So exactly how much money do you need for your feature film!?! Well, that’s a great question. No matter what size project you’re working on, two of the bigger components will be LOCATION and NUMBER of SHOOTING DAYS. Currently, we are attempting to nail down our locations and all costs associated with that. BUT how many days will we need to shoot? How many locations? How many days will each actor be needed? And how can we streamline all of that? That's where STRIPBOARDS come in. Don’t know what stripboards are or how they apply to your project? This week, we will attempt to shed some light on the subject and learn a few things ourselves.

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We’re not done figuring out how we’re going to pull together the scratch to make our first feature film but we are wrapping up this section so we can dive into the other aspects of developing a movie. Before we go, let’s recap some of the highlights and key takeaways. Plus we're gonna show a few of our cards and break down what our plan might be. Things can (and will) change as we start to knock on doors and put things in motion but we’re feeling pretty good about where we’re headed on this filmmaking adventure.

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There are as many ways to fund a feature film as there are filmmakers. This week we’re going to take a look at how Writer and Director Lauren Musgrove put together the backing she needed to make her directorial debut with “Ugly Sweater.” She’s fresh off the film festival circuit where they racked up eight film festival laurels along with three wins, a major feat for any feature. Now that she’s got this first feature under her belt, we’ve got a million questions, and Lauren is gracious enough to share her experiences with us.

Lauren is an eight-time Southeast Emmy Award-winning filmmaker. She serves as an Assistant Professor of Film and Television Production at the University of Georgia, and as a Board Member of the Athens Film Festival. Her feature directorial debut about teenage anxiety and imagination, Ugly Sweater, world-premiered at the Boston International Film Festival in 2024. She Co-Directed the Facebook-viral documentary series “People of Alabama,” and Produced a Southern slasher feature set in 1979: The Third Saturday in October, which is currently streaming on Shudder. Lauren is renowned for her keen storytelling abilities, commitment to ethical production practices, and proven success in audience engagement across various platforms.

View her portfolio: laurenmusgrove.com

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FIND LAUREN AND HER FILMS:

Instagram: @uglysweatermovie, @purplemagnetproductions, @laurenmustgrow

Facebook: Purple Magnet Productions

Website: purplemagnetproductions.com/uglysweater

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Another amazing interview ahead! Today, we’re talking to Ryan McDonough about how he funded his proof of concept short and then feature film, “Last Night in Rozzie.” We’ve known Ryan for years, and he is a riot, so we know this is going to be a good interview. Now that we’re diving into making our first feature, we gotta ask him a million questions. How did you secure your funding? What were the struggles? HOW THE HECK DID YOU GET JEREMY SISTO!?!?!?! (Be still, our “Clueless” obsessed hearts.) But mostly, Ryan is just a fun guy to chat with, so settle in, grab some popcorn, and let's see what we can glean today. @mcshowoff,

Ryan McDonough has enjoyed a 30-year career in entertainment, serving as an actor, host, emcee, writer, producer, and personality. His company name, McShowoff, embodied the spirit of a jack of all trades with no shame. Notably, Ryan gained significant recognition as "Cuervo Man"—a recently sober, professional party catalyst whose unique story was featured on "This American Life."

Motivated by becoming a father, Ryan wrote, produced and raised all funds for the award-winning independent feature, "Last Night in Rozzie.” The story was inspired by his growing up without a father in the Boston neighborhood of Roslindale, and by his long, slow recovery from alcoholism. “Rozzie" premiered in select U.S. theaters and via streaming in September 2021. Prior to the feature, Ryan also wrote, produced, and co-starred in an award-winning short film based on the same compelling script; the feature screenplay was a Scriptapalooza semifinalist.

Currently, Ryan leverages his extensive experience as a video product and program lead at Google. He resides in Long Beach, CA, with his wife and 11-year-old son, alongside their two beautiful German Shepherds.

WATCH Last Night in Rozzie:

https://www.amazon.com/gp/video/detail/amzn1.dv.gti.0b0950cb-11be-4ffa-97ff-087568af607e?autoplay=0&ref_=atv_cf_strg_wb

https://www.youtube.com/live/O3P7PbKXCgY

Or just search "Last Night in Rozzie" on all your streaming services

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RYANS SOCIALS

Instagram:

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https://www.instagram.com/lastnightinrozzie

Facebook:

www.facebook.com/ryanmcshowoff

www.facebook.com/RozzieMovie

www.facebook.com/McShowoff

X:

https://x.com/mcshowoff

http://x.com/lastnightrozzie

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Getting funding for your indie feature film…. the monumental task continues. While we all dream of a phone call from the big studios, you’ll probably have to find investors elsewhere. And sometimes magic strikes. We’re sitting down with Writer / Producer Hudson Phillips, who has two features under his belt. We will discuss how he obtained the money, managed those funds, and what he learned from his two projects that we can put to our own uses.

Hudson Phillips is a writer, producer, and founder of Mirror Box Films. He grew up in small-town South Georgia (thick accent and all) until his father relocated the family to Haiti to work as a pharmacist in remote mountain communities. After his dad unexpectedly passed away, Hudson returned to Atlanta (thankfully losing the accent) and fell in love with genre storytelling as a way to process his grief.

His first feature, the post-apocalyptic This World Alone, was released on Hulu, won Best Feature at six festivals and Best Screenplay at two, and earned a positive review in The New York Times. His second, the sci-fi romance Guacamole Yesterdays, is now available on major platforms following a nationwide 13-city theatrical tour and an award-winning 11-stop festival run.

Hudson has worked as a writer-for-hire and had an original spec optioned by Lions Gate Films. He’s also the author of Writing Unforgettable Characters and has taught screenwriting and indie film production at workshops and college campuses.

A former single dad to a now college-bound son, Hudson lives outside Atlanta with his wife, two rescue hounds, and a shit-ton of books.

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Hudsons Info:

Instagram: https://www.instagram.com/hudsonphillips/

Mirror Box Films:

Instagram: https://www.instagram.com/mirrorboxfilms

Facebook: https://www.facebook.com/mirrorboxfilms#

Head to www.mirrorboxfilms.com to find Guacamole Yesterdays and This World Alone

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Is crowdfunding for your indie feature film giving you minor heart palpitations? We get it! We’ve done a few ourselves, and we still think raising funds via Kickstarter sounds daunting. So we’re bringing in a pro to walk us through all the ins and outs of the successful campaigns she’s been a part of over the years. We are pleased to introduce you to Paul Rhodes. Actor, Director, Producer, Paula is the ultimate go-getter. You may have seen her in any number of commercials or heard her voice in some of your favorite video games and cartoons. What we are really jazzed about is her feature film, “Delicate State”, that was made possible in part by crowdfunding. And seriously, Paula just gives great advice when it comes to this stuff. We’re thrilled to get to pick her brain.

Paula Rhodes loves challenging the pick-a-lane mentality and has stretched her creative wings in various areas from playing a stable of characters that includes Resident Evil villains and two of Barbie's sisters, winning awards for screenplays, producing multiple series, directing a feature film over the course of her pregnancy that went on to win the Audience Choice Award at Dances with Films and get global distribution, and which currently has her helping the Witches to burn back with @burnedmovie.

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Where to find Paula:

IMDB: https://www.imdb.com/name/nm1955206/

Instagram: https://www.instagram.com/paula_rhodes

Burned: https://www.instagram.com/burnedmovie

Delecate State: https://tv.apple.com/us/movie/delicate-state/umc.cmc.3stxu0wymcs9n0inhtv7pu337

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Money makes the world go round. And it sure makes producing a feature film a whole lot easier. We are still deep in the development phase of our feature film, and we’re at a critical juncture… MONEY and BUDGETING. “Where's the money gonna come from?” Sets. Camera. Crew. Post Production. It’s all gotta be paid for, and the last time we checked our personal bank accounts, we were a few million short of the typical movie budget. So, how do we do this?!?! How much is this really going to cost? How do we get the money we need??? And when we get it, what do we do with it??? We are diving in! Budget. Funding. Greenlighting ourselves. Let's make it happen.

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🎙️ New to streaming or looking to level up? Check out StreamYard. We took the plunge and we're loving it so far. Try it out and get $10 discount! 😍 https://streamyard.com/pal/d/6309346902933504

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Many independent feature films are led by a director who has also penned their screenplay. So, what should you do if you have a script but aren't a director yourself? The answer is to find a director and do so early in the process. For us, a key part of building our core team was finding a director who was a good fit for “Turns Out” and our specific brand of comedy. Fortunately, we connected with the team from Evening Squire Productions while showcasing our short films at various festivals, and one half of the Evening Squire team is the very talented Director Mike Hayhurst. Fresh off making his first indie feature, “And Through the Portal We Go,” we have loads of questions about what a director does at this phase of a film's development. WHAT IS IT YOU DO, MIKE??!?!

Mike Hayhurst is an award-winning director and producer for film and theatre. Born and raised in the UK, he co-founded Evening Squire Productions in 2016 and has created multiple award-winning short films including BEAT; Cook With the Heart (currently in development as a feature film); Upside Down Plain Face; 15 Down; Oma starring Lynn Cohen; and The Pits, a live-action puppet short about a lonely avocado in NYC that Frank Oz called “really good and very sweet.” Most recently, his proof-of-concept mockumentary about professional Finnish hobby horse, Ava Keppihevonen, went viral and generated over 14.5M views.

His directorial feature debut, And Through the Portal We Go, premiered in 2024. Additional feature credits include Buck Run, The Trip to Bountiful with Cicely Tyson, and A Day Late and a Dollar Short with Whoopi Goldberg.

Previously, he spent four years as an Associate at Bill Haber’s Ostar Enterprises (Rizzoli & Isles, TNT; Beauty and the Beast, CW; Nothing to Hide, directed by Neil Patrick Harris at Signature Theater; various Broadway projects).

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The team! The core crew. Your closest production homies. Your filmmaking ride or dies. This week, we’re talking all about the very core team of people you bring on to walk the long trudge of making a feature film together. Making a movie is no small feat, and bringing on your Director, Producer, and Cinematographer in the development phase of the production can be crucial. But who do you need this early on in the process, and what exactly are they doing?! Well, let's talk about that.

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How do you make your first indie feature film? H O W !?! If our years of making short films have taught us anything, it's to ask questions of those who have been where we want to go. Better yet, ask those questions of creators who are a few steps ahead of you on the journey, rather than those who are years down the road. We are thrilled to sit down with filmmaker Jenny Waldo and ask her: How did you develop your first feature? With her successful debut feature under her belt and her second one in the works, Jenny is truly the perfect person to chat with!

A producer, writer, and director, Jenny Waldo’s feature film directorial debut, Acid Test, adapted from her award-winning short, premiered at the Austin Film Festival and was nominated for the Texas Independent Film Award by the Houston Film Critics Society. Experienced in both documentary and scripted storytelling, past credits include associate-producing the indie feature The Preacher’s Daughter which sold to Lifetime and the Starz feature documentary The Cutting Edge: The Magic of Movie Editing among various shorts, documentary series, and music videos. Her second feature, Mustang Martha, is in development and was a Nicholl Fellowship Quarterfinalist and participant of several development labs including the Stowe Story Narrative Lab. A graduate of USC's School of Cinematic Arts with a MFA in Film Production, Jenny educates and advocates for upcoming filmmakers through her consulting, volunteer work, and as a faculty member of Houston Community College’s Filmmaking Program. Specializing in based-on-true stories with personal and intimate films, her latest short, Twofer, premiering at the Houston Latino Film Festival, expands her directing work into the thriller genre!

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Find Jenny:

https://www.jennywaldo.com/

YouTube: https://www.youtube.com/@jenny-waldo

Instagram: https://www.instagram.com/jennywaldo

Facebook: https://www.facebook.com/jennifer.waldo.7

Wanna reach us? Email!

[email protected]

#filmmaking #womeninfilm #IndieFilmPodcast

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