In our latest episode, we return to that fertile well of 1980s fantasy movies and pull out a big sloshy bucket of Willow, George Lucas’s long-gestating story about a little person who wants to be a wizard and some other magic shit as filtered through the generically-competent lens of Ron Howard. Listen in as Leigh, Brendan, and Chris talk about a movie that we were all dimly aware of but had never seen before, despite being made of a lot familiar tropes that we have, indeed, seen many many times before. Topics for discussion include the ambitious and occasionally confusing world being featured, the sheer amount of acting that’s going on, and why Sorsha is one of the worst female characters we’ve encountered in quite a while (and we’re watched a LOT of terrible rom coms). And of course, despite having to record this episode virtually thanks a to grab bag of illnesses, we enjoy a lovely purple cocktail to temper things slightly. Remember, please don’t drink if you plan to STEAL A BABAAAYYYY.

Our oft-featured discussion on film music (and music from other forms of media) returns with a mighty vengeance in our latest mini. LISTEN, won’t you, as we discuss some scores used in both movies and video games and try to avoid having this episode taken down for copyright infringement by talking over the music. It’s hard! Also, next episode will tackle a movie that seems to be a beloved cult classic in some way but none of us had actually seen until recently. Naturally, we’ll be drinking a themed cocktail to help us get through a potentially-messy 80s fantasy world.

It’s time for our annual Valentine’s Day rom com episode, and nothing says romance like two duplicitous people enacting horrific deceptions upon each other in an attempt to advance their positions at work. This horrific web of deceit is the plot that forms the backbone of 2003’s How to Lose a Guy in 10 Days, starring Kate Hudson, Matthew McConaughey, and a bunch of supporting actors in thankless roles. Join Leigh, Brendan, and Chris as they revisit this beloved (?) romantic comedy that’s just slightly heightened enough to be mildly interesting but just unpleasant enough to leave you slightly loathing everyone involved here. Take your shoes off and breathe out as we discuss the state of the rom com in 2003, the cinematic forefathers of a romance built entirely on a horrible foundation of lies, and our continued reevaluation of Kate Hudson’s career. Perhaps fittingly, our themed cocktail this month is almost entirely alcohol, so get ready to frost yourself pretty hard.

Look, Valentine’s Day is fast approaching and we couldn’t think of any rom com con(versation)s to have, so Leigh very kindly whipped up yet another round of our patented (patent pending) game where we have to decide what titles are real and what ones are fake. But THIS time, there’s an eastern Asian twist to it, as all the titles are for K-Dramas (or J, or other countries, there’s fertile ground here). As Brendan and Chris know not a lot about this topic, it becomes a real guessing game and so anyone could win! Not that there’s anything to win here, but still, bragging rights are something. Also, our re-evaluation of the Kate Hudson canon continues with our upcoming February rom com episode.

What if we kissed at the Magnolia at midnight on New Year’s Eve as part of an elaborate lie that was in actuality not a lie because we have been in love for our entire lives ???

What do you do when you’re a pair of radio hosts who are both secretly in love with each other but unable to admit it, despite the fact that everyone else in your life already believes you’re destined to be together someday anyway? If your answer is “create an elaborate charade designed to boost your radio show profile while jointly promoting your family business,” congratulations, you’re qualified to host a morning show on 98.8 BREEZE FM in Chicago. Join Leigh, Brendan, and Chris as they (remotely) watch and discuss the 2020 Netflix Lifetime-pastiche Midnight at the Magnolia, a half-hearted attempt to do to New Year’s Eve what Hallmark has done to Christmas. We talk about the perils of the “friends to lovers” trope, the challenges of doing a romcom where everyone already assumes the two characters are together, and the nightmarish world where your families have been champing at the bit for years for you to marry your best friend. And of course, the two of us who aren’t testing positive for the coronavirus drink a cocktail that, much like Jack and Maggie, combines two distinct flavors that might not seem to work together BUT DARN IT, THEY DO!

That’s right, we’re back again with our end-of-the-year lazy finale episode, the Closing of the Year! Listen in as we talk about the previous year, including favorite and least favorite movies and drinks, and discuss a little bit about what the next year will bring. More themed summers! Crazier cocktails! Long lost lovers reappearing during multiple weddings! And a moratorium on made-for-TV holiday romcoms that will go into temporary effect after our first movie of 2023, so don’t worry, we’re not planning some sneaky wild stealth retheming of our podcast or anything.

At long last, our Holiday Spectacular episode focuses on a real piece of made-for-TV Christmas trash with the nebulously named A Date by Christmas Eve! Is it about a young lady attempting to find a date before Christmas only to realize love was in front of her all along? Uh, well, no, that would make a lot more sense, though. Look, so there’s this lady who works for a Christmas dating app and then a sexy cougarish Mrs. Claus makes the app magic so that the lady can warp reality to teach people lessons and stuff and for some reason no one is terrified by the implications of all this. But hey, that’s Christmas, baby. Join Leigh, Brendan, and Chris as they try to make sense of this overstuffed piece of mass market holiday nonsense and discuss the genre in general, the horrifying undertones of this ostensibly frivolous romcom, and how all these movies seem to already think apps are magic. Also, mulled wine cocktail, natch. Happy holidays!

In which we play round two of last year’s winter party game, the Hallmark Christmas Movie Generator Game! We’ve got all the same hats and slips of paper, but this time with a NEW category to make our titles even more cumbersome and difficult to find when scanning through a list of vague nonsensical titles on Hulu. Naturally, we also introduce the subject of our 2022 Christmas Spectacular, where we finally dip our toes into the made-for-TV holiday movie cesspool. Truly, it was destined to happen. Unsurprisingly there’s still yet another mulled wine cocktail to accompany it, because why wouldn’t there be.

Journey with us, won’t you, back in time to both medieval times and 1963, a veritable dark ages for the citizens of England and the Walt Disney studios. For this episode, we cover the movie that sits at the center of this Venn diagram, The Sword in the Stone. Is this a charming bit of nostalgic fun, or weak effort built upon an episodic screenplay and boring protagonist? Spoilers, it can be two things. Turn into a fish along with Leigh, Brendan, and Chris as they discuss what led to the disjointed visual style of this movie, the wet sheet that is young Arthur, and what lessons we were supposed to learn by being turned into squirrels (just that fat old horny lady squirrels are funny???). To adequately do justice to this movie, we also make THREE different cocktails, so like us you should get pretty drunk while watching this, perhaps even drunk enough to not notice that three different actors play Wart at various points throughout this film (jk there’s not enough alcohol in the hemisphere to have that slip by unnoticed).

Yes, we’re sorry, we know it’s Halloween but we have no more ideas for Halloween mini episode topics. We’re open to suggestions! Until then, we’re going to do another Pitcher’s Mound mini where we each pitch an updated modern adaptation of a classic piece of literature / drama. That’s right, until Hollywood gets its act together and makes the teen comedy version of Cymbeline that we’ve all been clamoring for, we’ll just have to put our own ideas out into the ether. So please, don’t steal our contemporary high school version of The Great Gatsby. It would just be impolite. Also next up, we tackle the oldest movie we’ve ever covered (and also possibly the shortest) in our return to the Disney animated canon, this time focusing on their middling ’60s output.