It's all about family in Disney's 60th animated feature film, Encanto (but not in a Fast & Furious way sadly). Plus Peter Jackson's 10 kajillion hour documentary trilogy The Beatles: Get Back hits Disney+. 

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Itsa me! House of Gucci! Lady Gaga serves us camp to the max. Though was that the filmmakers intention? Probably not... Also Halle Berry makes her directorial debut with Bruised. If you're missing family drama for Thanksgiving The Humans might fill that chaotic hole in your heart. Plus does Hawkeye hit its target?

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Lots of challenges with stories refusing to be bold with their adaptations this week with: Ghostbusters: Afterlife, King Richard, tick tick... BOOM!, and The Wheel of Time Episodes 01 - 03. Plus our Sondheim smackdown.

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This week is all about tributes that might get too tangled up with their reverence for the source material or subjects with: Ghostbusters: Afterlife, King Richard, and tick, tick... BOOM!

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Is Spider-Man the Batman of the MCU? Is anyone in Red Notice actually doing any acting? Should Passing have taken one more pass at the script first? 

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Three of the biggest stars in the world (The Rock, Ryan Reynolds, and Gal Gadot) feature in Red Notice so what could go wrong...?! Also Ruth Negga and Tessa Thompson give us two different sides of the Black experience in Passing. 

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What does Eternals mean for the future of the MCU? Which of them is hottest? Also Kristen Stewart takes on Princess Diana in Spencer as Pablo Larrain continues his "depressed women" film series.

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Sci-fi, princesses, and cats! Oh my! Tons to review this week including a spoiler free look at the latest Marvel film, Eternals. Kristen Stewart stars as Princess Diana in Spencer. Tom Hanks talks to a robot in Finch. Benedict Cumberbatch makes cats popular in The Electrical Life of Louis Wain. Mother daughter duo of Honor Swinton Byrne and Tilda Swinton take on art school again in The Souvenir Part II. 

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We closed out spooky season with Edgar Wright's Last Night in Soho and the new A24 film, Lamb. How did our expectations based on the respective director and distributor impact our viewing process? Also ARE sheep scary?

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Two films with directors known for their distinct styles with Edgar Wright's Last Night in Soho and Wes Anderson's The French Dispatch. But style without substance does not necessarily a movie make...

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