John Badham’s “Saturday Night Fever” is so much more than a fun disco movie. Alex and Nick break down the film’s hilarious dinner conversations, John Travolta’s thrilling dance scenes, and the movie’s unexpected sequences of real life. 

Early in the episode, Alex shares his radical theory about “Pulp Fiction” that he’s been afraid to share for years.

Part 9 of the WAYW New Hollywood Film Project.

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The WAYW New Hollywood Film Project continues with a ‘70s classic, Sidney Lumet’s “Serpico.” Alex and Nick discuss Al Pacino in his first starring role, Lumet’s 50-year career, police corruption, whistleblowers, roast beef sandwiches, the real Frank Serpico, the maniac who co-wrote the screenplay, and much more.

For WAYW, the guys briefly review new films from Benny Safdie, Guillermo del Toro, Richard Linklater, and Yorgos Lanthimos.

Part 8 of the WAYW New Hollywood Film Project.

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There are no spoilers in this episode. As Alex and Nick give their glowing review of Paul Thomas Anderson’s “One Battle After Another,” topics include attending an LA premiere, the film’s Oscar chances, Alex’s recent brush with death, Nick’s recent brush with death, Top 5 Leonardo DiCaprio performances, re-ranking PTA’s filmography, meeting Colin Farrell, and much more.

For WAYW, the guys review new movies from Daniel Day-Lewis(!), Derek Cianfrance, Kathryn Bigelow, Luca Guadagnino, Rebecca Miller, Paul Greengrass, Edward Berger, and more.

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“Hey, listen, baby, I'm a star.” Alex and Nick discuss the ‘70s hangout movie masterpiece, “Shampoo.” Alex explains why star/writer/producer Warren Beatty set the film on Election Day 1968, before the guys break down the film’s production design, costumes, and hair, the unique charms of Julie Christie, Goldie Hawn, and Jack Warden, how the great Lee Grant was blacklisted from Hollywood and came back to win an Academy Award for the film, and much more.

Part 7 of the WAYW New Hollywood Film Project.

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Alex looks back at the 60-year career of Robert Redford. Topics include Redford’s best acting performances, his Oscar-winning directing work, the meme to end all memes, and how he helped start the careers of many of the best film directors working today.

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“Well, to tell ya the truth, I lied a little.” Alex and Nick break down one of the essential films of the New Hollywood movement, Roman Polanski’s “Chinatown.” The guys discuss their favorite Jack Nicholson performances, Polanski’s infamous career, Faye Dunaway’s disturbing performance, John Huston as one of the best movie villains of all time, Robert Towne writing one of the best screenplays of all time, and much more.

Part 6 of the WAYW New Hollywood Film Project.

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This episode begins with some spoiler-free 2025 movie news and reviews, before Alex and Nick dive into their favorite films of 1996 (23:19). Topics include Leo as Romeo, Depp as Dead Man, Frances as Marge, (maybe) the best action film of all time, the movie that changed horror, the indies everyone talked about, new and old tattoos, and much more.

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There are no spoilers in this episode. Alex breaks down the opening segment of Akira Kurosawa’s masterpiece, “High and Low,” before bringing Nick on to review Spike Lee’s remake, “Highest 2 Lowest.” The guys discuss Spike’s post-“Inside Man" career, seeing Denzel Washington in “Othello” on Broadway, other remakes of Kurosawa’s work, Matthew Libatique, Dean Winters, Jules Dassin, and much more.

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This is the weekend they didn’t play golf. Alex and Nick break down John Boorman’s masterpiece, “Deliverance.” The guys have an extended discussion on the horrifying attack sequence in the film, and the resulting impact it had on cinema and the culture. They also discuss Burt Reynolds’ breakout role, the film’s expert use of staging, how well Jon Voight plays drunk, Ned Beatty’s career, one of the most iconic music themes in movie history, and so much more.

Part 5 of the WAYW New Hollywood Film Project.

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Alex is watching John Carpenter’s “Halloween” once a week for all of 2025. In the latest installment of the WAWY New Hollywood Film Project, Alex and Nick discuss Alex’s crazy challenge, the film’s use of sound, cinematography, and editing, why “Halloween” is their favorite horror film, and how in the hell John Carpenter was able to write, direct, and score one of the most iconic films ever made with very little money. Totally.

Part 4 of the WAYW New Hollywood Film Project.

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