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Milly Alcock shined in Supergirl but did the film hit the emotional notes it needed to?
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Supergirl is a fun but bumpy ride at the movies, Jackass: Best and Last brings on the nostalgia and the grossness.
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A double feature of "possibly victim to their own previous success" with Toy Story 5 and Disclosure Day.
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The toys are back in town... again (and again) but as Toy Story 5 tackles tech does it have anything new to say? The Death of Robin Hood gives us a grizzled look at the legend.
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Steven Spielberg returns to his extra terrestrial roots but does Disclosure Day strike a sense of other worldly wonder? The Furious is chaotically action packed in the best possible way. I Am Frankelda is a stop motion labor of love.
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He-Man and the Masters of the Universe return to the big screen in live action, but does it have the power?
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Spider-Noir shakes up the stylings of the Spider-Verse in a delightful way. Deli Boys returns for a bigger, zanier, second season. Star City expands on the universe of For All Mankind.
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We dive back into Star Wars with The Mandalorian and Grogu (or as we like to call it: "Baby Yoda and the Frick-lings") and try to decide if it's worth the big screen treatment.
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Star Wars returns to the big screen after almost 7 years, but did The Mandalorian and Grogu NEED to be a film? Meanwhile Boots Riley's latest film, I Love Boosters, has a message that gets muddled in the specifics.
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Obsession takes a classic monkey paw trope and tries to make it its own. Soul Mate is a slow but emotional burn.
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