What's That Sound?

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Stu Watts chats with Jonathon Tooke, who is a songwriter, engineer and producer based out of Naarm/Melbourne. Involved in a wide variety of recording and performance projects for the last 13 years, he has filled a mixture of technical and creative roles, including those involved in his own project Cry Club.In 2019, he made the move to Melbourne to explore the opportunities emerging for Cry Club, but also found himself an in-demand producer for the local queer community’s musicians. Artists such as Suzi, Bec Stevens, Eaglemont and OH! Daisy have established long running collaborations with Jonathon, while also attending to writing and producing for Cry Club. His credits now also include artists such as Aleksiah, Inaugural, Pretty Bleak and Darcie HavenCurrently, he finds himself balancing his time between songwriting sessions, touring with Cry Club, WAAX and Pretty Bleak, production sessions, musical direction and many other technical and creative audio roles.

How you can support the podcast:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

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⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠What's That Sound?⁠⁠⁠⁠⁠ on Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠

⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Stu Watts⁠⁠⁠⁠⁠ on Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠

⁠Jonathon Tooke on Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠

⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Stu's Website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

⁠Jonathon's Website⁠

⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Listen to Stu's work on Spotify⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

⁠Listen to Jonathon's work on Spotify⁠

Enquiries and suggestions: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠[email protected]⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ 

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Stu Watts chats with Joel Farland who is the music director and composer trusted to deliver stadium scale with orchestral precision for many of the world’s biggest artists, brands and events. Founder of Far Land Creative, Joel is equally at home with Parkway Drive as he is on a luxury runway. His expertise stems from a conservatoire education – First Class Honours from the Royal College of Music, London – tempered by tour smarts from years on the road. He has music directed for 50 Cent, Charli XCX and Rita Ora, co-produced with Tones and I on her feature in Aquaman 2, led the music on ABC New Year's Eve since 2020 and built the TikTok Awards performance segments four years running. His ceremony work spans the Australian of the Year, Global Citizen Nights, Cartier's Inter-Regional High Jewellery Gala, the First Nations concert First and Forever, and the 2026 Asian Women's Cup where he was ceremonies music director and composer of the tournament anthem.

As a producer, he has recently made records with Tones and I, Peach PRC, Matt Corby, Kita Alexander and Midnight til Morning, and is currently producing Parkway Drive's live symphonic album and concert film, Home.

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⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠What's That Sound?⁠⁠⁠⁠⁠ on Instagram⁠⁠⁠⁠⁠⁠⁠⁠

⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Stu Watts⁠⁠⁠⁠⁠ on Instagram⁠⁠⁠⁠⁠⁠⁠⁠

Joel Farland on Instagram⁠⁠⁠⁠⁠⁠⁠⁠

⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Stu's Website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Joel's Website

⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Listen to Stu's work on Spotify⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Listen to Joel's work on Spotify

Enquiries and suggestions: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠[email protected]⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ 

Stu Watts chats with Darius Papak, who is a Melbourne-based recording/mix engineer, and music producer specialising in Indie-Pop Rock, Rock and Pop-Folk. Working out of his inspirational, sunlit Mudbrick Studio in Lower Plenty, he creates warm, organic, and thoughtfully crafted productions that prioritise artistic vision and sonic exploration.With over 20 years of experience writing and recording music and having worked with various producers and engineers, he has honed his approach towards production to ensure the artist knows he cares about their vision and their music.Darius draws inspiration from producers renowned for their innovative soundscapes and artist-empowering approaches, including Sylvia Massy, Dan Nigro, Catherine Marks, and Shawn Everett. His process emphasises patience and openness, ensuring he's never satisfied until the artist is.

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⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠What's That Sound?⁠⁠⁠⁠⁠ on Instagram⁠⁠⁠⁠⁠⁠⁠

⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Stu Watts⁠⁠⁠⁠⁠ on Instagram⁠⁠⁠⁠⁠⁠⁠

Darius Papak on Instagram⁠⁠⁠⁠⁠⁠⁠

⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Stu's Website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Listen to Stu's work on Spotify⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Enquiries and suggestions: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠[email protected]⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ 

Stu Watts chats with Craig Kemp, who is a Melbourne-based producer, mixing engineer, and songwriter who brings over a decade of music industry experience and a foundational background as a guitar teacher to his deeply collaborative studio process. Infusing his work with a mentor’s patience and insight, he helps artists articulate their vision and uncover the truest, most powerful versions of their songs while ensuring the creative environment is built on trust and inspiration. Craig's production and compositions have achieved broad commercial reach, featured across advertising campaigns, independent short films, and the major streaming platform Stan. Ultimately free of ego, Craig’s core mission remains steadfast whether scoring for the screen or shaping a record: to craft authentic, connected final mixes that enhance a project's emotional narrative and allow the music to speak honestly to the artist’s intent.

How you can support the podcast:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

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⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠What's That Sound?⁠⁠⁠⁠⁠ on Instagram⁠⁠⁠⁠⁠⁠

⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Stu Watts⁠⁠⁠⁠⁠ on Instagram⁠⁠⁠⁠⁠⁠

Craig Kemp on Instagram⁠⁠⁠⁠⁠⁠

⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Stu's Website⁠⁠⁠⁠⁠⁠⁠⁠⁠

⁠⁠Craig's Website⁠⁠⁠⁠

⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Listen to Stu's work on Spotify⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Listen to Craig's work on Spotify⁠⁠⁠⁠⁠⁠⁠⁠

Enquiries and suggestions: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠[email protected]⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ 

Stu Watts chats with Malcolm Besley. With gold and platinum records, an ARIA nomination and four triple j feature album’s; Malcolm’s work is recognised world-wide. Based out of his own studio in Melbourne, Malcolm has produced and mixed for artists such as Northeast Party House, Slowly Slowly, Partiboi69, City Calm Down, Client Liaison, Shouse and many more. His approach to production is one of nurturing integrity, fidelity and character.

How you can support the podcast:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

⁠⁠⁠⁠⁠⁠⁠⁠⁠Subscribe on YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

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⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Stu Watts⁠⁠⁠⁠⁠ on Instagram⁠⁠⁠⁠⁠

⁠Malcolm on Instagram⁠⁠⁠⁠⁠

⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Stu's Website⁠⁠⁠⁠⁠⁠⁠⁠

⁠Malcolm's Website⁠⁠⁠

⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Listen to Stu's work on Spotify⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Listen to Malcolm's work on Spotify⁠⁠⁠⁠⁠⁠⁠

Enquiries and suggestions: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠[email protected]⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ 

Stu Watts chats with Miggy, who is a Sydney-based producer, songwriter and multi-instrumentalist working across R&B, hip-hop and pop.His credits span a range of established and emerging artists including Day1, Amanda Reifer, Sam Fischer, QUIN and Keiynan Lonsdale, alongside a plethora of works that have connected with major publishing and label systems.With a track record across artist releases and sync placements, including projects with Warner Chappell Music, Sony Music, BMG, UMPG and Netflix, Miggy operates at the intersection of culture and commercial viability.Currently further scaling his reach into international territories, Miggy’s work remains defined by a sonic signature of collaborative chemistry, emotionally resonant, genre-fluid production with a strong crossover appeal designed to stick.

How you can support the podcast:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

⁠⁠⁠⁠⁠⁠⁠⁠Subscribe on YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠

⁠⁠⁠⁠⁠⁠⁠⁠⁠Buy some merch⁠⁠⁠⁠⁠⁠⁠⁠⁠

⁠⁠⁠⁠⁠⁠⁠⁠⁠Donate⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

⁠⁠⁠⁠⁠⁠⁠⁠What's That Sound?⁠⁠⁠⁠⁠ on Instagram⁠⁠⁠⁠

⁠⁠⁠⁠⁠⁠⁠⁠⁠Stu Watts⁠⁠⁠⁠⁠ on Instagram⁠⁠⁠⁠

Miggy on Instagram⁠⁠⁠⁠

⁠⁠⁠⁠⁠⁠⁠⁠⁠Stu Watts Website⁠⁠⁠⁠⁠⁠⁠

Miggy Website⁠⁠

⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Listen to Stu's work on Spotify⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Listen to Miggy's work on Spotify⁠⁠⁠⁠⁠⁠

Enquiries and suggestions: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠[email protected]⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ 

Stu Watts chats with Sophie Edwards. The past few years for Sophie have been a whirlwind of music and creativity. After being the first Australian to study a Masters of Songwriting and Production at the Berklee College of Music in New York City, Sophie returned back to Australia to begin an unstoppable trajectory in her home country. Her first release post-homecoming “4kInMyBrain” received airplay on Triple J and across the independent radio network, and her follow up single “4 Walls and A Telephone” secured her a performance at Spilt Milk as the Triple J Unearthed winner. She has also performed at BIGSOUND, Stonefest, and Groovin The Moo.Sophie represented Australia as a songwriter and producer at the Martin Garrix Academy, travelling to Amsterdam thanks to sponsorship by JBL Audio. She was chosen to be a producer at APRA AMCOS SongHubs Looped, and in 2025, was invited to perform at Spilt Milk as a local artist. Sophie loves working with emerging Australian artists, and bringing her sonic signature and fun energy to writing rooms across the globe. She is a nominee for “Breakthrough Producer of the Year” at the MPEG Awards for 2026. As a producer and a co-writer, Sophie has worked with artists such as Kimbra, Jerry Barnes (bassist for Nile Rodgers), Jared Benjamin, Lara Buchanan, and Jade Alice, and regularly collaborates on projects for brands such as JBL, APRA AMCOS, ANU, Casio, and Ableton.Sophie is currently hard at work on her debut self-produced album “Bouquet”, with releases slated throughout 2026.

How you can support the podcast:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

⁠⁠⁠⁠⁠⁠⁠Subscribe on YouTube⁠⁠⁠⁠⁠⁠⁠⁠

⁠⁠⁠⁠⁠⁠⁠⁠Buy some merch⁠⁠⁠⁠⁠⁠⁠⁠

⁠⁠⁠⁠⁠⁠⁠⁠Donate⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

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⁠⁠⁠⁠⁠⁠⁠⁠Stu Watts⁠⁠⁠⁠⁠ Instagram⁠⁠⁠

Sophie Edwards Instagram⁠⁠⁠

⁠⁠⁠⁠⁠⁠⁠⁠Stu Watts Website⁠⁠⁠⁠⁠⁠

Sophie Edwards Website⁠

⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Listen to Stu's work on Spotify⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Listen to Sophie's work on Spotify⁠⁠⁠⁠⁠

Enquiries and suggestions: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠[email protected]⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ 

Stu Watts chats with Alice Ivy, who is a three‑time ARIA‑nominated artist, songwriter, and producer from Melbourne, Australia, with over 100 million streams and three studio albums to her name. Her 2020 record Don’t Sleep received nominations for “Best Dance Release” and “Engineer of the Year” at the ARIA Awards, the triple j Award for “Australian Album of the Year,” and was shortlisted for the Australian Music Prize. Its single In My Mind featuring Ecca Vandal reached #1 on the U.S. Shazam Discovery Chart after being featured in an Apple “Shot on iPhone” campaign.Her 2024 album Do What Makes You Happy—featuring collaborations with Mayer Hawthorne, Mallrat, and Josh Teskey—debuted at #1 on the ARIA Australian Dance Albums Chart and earned her three 2025 AIR Awards, including “Independent Producer of the Year.” Alice has toured globally with artists such as Billie Eilish, Foster the People, and Oh Wonder, and performed at major festivals including Splendour in the Grass and Electric Forest. Beyond her own work, she has co‑written and produced for artists like Mallrat, Boo Seeka, and Beckah Amani, and delivered official remixes for Death From Above 1979, PNAU, and The Rubens.

How you can support the podcast:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

⁠⁠⁠⁠⁠⁠Subscribe on YouTube⁠⁠⁠⁠⁠⁠⁠

⁠⁠⁠⁠⁠⁠⁠Buy some merch⁠⁠⁠⁠⁠⁠⁠

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⁠⁠⁠⁠⁠⁠What's That Sound?⁠⁠⁠⁠⁠ Instagram⁠⁠

⁠⁠⁠⁠⁠⁠⁠Stu Watts⁠⁠⁠⁠⁠ Instagram⁠⁠

Alice Ivy Instagram⁠⁠

⁠⁠⁠⁠⁠⁠⁠Stu Watts Website⁠⁠⁠⁠⁠

Alice Ivy Website

⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Listen to Stu's work on Spotify⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Listen to Alice Ivy's work on Spotify⁠⁠⁠⁠

Enquiries and suggestions: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠[email protected]⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ 

Stu Watts chats with Will Conway, who is an Australian producer, session musician, and musical director with a steadily growing run of releases across pop, indie, and alternative music.In 2025, his production work included releases for Hassall, Sophie Kelly, Jaron Jay, YARA, and Daezy. Alongside his studio work, Will is an active Musical Director and touring musician. He currently works as MD for Lewis Love, Hassall, Jaron Jay, and Sophie Kelly. He has performed on most major Australian stages including Margaret Court Arena, Hordern Pavilion, Riverstage, Enmore Theatre, and The Forum, and has supported artists including Zac Brown Band, Lawrence, The Temper Trap, Killing Heidi, and Kita Alexander.Currently, Will is based out of Kakadu Studios in Brunswick when not on the road with his MD and session work. His focus as both a live performer and producer is on building a body of work that reflects his varied skill set, fosters creative trust with those around him, and continues to chase a sound that feels distinctly his own.

How you can support the podcast:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

⁠⁠⁠⁠⁠Subscribe on YouTube⁠⁠⁠⁠⁠⁠

⁠⁠⁠⁠⁠⁠Buy some merch⁠⁠⁠⁠⁠⁠

⁠⁠⁠⁠⁠⁠Donate⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

⁠⁠⁠⁠⁠What's That Sound?⁠⁠⁠⁠⁠ Instagram⁠

⁠⁠⁠⁠⁠⁠Stu Watts⁠⁠⁠⁠⁠ Instagram⁠

Will Conway Instagram⁠

⁠⁠⁠⁠⁠⁠Stu Watts Website⁠⁠⁠⁠

⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Listen to Stu's work on Spotify⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Listen to Will's work on Spotify⁠⁠⁠

Enquiries and suggestions: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠[email protected]⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ 

Stu Watts chats with Fletcher Matthews, who is based in Sydney, Australia. His journey through the industry has seen him amass an array of achievements — from charting successes, to commercial and sporting syncs, to critical acclaim. With over 60 million streams across songs he’s produced and written, Fletcher's musical prowess shines brightly, elevating artist projects to new heights. Whether it's crafting anthemic tracks or weaving intricate sonic tapestries, his fingerprints can be found on a myriad of successful singles and albums for Australian artists.​

Among his notable achievements, Fletcher's collaboration with STUMPS on the single 'Mt. Pleasant' soundtracked Australia’s exclusive broadcast of the 2020 Tokyo Paralympics opening ceremony. It went on to theme the channel’s coverage of the Paralympics for the event’s remaining weeks. Additionally, his work on The Buoys track 'I Want You' served as the electrifying anthem for Fox Sports' largest NRLW season campaign to date.​From triple j's Hottest 100 countdowns to the ARIA album charts, Fletcher's contributions have consistently resonated with audiences and critics alike. Whether it's co-writing Adam Newling's early success ‘Singing Blackbird’, or producing Trophy Eyes’ fourth studio album ‘Suicide & Sunshine’, which peaked at #8 in ARIA’s official album charts, Fletcher has an incredible ability to capture the essence of an artist's vision whilst keeping an audience in mind.​In a field where accolades are often reserved for industry veterans, Fletcher Matthews stands as a beacon of fresh talent, ready to carve out his own path in the ever-evolving landscape of songwriting and music production.​.

How you can support the podcast:⁠⁠⁠⁠⁠⁠⁠⁠⁠

⁠⁠⁠⁠Subscribe on YouTube⁠⁠⁠⁠⁠

⁠⁠⁠⁠⁠Buy some merch⁠⁠⁠⁠⁠

⁠⁠⁠⁠⁠Donate⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

⁠⁠⁠⁠What's That Sound?⁠⁠⁠⁠⁠ Instagram

⁠⁠⁠⁠⁠Stu Watts⁠⁠⁠⁠⁠ Instagram

Fletcher Matthews Instagram

⁠⁠⁠⁠⁠Stu Watts Website⁠⁠⁠

Fletcher Matthews Website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Listen to Stu's work on Spotify⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Listen to Fletcher's work on Spotify⁠⁠

Enquiries and suggestions: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠[email protected]⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠