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A number of groups came out of the psychedelic pop scene in Northern England and Scotland in the late 80's including Primal Scream, Teenage Fanclub, Jesus and the Mary Chain, and The Soup Dragons. Their third album, Hotwired, was released in October 1992.
The Soup Dragons got their name from a character in a 1970's UK children's television series called "Clangers," which consisted of short films about a family of mouse-like creatures that live on a small moon-like planet. They speak only in a whistled language, and only eat green soup, which is supplied by the Soup Dragon.
The Soup Dragons lineup for this album were Sean Dickson on vocals and guitar, Jim McCullough on backing vocals and guitar, Sushil K. Dade on bass, and Paul Quinn on percussion. They started off as an indie-rock group, but switched to a more dance-rock oriented band when they were without a drummer and started using a drum machine on their second album.
The group received some club play with their first indie-dance track called "Mother Universe," but their first big hit was "I'm Free," a fast paced cover of the Rolling Stones song. They toured the U.S. for two years, and performed on both the David Letterman and Arsenio Hall late night shows.
The Soup Dragons would produce one more studio album after Hotwired, and would disband a year later in 1995.
We think you will enjoy the early 90's rock-dance groove of this most successful album of the Soup Dragon's discography.
Pleasure
Divine Thing
Sweet Layabout
Mindless
ENTERTAINMENT TRACK:
I Gotcha by Joe Tex (from the motion picture "Reservoir Dogs")
STAFF PICKS:
Jump Around by House of Pain
Jimmy Olsen's Blues by The Spin Doctors
Life Is A Highway by Tom Cochrane
At the Hundredth Meridian by the Tragically Hip
INSTRUMENTAL TRACK:
Forever In Love by Kenny G.
Thanks for listening to “What the Riff?!?”
NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.
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**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.
Hi Infidelity would be the biggest selling rock album of 1981, and would be the high water mark for REO Speedwagon. The band at the time was Kevin Chronin on lead vocals, Gary Richrath on lead guitars, Neal Doughty on keyboards, Bruce Hall on bass, and Alan Gratzer on drums.
REO Speedwagon started out in 1967, and the name comes from a 1915 truck called the REO Speed Wagon. Neal Doughty saw the name on the blackboard in his History of Transportation class as an electrical engineering major at the University of Illinois in Champaign, and thought the name was cool. The original lead singer for their 1971 debut album was Terry Luttrell, who would go on to be the vocalist for Starcastle after a breakup that involved Luttrell being left in a cornfield after a bad gig. Kevin Cronin came in for their second album, would leave during the recording sessions on their third album, then return in 1976 for their sixth album.
Cronin and Richrath wrote a lot of the music from 1977 on, and around this time long time bassist Greg Philbin left the band, either because of the changing split in money as the band became more commercially successful, or because of his lifestyle issues affecting the music (depending on who you ask). Bruce Hall joined thereafter for the recording of the album "You Can Tune A Piano, But You Can't Tuna Fish." That was their first top 40 album, including the singles "Roll with the Changes" and "Time for Me to Fly."
Hi Infidelity put them over the top. This was a pop-rock crossover, with more commercial appeal than previous rock-oriented efforts. The big song was the ballad "Keep On Loving You," which was everywhere in early 1981. High Infidelity would be the biggest selling rock album of 1981, taking the top spot on the Billboard 200, and certified 10 times platinum over time.
Thought they had a number of hits through the 1980's, Hi Infidelity would never be topped. Gary Richrath would leave the band in 1989. He reunited with the band in a concert in 1998, in 2000, and again in 2013 for a benefit concert. REO Speedwagon tours today with Doughty, Cronin, and Hall still in the lineup, joined by Dave Amato on guitar (formerly with Ted Nugent) and Bryan Hitt on percussion (formerly of Wang Chung).
Don't Let Him Go
Follow My Heart
Tough Guys
Take It on the Run
ENTERTAINMENT TRACK:
9 to 5 by Dolly Parton (from the motion picture 9 to 5)
STAFF PICKS:
Dreamin' by Cliff Richard
(Just Like) Starting Over by John Lennon
I Will Follow by U2
The Turn of a Friendly Card, part 1 by The Alan Parsons Project
INSTRUMENTAL TRACK:
The Gold Bug by The Alan Parson's Project
Thanks for listening to “What the Riff?!?”
NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.
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**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.
Queen's fourth studio album is the one that would launch them into super stardom and bring them personal financial success as well. A Night at the Opera got its name from the Marx Brothers film, and many consider it to be the best album Queen ever made.
The band lineup was Freddie Mercury on lead vocals, Brian May on guitar, John Deacon on bass, and Roger Taylor on drums. Backing vocals were performed by May and Taylor - John Deacon was the only band member who didn't sing.
The first three Queen albums were produced under a contract that resulted in the band receiving almost none of the money earned by the albums, and the group had to negotiate their way out of the deal with Trident Studios. A Night at the Opera was quite complex, and rumored to be the most expensive album ever made at the time. Recording took place in seven different studios on 24-track tape. June and July of 1975 was devoted to rehearsing and developing new material, and recording was done from August to November. Unlike many bands, the songwriting was done by all four band members. Many innovations were used including multitracked vocals, guitar overdubs, and various instruments including the grand piano, a Wurlitzer electric piano, double bass, gongs and timpani - but no synthesizers.
The album name was inspired by the Marx Brother's movie of the same name, which the band watched on VHS during recording sessions. They would subsequently befriend Groucho Marx, and would again reference a Marx Brothers film with their album "A Day at the Races."
A Night At the Opera would peak at number 4 on the Billboard 200, was the first Queen album to be certified platinum in the U.S., and would be nominated for two Grammy awards.
You're My Best Friend
'39
Love of My Life
Bohemian Rhapsody
ENTERTAINMENT TRACK:
Stardust by David Essex (from the motion picture “Stardust")
STAFF PICKS:
I Cheat the Hangman by the Doobie Brothers
SOS by ABBA
Blue Mist by Mama's Pride
Nights on Broadway by the Bee Gees
INSTRUMENTAL TRACK:
The Hustle by Van McCoy
Thanks for listening to “What the Riff?!?”
NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.
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**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.
The Troggs were a garage band from Andover, England who would come to be highly influential in the garage band genre of the 60's and the punk movement of the 70's. The name is a shortened version of troglodyte, a mythical cave dweller. The troggs wanted to create an earthy, raw feel in their music, and this inspired the name. Their debut album From Nowhere hit the stores in 1966.
The Troggs were a quartet with Reg Presley on lead vocals, and Ronnie Bonds on drums. Reg and Ronnie had been childhood friends in Andover, and formed The Troggs with Pete Staples on bass and Chris Britton on guitar. This lineup would have a number of hits in 1966 and 1967, including the perennial party song covered by garage bands around the world, "Wild Thing." The popularity of The Troggs would fall off after 1967, and they would have a number of iterations afterwards, but they always remained a quartet. They also would be highly influential on a number of groups including Jimi Hendrix and the Ramones. R.E.M. was influenced by them as well, and the Troggs would record an album with three members of R.E.M in 1992 entitled Athens Andover. Paul McCartney was once asked what band he would choose to be in if he were in a band other than the Beatles, and he chose The Troggs.
The Troggs still occasionally play today, and the sole original member of the band continuing with the group is Chris Britton. If you haven't heard this group before outside of "Wild Thing," we think you will appreciate the appeal of their raw approach to music.
Hi Hi Hazel
Wild Thing
I Just Sing
With a Girl Like You
ENTERTAINMENT TRACK:
Nashville Rebel by Waylon Jennings
STAFF PICKS:
Bang! Bang! by the Joe Cuba Sextet
Black Is Black by Los Bravos
96 Tears by ? and the Mysterians
Knock On Wood by Eddie Floyd
INSTRUMENTAL TRACK:
Summer Samba (So Nice) by Walter Wandersley
Thanks for listening to “What the Riff?!?”
NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.
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**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.
In the fall of 1984 there was nowhere you could go in the United States without hearing something off of Purple Rain, the album and the motion picture from Prince and The Revolution. This album was the sixth studio album by Prince, and the first to also bill the band, The Revolution (although the band was hinted at on the album 1999, being written backwards on the album cover). Prince would become a superstar with this album and film.
Prince (aka Prince Rogers Nelson) was born into a musical family. His mother was a jazz singer and his father was a pianist in a jazz group called the Prince Rogers trio. His father, John Lewis Nelson, went by the stage name Prince Rogers, from which Prince got his name. Prince was a multi-instrumentalist, prolific singer-songwriter, producer, actor, and director. He signed his first music contract with Warner Brothers Records at the age of 19, and had achieved considerable success with his albums “Dirty Mind,” “Controversy,” and "1999,” the last of which was a commercial success with “Little Red Corvette” receiving considerable airplay on MTV.
Purple Rain would spend 24 consecutive weeks atop the Billboard 200 chart. Prince required his management to obtain a deal for him to star in a major motion picture in the early 1980's, at a time when he was relatively unknown outside of a few pop and R&B hits. The film is loosely autobiographical, and follows Prince's character, the kid, as his relationships, family, and band fall apart. Things turn around when the kid opens up to others and his career is resurrected by a song with lyrics from his father and music from his band members. Hit songs would include “When Doves Cry” and “Let's go Crazy,” both topping the charts, and “Purple Rain,” which would hit number 2 on the charts.
Prince would go on to be a music icon, and estimates of the number of complete songs written during his lifetime range between 500 and 1000. Prince tragically died of a fentanyl overdose in 2016 at the age of 57.
This is an historic album and a torchbearer of a R&B/rock fusion genre that was literally everywhere in the fall of 1984. We hope you will listen to this album in its entirety.
Let's Go Crazy
Take Me With U
I Would Die 4U
Purple Rain
ENTERTAINMENT TRACK:
Theme from the television series “Miami Vice” - Jan Hammer
STAFF PICKS:
The Bird by Morris Day and the Time
If This Is It by Huey Lewis and the News
New Girl Now by Honeymoon Suite
A Girl In Trouble (Is a Temporary Thing) by Romeo Void
INSTRUMENTAL TRACK:
Shortberry Strawcake by Sheila E.
Thanks for listening to “What the Riff?!?”
NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.
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**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.
The Ramones are considered the first true punk band by many. Despite never having a lot of commercial success, the band achieved immortality as the founders of a rock genre, and inspired a multitude of bands to follow. Their debut album, self titled as Ramones started it all in 1976. The album came out in February but we're featuring it in the summer of 1976 which is considered the "summer of punk."
The Ramones got their name from Paul McCartney of The Beatles, who would check into hotels using the pseudonym "Paul Ramon." Each band member took on the Ramone name, so the band consisted of Joey Ramone on lead vocals, Johnny Ramone on guitar, Dee Dee Ramone on bass and backing vocals, and Tommy Ramone on drums and backing vocals. The Ramones came out of Queens, New York and got their start in 1974 playing at the Manhattan clubs like Max's Kansas City and CBGB's, where they would be regulars.
While the iconic look of the ban is imitated frequently, at the time of the hippie and glam rock popularity they stood out in their black leather jackets. The music was different as well - high energy, simple chords, and tight, short singles. They played fast, and they played loud!
Recording was fast as well. Sessions for this debut album were completed in a week at a cost of $6,400. The result gave the appearance of a do-it-yourself work which hid the very deliberate work with overdubbing and doubling vocals.
While the debut album was not considered a commercial success at the time, it has grown in stature over the years to the point that it clocks in a number 33 on Rolling Stone's 500 Greatest Albums of all time, and number 1 on Spin Magazine's list of "50 Most Essential Punk Records."
The group would tour almost continually from their founding until they disbanded in 1996. Unfortunately all four of the founding members of the Ramone's have died.
Friend of the show Ted Shomake joins us to highlight this iconic band and album.
Judy Is A Punk
Blitzkrieg Bop
53rd and 3rd
Now I Wanna Sniff Some Glue
Let's Dance
ENTERTAINMENT TRACK:
Theme from the motion picture “Logan's Run"
STAFF PICKS:
Don't Go Breaking My Heart by Elton John and Kiki Dee
Tear the Roof Off the Sucker (Give Up the Funk) by Parliament
Cherry Bomb by the Runaways
Tom Tauberts Blues by Tom Waits
INSTRUMENTAL TRACK:
Movin' by Brass Construction
Thanks for listening to “What the Riff?!?”
NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.
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**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.
Roger Waters is one of the best known rock celebrities, both as a founding member of Pink Floyd and as a solo artist after leaving the band. Amused to Death is his third solo album, and Waters considers it to be a continuation of The Wall. The name is inspired by the book "Amusing Ourselves to Death" by Neil Postman. The concept of the album is a television where the channels are continually being changed at random by an ape, and critiques the senseless obsession with T.V.
Waters had been politically critical for some time before this album, and he continues that critique as he examines the glamorization of war, greed and egotism, and the dumbing down of nearly everything through media and bureaucracy.
For this effort, Waters would be joined by a strong cast of session talent, including future American Idol Judge Randy Jackson, Jeff Porcaro, Patrick Leonard, and guitar virtuoso and Yardbirds alumni Jeff Beck. Waters also went with a more streamlined approach to the album, utilizing "real people playing real instruments," as he told the Los Angeles Times.
Amused to Death would be Waters last solo work for a long time, as the album "Is this the Life We Really Want?" would not appear for almost 25 years. Amused to Death is a great an underappreciated album, and we hope you will listen to it in its entirety as an excellent post-Pink Floyd concept.
Perfect Sense, Part 1
The Bravery of Being Out of Range
Amused to Death
ENTERTAINMENT TRACK:
Would? by Alice In Chains (from the motion picture soundtrack “Singles")
STAFF PICKS:
Constant Craving by k. d. lang
Dizz Knee Land by Dada
Start the Car by Jude Cole
Do I Have to Say the Words? by Bryan Adams
COMEDY TRACK:
Smells Like Nirvana by Weird Al Yankovic
Thanks for listening to “What the Riff?!?”
NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.
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**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.
While many bands of the 80's were focusing on the synth-heavy New Wave or screaming guitars of Hard Rock, one band was taking their inspiration from the 50's roots of Rock. The Stray Cats came out of New York in 1979 and developed a devoted following quickly, but moved to the UK after hearing of a revival of the 50's subculture there. Inspired by the Sun Records artists of the 50's, the Stray Cats combined Rockabilly and Punk genres to form their sound.
The Stray Cats were a trio with Brian Setzer on guitar and lead vocals, Lee Rocker on double bass, and Slim Jim Phantom on drums. They continued to tour and record in the UK, and released two albums there in 1981 before turning their interest back to the States. Their debut American album, Built for Speed, was comprised of songs selected from their first two albums released in England, plus the previously unreleased title track.
The group benefitted from having both a unique sound and air play on the then-new MTV. Unlike most music of the time, songs were short and tight, without synthesizers or more modern sensibilities. Also, unlike the music of the time, everything was stripped down to the bare essence in this group. Phantom's drum set consisted of just a few pieces, worlds away from the massive sets fielded by prog rock groups like Asia and Rush. Brian Setzer wrote most of the songs, and had the distinctive look that would become associated with the group.
Unfortunately, Setzer also tired of the group quickly, and the Stray Cats broke up in 1984. Setzer would go on to be the concert guitarist for the Honeydrippers (with Robert Plant as front man). The group would reunite frequently over the years, and each member continued to tour either with their own bands or in support of other musicians.
The group continues to tour off and on today, and released a new album in 2021.
Built for Speed
Rock This Town
Baby Blue Eyes
Stray Cat Strut
ENTERTAINMENT TRACK:
Flying Theme from the motion picture “E.T. the Extraterrestrial”
STAFF PICKS:
Space Age Love Song by A Flock of Seagulls
Tainted Love/Where Did Our Love Go? by Soft Cell
Wake Up Little Susie by Simon and Garfunkel
I Want Candy by Bow Wow Wow
COMEDY TRACK:
She Got the Goldmine (I Got the Shaft) by Jerry Reed
Thanks for listening to “What the Riff?!?”
NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.
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**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.
By 1973 Elvis had definitely not left the building. In fact, January 1973 would be the month that Elvis Presley would broadcast a concert live via satellite to 38 countries. The concert would air in the United States on NBC in April 1973, and would be the basis for the album we are featuring - Aloha From Hawaii via Satellite, the four-month delay being a result of a conflict with Super Bowl VII (which Miami Dolphin fans will recall as the culmination of Miami's undefeated season).
Colonel Tom Parker, Elvis's manager, got the idea of a live satellite broadcast from Richard Nixon's 1972 visit to China. There is also speculation that Parker took this step in lieu of an international tour to avoid revealing his status as an illegal immigrant in the United States (Parker was Dutch). The concert was scheduled at the conclusion of the fifty-nine show engagement at the Las Vegas Hilton.
The special was produced by Marty Pasetta, who had produced television specials for others like Perry Como, Glen Campbell, and multiple specials from Hawaii for Don Ho. Pasetta was concerned after seeing what he considered a lackluster live Elvis show in Long Island. Despite a dismissive stance from Colonel Parker, Pasetta took his ideas directly to Presley. He wanted a lower stage with a runway, allowing better audience participation. He wanted mirrors to frame the stage and neon lights to read "Elvis" in the language of all the countries to which the concert was broadcast. Finally, and most controversially, he wanted Elvis to lose weight for the show. Presley was impressed with his frankness, and took up his ideas, even embarking on an exercise routine at Graceland.
Aloha From Hawaii via Satellite would bookend the comeback era for Elvis which was started with his 1968 television special. Elvis would encounter difficulties in his family life, health, and prescription drug use that would eventually result in his untimely death in 1977.
Also Sprach Zarathustra/See See Rider
Burning Love
My Way
American Trilogy
ENTERTAINMENT TRACK:
Theme from the television series “Bonanza"
STAFF PICKS:
Papa Was a Rollin' Stone by the Temptations
You Turn Me On I'm a Radio by Joni Mitchell
Dixie Chicken by Little Feat
Living In the Past by Jethro Tull
FINISHING TRACK:
I Can't Help Falling in Love With You by Elvis Presley
Thanks for listening to “What the Riff?!?”
NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.
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**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.
While Under the Table and Dreaming may have been released in September 1994 as the debut studio album by the Dave Matthews Band, songwriter and guitarist David John Matthews was working as a bartender in 1990 when a friend encouraged him to get together with drummer Carter Beauford and record a demo of a few songs he had written. Matthews also brought in saxophonist LeRoi Moore, and the trio began working on songs in 1991. Beauford recalled the three piece band was, according to Wikipedia “Awful. Not just kind of bad, I mean heinously bad...Sometimes it amazes me that we ever had a second rehearsal.” Fortunately, they did have more rehearsals, as Matthews brought in Stefan Lessard on bass, Peter Griesar as keyboardist (he would leave the band just before the big breakout), and violinist Boyd Tinsley (in 1992).
The Dave Matthews Band built a following similar to the Grateful Dead through constant touring in the 1990's. They were famous for constantly changing their setlist and song arrangement so that no two concerts were the same, they also encouraged fans to record their performances, another similarity to the Grateful Dead. Armed with a solid following in Virginia and a live EP called “Recently” recorded earier in 1994, the DMB would enter the studio with famed producer Steve Lillywhite to produce this certified 6x Platinum album.
There has never really been a time when the Dave Matthews Band hasn't been popular since this debut. When they released their album “Come Tomorrow” in 2018, it debuted at number 1 on the Billboard 200, making DMB the first band to have seven consecutive studio albums debut at the peak.
This is a great album, and we know you will enjoy downloading it for your collection
Ants Marching
The Best of What's Around
Lover Lay Down
What Would You Say
ENTERTAINMENT TRACK:
Sympathy for the Devil by Guns 'N' Roses (from the motion picture Interview with the Vampire)
STAFF PICKS:
Plowed by Sponge
I'll Stand By You by the Pretenders
Need Your Lovin' by Tesla
6:00 by Dream Theater
INSTRUMENTAL TRACK:
#34 by the Dave Matthews Band
Thanks for listening to “What the Riff?!?”
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**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.
From the publisher's feed
Every episode of “WHAT THE RIFF NEXT GEN” brings a ROCK AND ROLL album that debuted on the U.S. Billboard charts during a random month between 1995 and 2005. Four Classic Rock fans discuss the artist and 4 tracks from the album as it plays in the background. Then we riff on 3 additional “staff picks” of other artists that were also on the charts during that month and year. You’ll hear Classic Rock bands that were still producing new work, as well as some newer Alternative and Grunge bands that were gaining momentum during this Millennium Y2K Period. We encourage you to find and purchase the tracks and albums from Apple Music, Spotify or your other favorite music service. Please subscribe so you don’t miss any release! In addition to “Next Gen” you can search our ORIGINAL “What the Riff?!?” episodes (1-373) covering 1965 - 1995. We also invite you to follow us and learn more about us @whattheriff on Facebook.
Disclaimer: What the Riff?!? is a music commentary and review podcast that highlights classic rock music through historical context, personal insights, and artist appreciation. We do not claim ownership of the songs featured, which remain the property of the original artists and rights holders. All music is used under the Fair Use doctrine for purposes of criticism, commentary, and education. We encourage our listeners to support the artists by purchasing and streaming their music legally.

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