Who Is P. Rose | Between the Drafts

This week, I’m talking about a different kind of fear.

Not the fear of a blank page.Not the fear of rejection.Not even the fear of publishing.

The fear of finally creating something you genuinely love.

After revisiting and rewriting a thirteen-year-old vampire story, I found myself confronting a truth I wasn’t prepared for: I actually liked what I’d written.

And somehow, that felt terrifying.

In this episode, I’m sharing what this latest round of rewrites has taught me about self-editing, creative growth, perfectionism, and the emotional truths that keep surfacing as I build the world of Talo. I also share updates on the Talo anthology, new lore, exciting visual developments for the city, and a glimpse at a darker project quietly taking shape in the background.

If you’ve ever questioned your voice, worried about getting the details wrong, or felt pressured to create at someone else’s pace, this conversation is for you.

Inside this file:

✦ Why liking my own work felt scarier than criticism✦ The surprising joy of self-editing✦ Creative fears that emerge when your universe expands✦ The emotional truths I’m learning as a writer✦ Anthology updates and worldbuilding news from Talo✦ A sneak peek at a new project currently known as Project Twice

Pour your coffee, open your notebook, and settle in.

Let’s talk about the version of the story that scares us the most—the one that’s finally becoming what we always hoped it could be.

— P. Rose

I used to think setting simply meant location.

A coffee shop.A skyline.A neighborhood.A house with enough rooms to move my characters through.

And honestly?

That mindset kept my stories emotionally small.

Because while drafting the City Files series and continuing to expand Creswell County, I realized I’m not just creating locations.

I’m creating emotional ecosystems.

That realization became the center of this companion episode.

In this file, I dive deeper into:

* emotional architecture

* fictional cities as belief systems

* why setting should pressure your characters emotionally

* and how The Greenhouse Effect quietly became one of the earliest emotional blueprints for Cascade City.

While revisiting the short story, I realized the greenhouse itself symbolized everything I was trying to emotionally communicate about Cascade City:

Controlled warmth.Fragility.Beauty under pressure.Emotional preservation.

And once I understood that?

I started realizing that every fictional world quietly teaches its people how to survive.

Some worlds reward ambition.

Some reward silence.

Some reward violence.

And some cities convince people that love might actually save them.

Even while they’re breaking.

In this episode, I also discuss:

* Stephen King’s Derry, Maine

* The Continental from John Wick

* Hogwarts’ emotional atmosphere

* and how setting becomes more powerful when it emotionally shapes behavior instead of simply housing characters.

Because maybe the question isn’t:

“Where does my story take place?”

Maybe the real question is:

“What does my world believe?”

And once we begin answering that question, our settings stop feeling like backgrounds.

They become living systems.

They become emotional pressure.

They become memory.

And maybe that’s the difference between a readable story and an unforgettable one.

Thank you for listening to another file.

And welcome back to Cascade City.

— P. Rose

Some stories follow us.

They linger in the back of our minds. They shape the way we see love, loneliness, danger, power, desire, grief, survival… and eventually, they begin shaping the stories we tell ourselves. In this episode of Between the Drafts, I found myself reflecting on the fiction that built me, not just books, but films, television, music, atmosphere, emotional tension, and the kinds of worlds I keep returning to again and again.

This episode became a conversation about creative obsession.

About vampires and hidden worlds.About cities that feel alive after dark.About found families, emotional ecosystems, supernatural intimacy, and characters trying to survive their own unraveling.

I talk about the stories that shaped the way I write:

* Interview with the Vampire

* Fledgling

* Chronos

* The Strain

* Living Single

* The Fifth Element

* Stephen King’s Bill Hodges trilogy

* and so many others that taught me something about atmosphere, longing, symbolism, setting, and emotional depth.

But somewhere in the middle of this episode, I realized this conversation wasn’t only about the media I love.

It was about permission.

Permission to stop writing what I think people want from me.Permission to stop shrinking the supernatural elements that naturally call to me.Permission to embrace the darker, stranger, more emotionally layered stories that have always lived at the center of my imagination.

And honestly?

I think this episode marks a turning point for me creatively.

Because for a long time, I tried to write what sounded impressive instead of writing what haunted me. But the stories that stay with us, the ones we keep revisiting, usually reveal something deeper. Maybe they’re mirrors. Maybe they’re maps. Maybe they’re trying to tell us who we are before we’re ready to say it out loud.

So this episode is for:

* the writers obsessed with atmosphere

* the creatives haunted by unfinished worlds

* the readers who love hidden cities, dangerous love stories, and morally gray characters

* the artists trying to reconnect with what actually inspires them

And maybe most importantly…

This episode is for anyone learning how to trust their own creative instincts again.

Listen to Between the Drafts // File 008: The Stories I Keep Running To

And afterward, tell me:

What stories do you keep returning to — and what do you think they say about you?

— P. Rose

Not the chaos of deadlines.Not the chaos of edits.Not even the chaos of trying to finish a draft while balancing a real life.

I mean the chaos of waking up with another story idea.

The kind that arrives uninvited.The kind that whispers “what if?” while you’re already juggling three other projects and makes you question your loyalty to your current work in progress.

That’s what this week’s episode of Between the Drafts is about.

In File 07, I’m talking about:

* why idea generation is actually a gift

* the myth that new ideas mean you’re procrastinating

* how writers overwhelm themselves trying to act on every idea immediately

* why I keep journals, crates, sticky notes, and mood boards full of unfinished concepts

* and how to nurture your creativity without abandoning your current work

Because honestly?

I don’t think writers are meant to have just one story inside of them.

I think some of us are archives.

This episode is part encouragement, part creative intervention, and part permission slip for the writers whose brains never stop generating worlds, characters, dialogue, and possibilities.

And if you’ve ever felt guilty for having “too many ideas” while still trying to finish your current project…

This file is for you.

In This Episode:

* “Story idea generation is not procrastination.”

* Why every idea deserves to be logged somewhere

* My favorite ways to organize story concepts

* Mood boarding as a storytelling tool

* Why creative overflow can actually protect your writing career

My Favorite Line From This Episode…

“As long as we’re generating ideas, we’ll always have stories to tell.”

And honestly?I love that for us.

Listen to Between the Drafts — File 07 now.

—P. Rose

Most writers are taught that setting is where the story happens.

A city.A house.A coffee shop.A bedroom at 2 a.m. while rain hits the windows.

But what if that’s only the surface?

In this companion episode for CITY FILES // 002, I’m digging into the idea that setting isn’t really about location at all.

It’s about belief.

Because the worlds that stay with us, the ones that feel immersive, addictive, impossible to leave behind, aren’t memorable because of architecture alone.

They’re memorable because the world itself believes something.

Darkness is expected.Power always demands consequence.Love changes people.Ambition is rewarded.Secrets survive because everyone agrees not to look too closely.

From the eerie tension of Stephen King’s worlds to the seductive hierarchy of Anne Rice’s vampires, to the unspoken rules of John Wick and the MCU… we’re talking about how fictional worlds quietly train characters how to behave.

In this episode, I also talk about:

* Why “white rooms” happen in fiction

* The difference between describing a place vs. understanding its demands

* How setting shapes dialogue, conflict, and emotional choices

* The hidden psychology behind romantic spaces in A Seat At the Table

* Questions you can ask yourself to deepen your own worldbuilding

And yes… there’s homework.

Because you know I can’t help myself.

Reflection Questions from This Episode:

* If your setting had a belief system, what would it be?

* What gets rewarded there?

* What gets punished?

* What do people pretend not to see?

* What is your world quietly teaching your characters?

* Are they obeying… or resisting?

This episode pairs with:CITY FILES // 002 — Setting Isn’t Place. It’s Belief.

So grab your notebook, your draft, your coffee, and let your world start talking back to you.

— P. Rose

There was a time when I thought my problem as a writer was setting.

Turns out… it was deeper than that.

It was fear.

In this special companion episode of Between the Drafts, I’m pulling back the curtain on something I’ve struggled with for a long time: writing my characters into “white rooms.”

You know the ones.

The scenes where people are talking, moving, feeling…but you have no idea where they are.

No atmosphere.No life.

Just… space.

Press play on today’s episode:

What This Episode Covers

This isn’t just a reflection, it’s a working session.

We’re walking through how to renovate your white rooms and transform them into spaces that feel lived-in, layered, and alive.

Inside the episode, I break down:

* Why I avoided worldbuilding (and how it held my writing back)

* The “white room” note that changed everything for me

* How I started building Cascade City in A Seat At the Table

* And the exact framework I’m using now to fix my scenes

The White Room Renovation Framework

If you’re writing alongside me, here’s your blueprint:

1. Walls → Define the environmentWhere are your characters actually?

2. Windows → Add perspectiveWhat’s happening beyond the scene?

3. Furniture → Ground the momentChoose 2–3 meaningful details that reveal, not decorate.

4. Atmosphere → Set the emotional toneWhat does the space feel like?

5. Movement → Let the room respondIf nothing in the environment affects your characters…you’re still in the white room.

Your Homework (because you know I had to give you some)

Take the last scene you wrote.

Now ask yourself:

* Are my characters boxed in a “white room”?

* Can I see beyond the moment?

* What objects matter here?

* What does this space feel like?

* Does anything in this environment shift my characters?

Then rewrite it.

Not perfectly.Just… more honestly.

Bonus Drop ☕

I’m taking this even further over on my Buy Me a Coffee.

I’ll be:

* Reading a scene from Upgrade

* Breaking it down

* And showing you how I would renovate it now

(If you’ve ever wanted to see my process in real time… this is that.)

Final Thought

I used to think setting was just a backdrop.

Now?

I understand it’s a character.

And if I don’t build the world…my characters have nowhere real to live.

If this episode hit for you, leave a comment.Let’s talk about it.

Because I know I’m not the only one who’s been writing in white rooms.

— P. RoseBetween the Drafts

I’ve been sitting with ghosts.

Not the kind that haunt houses,the kind that live in old drafts, forgotten notes, and half-finished stories.

Recently, I opened a crate of them.Read through everything.Let it all breathe again.

There were 49 stories waiting for me.

And instead of feeling overwhelmed…I felt something shift.

This episode is the beginning of that shift.

It’s where I talk about:the anthology I didn’t plan,the city I can’t stop building,and the realization that maybe none of my work was ever random.

Welcome to the early stages of Talo, Illinois and Creswell County.

🎧 File No. 6 is live.

Until next Sunday,

— P. Rose

If this piece felt like something warm in your hands…you can leave a little coffee at https://buymeacoffee.com/whoisprose

(no pressure, just love)

I Thought It Was Critique…But It Was Clarity

There’s a version of me that still flinches at the sight of a red pen.

Not because I don’t love writing, but because somewhere along the way, correction started to feel like rejection. Like proof that I got it wrong. Like my words weren’t enough.

In this episode of Between the Drafts, I’m unpacking that fear.

Where it started.
How it followed me into adulthood.

And what it looked like to sit down with intention, and face it head on...This isn’t just about editing.

It’s about perfectionism.
It’s about vulnerability.
It’s about learning how to see feedback not as destruction… but as direction.

Because somewhere between the first draft and the final version, there’s a conversation happening, and the red pen might not be tearing your work apart…

It might be trying to guide you back to it.

Press play when you’re ready.

— P. Rose

Lately, I’ve been thinking a lot about how easily we lose ourselves in the scroll.

Not in a dramatic way.

But in the quiet, subtle ways:

Checking notifications before we check in with ourselves.
Responding to everyone else before we respond to our own needs,
Staying visible… even when we feel depleted.

And the truth is…

Sometimes, we don’t stay because we want to.
We stay because we feel like we have to. Because if we don’t post, don’t respond, don’t show up…

We might fall behind.
We might be forgotten or lose something.

Or at least… that’s what we tell ourselves.

But what happens when you choose yourself anyway?

What happens when you log off… without explanation?

Why detours, curiosity, and play are essential to creative flow.

In this episode of Between the Drafts, I’m talking about something I didn’t plan for… side quests.

I went into 2026 with a clear goal: publish two novels. I’m still committed to that. But after adding an anthology into the mix, the pressure set in… and instead of outlining books or drafting chapters, I did something unexpected...

• Why side quests challenge us (in the best ways)

• How they help us finish old projects

• The way curiosity opens new creative doors

• Why play matters, especially as adults

• How side quests free up mental and creative bandwidth

• Why creativity doesn’t always need an audience

• How pressure kills joy and side quests bring it back

This episode isn’t about abandoning your goals.
It’s about supporting them.

Side quests don’t derail the mission ,they fuel it. So if something has been collecting dust…
or if curiosity keeps tapping you on the shoulder…

Wipe it off. Pick it up. Try it.

No pressure. No performance. Just play.

Recharge. Gas up. Buckle in.

The scenic route is calling.