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Troubled Island, an opera about Haiti by William Grant Still, was written in 1938 but had to wait 11 years for its first performance, which took place on today’s date in 1949.
That production was by the New York City Opera, and the original cast included baritone Robert McFerrin Sr., whose son, Bobby McFerrin Jr., also became a famous singer. Speaking of familiar names, the libretto for Troubled Island was written by Langston Hughes, and its dance sequences were choreographed by George Balanchine.
Still was born in Mississippi in 1895, studied music at Oberlin Conservatory and took private lessons from arch conservative composer George Whitefield Chadwick, as well as avant-garde firebrand Edgard Varèse. Like many composers active in the 1930s and ‘40s, he moved to Los Angeles to write for Hollywood, but also achieved fame as a preeminent African-American composer of concert works.
The critical reception to Troubled Island in 1949 was negative. One review wrote, “Troubled Island sounds rather as if the libretto of Tosca had been set to the music of The Desert Song.”
But with the hindsight of history, any project involving Still, Hughes and Balanchine sounds downright intriguing.
William Grant Still (1895-1978): Symphony No. 1 (‘Afro-American’); Detroit Symphony; Neeme Järvi, cond. Chandos 9154
By American Public Media4.7
176176 ratings
Troubled Island, an opera about Haiti by William Grant Still, was written in 1938 but had to wait 11 years for its first performance, which took place on today’s date in 1949.
That production was by the New York City Opera, and the original cast included baritone Robert McFerrin Sr., whose son, Bobby McFerrin Jr., also became a famous singer. Speaking of familiar names, the libretto for Troubled Island was written by Langston Hughes, and its dance sequences were choreographed by George Balanchine.
Still was born in Mississippi in 1895, studied music at Oberlin Conservatory and took private lessons from arch conservative composer George Whitefield Chadwick, as well as avant-garde firebrand Edgard Varèse. Like many composers active in the 1930s and ‘40s, he moved to Los Angeles to write for Hollywood, but also achieved fame as a preeminent African-American composer of concert works.
The critical reception to Troubled Island in 1949 was negative. One review wrote, “Troubled Island sounds rather as if the libretto of Tosca had been set to the music of The Desert Song.”
But with the hindsight of history, any project involving Still, Hughes and Balanchine sounds downright intriguing.
William Grant Still (1895-1978): Symphony No. 1 (‘Afro-American’); Detroit Symphony; Neeme Järvi, cond. Chandos 9154

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