Stu Watts chats with Jack Prest, who is a leading audio engineer and producer in Australia’s independent and alternative music scene, specialising in forward-thinking electronic, jazz, and experimental music. His credits include prominent Australian and international artists such as Sampa The Great, Godtet, Jonti, Tasman Keith, Omar Musa, Urthboy, Kelly Lee Owens, and labels like Stones Throw, Kitsune, and Future Classic. Jack’s approach is rooted in collaboration, ensuring the finished product reflects the artist’s unique vision.Jack cut his teeth as an in-house engineer at Studios 301, Australia’s oldest and most prestigious studio, where he’s worked with global icons like Skrillex, Flume, Brockhampton, ASAP Rocky, Billy Joel, and Bruce Springsteen. Jack operates out of Golden Retriever in Marrickville, Sydney.

How you can support the podcast:⁠⁠⁠⁠⁠⁠⁠

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⁠⁠⁠What's That Sound?⁠⁠⁠⁠

⁠⁠⁠⁠Stu Watts⁠⁠⁠⁠

Jack Prest⁠

⁠⁠⁠⁠Stu Watts website⁠⁠

Jack Prest website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Listen to Stu's work on Spotify⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Listen to Jack's work on Spotify⁠

Enquiries and suggestions: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠[email protected]⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ 

This episode is a discussion on how AI is impacting the music industry, hosted by Stu Watts and features guests Joe Carra (Grammy nominated mastering engineer) and Simon Moro (producer/engineer/mixer).

Joe Carra is the chief mastering engineer and owner of Crystal Mastering. With over 3 decades of experience, Joe has mastered for cassette, vinyl, CD, and in recent times, embraced the immersive audio of Dolby Atmos. In 2020 Joe received a Grammy nomination for Best Engineered Album, for the Teskey Brothers ‘Run Home Slow’ album. Joe has mastered various ARIA award winning albums and in 2023, was recognised with a nomination in the MPEG Awards for 'Mastering Engineer of the Year’. Joe’s credits include Pond, The Slingers, King Gizzard & The Lizard Wizard, Courtney Barnett, Amyl & The Sniffers, Genesis Owusu, The Murlocs, San Cisco, Babe Rainbow, Bliss N Eso, The Waifs and many more.

Simon Moro is a music producer, sound engineer, mixer and co-owner of The Avenue Recording Studio and has over 25 years of experience. His unique ability to empathetically connect with an artist and understand their vision was born out of training under Michael Brauer (Coldplay, The Kooks, Grizzly Bear) which taught him that capturing the essence of the artist is paramount to creating the best mix. Having worked with labels such as Sony and Mushroom, artists such as Anthony Callea and Allday, mixed and produced ARIA nominated albums, live albums, and television shows, he knows that no project is too bold and ambitious, and no detail is too minute to matter.

Chapters:

00:00 Intro

02:25 Joe's Client's AI-Generated Album

07:10 The Evolution of AI Music Generation

12:59 AI's Role in Music Production

20:43 Why Human Mastering Still Thrives Against AI

33:35 The Risk of Homogenised Music vs. Authentic Human Art

40:53 The Fight for Fair Credits and Royalties in AI Music

49:04 Using AI Tools Without Losing Creative Human Skills

01:01:15 Final Thoughts: AI, Copyright, and the Value of Human Effort

How you can support the podcast:⁠⁠⁠⁠⁠

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⁠⁠What's That Sound?⁠⁠⁠

⁠⁠⁠Stu Watts⁠⁠⁠

Joe Carra

Simon Moro

⁠⁠⁠Stu Watts website⁠

Crystal Mastering website

Simon Moro website

⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Listen to Stu's work on Spotify⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Listen to Joe's work on Spotify⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Enquiries and suggestions: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠[email protected]⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ 

Stu Watts chats with Mickey Nox (aka Stephan Nardella) who burst on to the Melbourne club scene in 2007 and soon had a reputation for playing the harder styles of dance music. This soon led to starting his own productions as a producer, and eventually full DJ sets of only original music in a time where if you wanted to hear the music, you’d simply have to go and watch him play. By doing this Mickey Nox amassed quite the following. This continued with years of DJ'ing several weekly residencies, headlining around Australia and then touring Europe & Asia multiple times.2019 was the start of his studio career as an engineer. 6 Years later his studio is growing from strength to strength and Mickey is mixing and mastering for many artist and labels around the globe.A real music lover, husband, father and hopeless guitarist. Mickey Nox is just getting started in his studio career.

How you can support the podcast:⁠⁠⁠⁠⁠

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⁠⁠What's That Sound?⁠⁠⁠

⁠⁠⁠Stu Watts⁠⁠⁠

Mickey Nox

⁠⁠⁠Stu Watts website⁠

Mickey Nox website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Listen to Stu's work on Spotify⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Listen to Mickey's work on Spotify

Enquiries and suggestions: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠[email protected]⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ 

Stu Watts chats with Josh Simons, who is the CEO of Australia’s only ASX-listed music company, Vinyl Group (ASX:VNL), and Founder of Vampr. Described as a visionary entrepreneur, Simons has raised $35M historically for his technology startups from various sources including venture capital, institutional, HNW, family office and angel groups. These ventures have seen him reside in Los Angeles, London, Sydney and Melbourne.Formerly known as Jaxsta, Vinyl Group launched in 2023 as a parent company encompassing its foundational brands—Jaxsta, Vampr, and Vinyl.com. Under his leadership, the company has acquired The Brag Media—publisher of Rolling Stone Australia and Variety Australia—as well as Mediaweek and Concrete Playground, combining them to form Vinyl Media, now one of the most influential youth publishing and cultural networks in the southern hemisphere. He has also led the acquisitions of Funkified Entertainment and Serenade.Simons is also the co-founder of Vampr, the world’s largest social-professional network for musicians and creatives, often dubbed the “LinkedIn for creatives.”Before transitioning to tech, Simons ran a record label, publishing arm, and film production company, and was the lead singer of indie rock band Buchanan. As a songwriter and producer, he has shared credits with Travis Scott, Troye Sivan, and Kanye West, and as a performer, has toured with Coldplay, Keith Urban, and Carrie Underwood.In recognition of his contributions to music and innovation, Simons was named to The Music Network’s 30 Under 30 in 2020, winning Reader’s Choice, and in 2024, received Young Entrepreneur of the Year honours from Business News Australia.

How you can support the podcast:⁠⁠⁠⁠⁠

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⁠⁠What's That Sound?⁠⁠⁠

⁠⁠⁠Stu Watts⁠⁠⁠

Josh Simons

⁠⁠⁠Stu Watts website⁠

Josh Simons website

Vinyl Group website

⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Listen to Josh's work on Spotify⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Listen to Stu's work on Spotify⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Enquiries and suggestions: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠[email protected]⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ 

Stu Watts chats with Tim Maxwell, who is a self-taught multi-instrumentalist, producer and mix engineer based in Melbourne, Australia. He first made his mark as the producer and frontman of the band Loser. Their debut album, Mindless Joy, was nominated for an Australian Music Prize in 2020, marking the start of Tim’s career as a producer. The follow-up album, All The Rage, achieved over 1 million Spotify streams, with two singles added to national radio rotation. The album was also nominated for Best Punk Release at the 2022 AIR Awards.In January 2021, Tim founded Restless Noise, his own studio and business. Through Restless Noise, he has worked with a diverse range of local and emerging artists, helping them shape their sound and reach their creative potential. Driven by a desire to collaborate with larger artists, Tim expanded his experience by working with Wrangler Studios, where he continues to refine his skills and position himself for high-profile projects.Tim’s growing reputation as a producer has led to opportunities with interstate bands, including Towns, Fangz, and Molly Rocket. Whether working in his own studio or collaborating with other artists, Tim remains committed to pushing creative boundaries and elevating the Australian music scene.

Chapters:

00:00 Intro/About Tim Maxwell02:21 What has changed over the past 3 years03:47 Working with interstate bands06:25 Rebranding and rebuilding Wrangler Studios07:30 Does the gear really matter?12:22 Make things sound good in the room13:21 Turning point moments16:12 Workflow improvements21:31 Don't compare yourself to others25:52 Does the mix translate everywhere?32:12 Inspiration/new habits34:42 What have you learnt about the music industry?38:23 Focus on enjoyment39:39 Advice to yourself from 3 years ago42:00 What continues to excite you?46:38 What Tim is focusing on in the near future47:34 Best bits of advice for producers/engineers and artists48:36 Conclusion/Outro

How you can support the podcast:⁠⁠⁠

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Follow on Instagram:⁠⁠⁠

⁠What's That Sound?⁠⁠

⁠⁠Stu Watts⁠⁠

⁠⁠Tim Maxwell

⁠⁠Stu Watts website

⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Listen to Tim's work on Spotify⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Listen to Stu's work on Spotify⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Enquiries and suggestions: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠[email protected]⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ 

Stu Watts chats with Myles Mumford, who has been making music and making records professionally since the late 90s. Starting trombone with his Dad, Monte Mumford, he completed a Bachelor of Performing Arts (Music) with trombone and composition before moving to Melbourne in 2002 to study at the VCA. After completing a Graduate Diploma in Dramatic Art (sound) Myles took over the operation of the VCA recording studio and hasn't looked back. Since then he has worked extensively across all spheres of music and audio creation including record production, music and effects for film, music and effects for theatre, location recording, concert production and more. He is well known for his musical and collaborative approach to recording, and his ability to create a sense of presence and space. Myles’ productions can be heard across all forms of media and regularly receives critical acclaim in the form of featured singles, featured albums, or album of the week. He's had a few albums nominated for ARIAs, several Bell Award winning productions, many Age and Music Victoria awards, a Green Room award, APRA awards and various others along the way. In 2012 - 2013 Myles volunteered for 12 months in Swaziland for Lusweti - Institute For Health Communication and Development through Australian Volunteers International. During this time Myles produced two weekly one hour radio shows on the National broadcaster SBIS, worked with local builders to design and build a recording studio, developed radio content, trained local staff, collaborated with the Swazi Community Radio Initiative, produced several albums of local artists and his productions featured in the Swazi Top 20 every week for more than a year. In 2014 he spearheaded the formation of Rolling Stock Recording Rooms in Collingwood which has quickly become an incredibly active hub of music making across all genres of Melbourne music with hundreds of projects in the ensuing 10 years and in 2025 was named as the MPEG Studio of the Year. In addition to producing and engineering, Myles is a multi-award-winning composer and performer. He has composed for concerts, theatre, and contemporary dance, with his work being performed across Australia and internationally.

Chapters:

00:00 Intro02:17 About Myles Mumford03:09 Early experiences with music10:04 Appreciating a broad range of music genres11:16 The technical side of making records13:40 Moving into production15:17 What is "good music"?19:28 Early days producing and engineering21:49 How his approach has changed23:47 Coaching an artist through a recording session28:29 About Rolling Stock Recording Rooms34:02 The wealth of talented producers and engineers in Melbourne (and the rest of Australia)36:31 The lack of support from our government and governing bodies43:39 The difficulties of being a producer/engineer50:00 Dealing with FOMO52:34 Respect and sacrifice1:00:47 What's Myles looking forward to1:04:55 Best bits of advice for producers/engineers and artists1:10:07 Conclusion/Outro

How you can support the podcast:⁠

Subscribe on YouTube⁠

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What's That Sound?⁠

⁠Stu Watts⁠

⁠Myles Mumford

Rolling Stock Recording Rooms

⁠Myles Mumford website⁠⁠⁠⁠⁠⁠⁠

Rolling Stock website

⁠Stu Watts website⁠

⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Listen to Stu's work on Spotify⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Enquiries and suggestions: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠[email protected]⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ 

Stu Watts chats with Louis Montgomery, who is a Melbourne based music producer, mix engineer, recording engineer, composer, and musician; working mostly between Canberra, Melbourne, and Sydney. 

Louis graduated from the ANU with a Bachelor of Music - First Class Honours. In this, Louis specialised in Creative Recording and was awarded the prestigious Bernard Neumann Memorial Prize, The Peter and Lena Karmel Anniversary Award, and The Friends of the School of Music Transition Award. During his studies, he also partook in a number of recording studio internships around Australia, including: Studios 301, Sydney; Sing Sing Studios, Melbourne; Infidel Studios, Canberra; work experience with ABC Classic FM, and assisted Magoo (Dr Lachlan Goold), Brisbane. 

Over his career his work has amassed 160+ million streams. His work with Callum Henshaw resulted in an Album of the Week on Classic FM; his work with SAFIA resulted in an Album of the Week on Triple J, 5 songs in the Hottest 100, and in 2016 saw the band nominated for an ARIA Award. He has been awarded multiple Gold and Platinum singles, as well as a Gold Certified album. He has worked at Abbey Road Studios, London; Studios 301, Sydney; Sing Sing Studios, Melbourne; Golden Retriever, Sydney; Rolling on the River, Tasmania; and Supersize Recording Studio, Budapest. In 2018 he was part of a team that won Best Sound for Interactive Media at the Australian Screen Sound Guild Awards. In 2022 Louis was nominated for Industry Legend of the Year at the Music ACT Music Awards, in 2024 he produced the Music ACT Music Awards Release of the Year (Flik - Stormchaser), in 2025 he was nominated for MPEG Breakthrough Producer of the Year. 

Chapters:00:00 Intro02:11 About Louis Montgomery02:32 Early experiences with music08:25 Discussing the education system10:36 Early experiences of sound engineering14:20 Interning and assisting22:39 The importance of extensive demoing25:52 How to navigate when things aren't going right29:22 What is a "great mix"?32:57 A discussion about mix notes37:14 There's no answer for how to create the "perfect" piece of art39:02 What Louis has learnt about business over the years42:45 Networking and relationships45:15 Recording live and to tape52:10 What's coming up for Louis55:01 Best bits of advice for producers/engineers and artists56:41 Conclusion/Outro

How you can support the podcast:Subscribe on YouTube

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Donate

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Stu Watts

Louis Montgomery

Louis Montgomery website⁠⁠⁠⁠⁠⁠

Stu Watts website

⁠⁠⁠⁠⁠⁠Listen to Louis' work on Spotify⁠⁠⁠⁠⁠⁠

⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Listen to Stu's work on Spotify⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Enquiries and suggestions: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠[email protected]⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ 

Stu Watts chats with Nick Franklin, who is a mastering engineer, (sometimes) recording and mixing engineer and the owner of electronic gadget company Franklin Audio.Nick grew up in a small coastal town on the mid-north coast of New South Wales, playing in bands and recording music with friends. His parents were incredibly supportive—soundproofing the garage, helping him buy his first recording equipment, and ultimately encouraging him to pursue his dream of moving to the city to study audio engineering.Shortly after completing his studies, a chance encounter with legendary mastering engineer Rick O’Neil led to a position as an assistant engineer at Turtlerock Mastering, then the largest mastering studio in Australia. The role proved to be an intense crash course in mastering and client work, laying a strong foundation for the rest of his music career. Like many studios, however, the Turtlerock building was eventually demolished to make way for apartments, leaving Nick jobless and uncertain about the next step.In search of steady work while figuring out his next move, Nick accepted a lecturing role at JMC Academy, teaching Pro Tools, electronics, and music production. It wasn’t long before he became fully immersed in the world of education, eventually taking on the role of full-time studio manager. In that position, he oversaw the campus’s relocation to Ultimo and the commissioning of four large-format consoles. During a studio tour for local producers, he connected with a studio owner in need of a new house engineer—an opportunity that brought him back into the professional audio world.Over the next five years, Nick recorded hundreds of artists and bands at Linear Recording, refining the craft of capturing live instruments. During this time, he also built his own studio just a block away—poetically located in the newly established Turtlerock Mastering building.Alongside his music career, Nick had been nurturing an electronics business, which he officially launched in 2021. That same year, he was once again forced to demolish his studio to make way for development. This time, he chose not to rebuild, instead committing full-time to Franklin Audio. Since then, the company has grown into a six-person team with customers around the world.

Chapters:00:00:00 Intro00:03:35 About Nick Franklin00:04:15 Early experiences with music00:09:11 Learning audio at JMC00:13:27 After college and Rick O'Neil's mentorship00:18:40 Key learns from his early mastering experiences00:22:35 The next stage of Nick's journey as a lecturer00:28:35 Meeting Chris from Linear Recording00:31:02 Reflections on the higher education system00:35:11 How Franklin Audio got started00:41:52 How Nick's previous experiences help with running a business00:45:36 How Franklin Audio approaches social media00:54:14 What can a producer/engineer learn from a business owner?00:57:17 What is still surprising/exciting about being around music?00:59:46 What's coming up this year01:00:51 Best bits of advice for producers/engineers, artists and business owners01:06:02 Conclusion/Outro

How you can support the podcast:

⁠⁠⁠SUBSCRIBE ON YOUTUBE⁠⁠⁠

⁠⁠⁠BUY SOME MERCH⁠⁠⁠

⁠⁠⁠DONATE⁠⁠⁠

Follow on Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@whatsthatsoundpodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Stu Watts: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@stu.watts.audio⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Nick Franklin: ⁠⁠⁠⁠⁠@fricknanklin⁠Franklin Audio: ⁠⁠⁠⁠⁠@franklin_audio

⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Stu Watts website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Nick Franklin website⁠⁠⁠⁠⁠

Franklin Audio website

⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Listen to Stu's work on Spotify⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

⁠⁠⁠⁠Listen to Nick's work on Spotify⁠⁠⁠⁠

Enquiries and suggestions: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠[email protected]⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ 

Stu Watts chats with Hayden Lauersen, who is a mix engineer and record producer based in Melbourne, Australia. With a background in songwriting and production of original works, he offers a premium service tailored to the artist experience, highlighting emotional expression with compelling sonics. Studio credits include Kate Ceberano, Clare Bowditch, Haiku Hands, Tentendo, ISHAN, Kee’ahn, Sophiya, Woodes, RARIA, Blush’ko, AKOSIA and Shannen James, along with Future Classic, Universal Music, Island Records, Spinning Top Music, Ivy League Records, Sidekick Music and many more. His work has been hand picked by Zane Lowe, played on BBC Radio 1, KCRW, Triple J, Fox FM and Nova, accumulating over 60 million Spotify streams.

Chapters:00:00:00 Intro00:03:08 About Hayden Lauersen00:07:20 Early experiences with music00:13:16 How Powderfinger and Silverchair changed Hayden's life00:20:10 High school and beyond00:25:38 First experience in a studio with Dylan Nash00:29:35 Getting into mixing00:31:15 Beginning to charge clients00:34:14 Touring with Woodes00:36:38 Being surrounded by other successful artists00:39:16 Working in a commercial studio00:46:28 Hayden's mixing process00:50:16 Benchmark to aim for in a mix/referencing other mixes00:53:33 Sample replacement when mixing00:56:15 Focus on user experience when delivering mixes01:02:28 What Hayden is excited about for this year01:06:16 Best bits of advice for producers/engineers and artists01:13:25 Conclusion/Outro

How you can support the podcast:

⁠⁠SUBSCRIBE ON YOUTUBE⁠⁠

⁠⁠BUY SOME MERCH⁠⁠

⁠⁠DONATE⁠⁠

Follow on Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@whatsthatsoundpodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Stu Watts: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@stu.watts.audio⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Hayden Lauersen: ⁠⁠⁠@haydenlauersen

⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Stu Watts website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Hayden Lauersen website⁠⁠⁠⁠

⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Listen to Stu's work on Spotify⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

⁠⁠⁠Listen to Hayden's work on Spotify⁠⁠⁠

Enquiries and suggestions: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠[email protected]⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ 

Stu Watts chats with Stefan Du Randt, who is one of the select few engineers who work exclusively from Studios 301 and has capitalised on that by building a reputation as a prolific producer, mixing and recording engineer.

Chapters:

00:00:00 Intro

How you can support the podcast:

⁠SUBSCRIBE ON YOUTUBE⁠

⁠BUY SOME MERCH⁠

⁠DONATE⁠

Follow on Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@whatsthatsoundpodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Stu Watts website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Stefan Du Randt website⁠⁠⁠

⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Listen to Stu's work on Spotify⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

⁠⁠Listen to Stefan's work on Spotify⁠⁠

Enquiries and suggestions: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠[email protected]⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠