Our politest disagreement yet comes from the body of Darren Aronofsky's The Whale and filmography. Also is The Pale Blue Eye just Tim Burton's Sleepy Hollow?

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Whoda thunk Edgar Allan Poe would star in a middling tale of woe in The Pale Blue Eye? Plus Women Talking is very true to the title, but is it compelling?

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New year, same us! We begin the new year with Rian Johnson's latests whodunit, Glass Onion: A Knives Out Mystery. Plus a look back at the highs and lows of 2022 in film and TV.

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A mixed bag of films to close out 2022 with Noah Baumbach's latest, White Noise, the return of Antonio Banderas in Puss in Boots: The Last Wish, and finally Vicky Krieps reigns in Corsage. 

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The theme this week is "unlikable characters" - some intentional, some unintentional... Benoit Blanc returns in Rian Johnson's Glass Onion: A Knives Out Mystery, Damien Chazelle takes on Hollywood history in Babylon, and finally Darren Aronofsky brings Brendan Fraser back to the big screen in The Whale. 

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You'll truly be surprised as to who had a whale of a time at Avatar: The Way of Water and Guillermo del Toro's Pinocchio is artful but still Pinocchio.

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James Cameron is finally back on Pandora with Avatar: The Way of the Water - and while we're all for his message of conservationism that does not mean we love a recycled story...

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Director Guillermo del Toro finally gets his stop-motion Pinocchio onto the big (and small) screens. Empire of Light has a ton of prestige elements, but feels like it fails to go beyond surface levels. 

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David Harbour is a surlier (and bloodier) Santa in Violent Night. Lee Jung-jae takes a crack at directing in a Korean spy thriller Hunt. 

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Was Steven Spielberg really the best person to tell his own origin story in The Fabelmans? Were we feeling any chemistry in our bones for Bones and All? Also questions about the origins and intentions of Disenchanted and The Guardians of the Galaxy Holiday Special abound.

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