hard questions inside a play or musical in order to create change in our offstage lives. And don’t worry if you haven’t seen an individual episode’s show or if you’re not a theatre buff. Award-winning writers and directors of pieces like SCHOOL GIRLS; OR, THE AFRICAN MEAN GIRLS PLAY and THE PROM break down the message inside their stories and how they created that story. Then, real-world experts in the corresponding field (like NSA Jake Sullivan or THIS AMERICAN LIFE’s Ira Glass) offer advice and action steps (thought patterns to monitor, petitions to sign, organizations to support, etc.) so we can manifest progress. “Theater” is not only a place or a presentation, it is an action. “To theater” is to engage with art presented onstage. Why we theater? We’re about to find out.

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Welcome, to Why We Theater

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