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Chloé Zhao's Hamnet emotinoally breaks us in the best way possible. We have incredibly different viewing experiences for Fackham Hall.
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We love it when films inspire deeper conversations after having seen them and this week we've got two movies that do just that with Eternity and Rental Family.
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Chloé Zhao’s Hamnet is one of the most haunting and best films of the year. Left-Handed Girl is a love letter to Taipei. Fackham Hall satirizes the likes of Downton Abbey but is it satisfying?
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The new Zootopia 2 goes for a maximalist mammal (and reptile) approach. Eternity is the best and most romantic afterlife film we’ve seen since Defending Your Life.
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Important Wicked: For Good discussion points include: the efficacy of a full length cable knit come-hither sweater and what is the Scarecrow's junk made of?
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Should you spend a clock tick of your time (and money) on Wicked: For Good? Rental Family continues the Brenaissance in the best possible way. Train Dreams is a meditative tone poem of a film. Let Baloney Tony shepherd you through In Your Dreams.
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Edgar Wright takes on Stephen King's (sadly) still relevant The Running Man. The Horsemen return in Now You See Me: Now You Don't but do we wish the franchise was a disappearing act instead?
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We're here to bask in Guillermo del Toro's take on Frankenstein and dissect the rules of the world of Pluribus.
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An auteur themed week with four distinct visionaries left to their own devices, but is that always a good thing? We're watching Dan Trachtenberg shape several franchises with Predator: Badlands. Guillermo del Toro's 30 year in the making Frankenstein comes to life. Vince Gilligan is back in action with Pluribus. Lynne Ramsay teams up with Jennifer Lawrence and Robert Pattinson for Die My Love.
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Bugonia is one of those rare adaptations we think improves upon the source material.
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