DIFF Recap #4: Exhibition Panel, 'Harsh Treatment,' and Todd Jenkins

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DIFF Recap #3. We saw one film: 'Solo.' But it's the best one we've seen so far.

Keep in touch and read more at whydoesthewilhelmscream.com on instagram and threads @whydoesthewilhelmpod 

Find out more about upcoming Fort Worth Film Club screenings and events at fortworthfilmclub.com and @fortworthfilm

Support the next generation of film lovers at reelhousefoundation.org and on facebook reelhousefoundation

Artwork by @_mosla_

On today's driving while screaming from DIFF: Copa '71, The Dead Don't Hurt, The Idea of You, and I Saw the TV Glow. 

Keep in touch and read more at whydoesthewilhelmscream.com on instagram and threads @whydoesthewilhelmpod 

Find out more about upcoming Fort Worth Film Club screenings and events at fortworthfilmclub.com and @fortworthfilm

Support the next generation of film lovers at reelhousefoundation.org and on facebook reelhousefoundation

Artwork by @_mosla_

We're driving and screaming, or screaming while driving...During the Dallas International Film Festival, we recap each day while driving between Dallas and Fort Worth. (No traffic laws were violated during this taping)

Keep in touch and read more at whydoesthewilhelmscream.com on instagram and threads @whydoesthewilhelmpod 

Find out more about upcoming Fort Worth Film Club screenings and events at fortworthfilmclub.com and @fortworthfilm

Support the next generation of film lovers at reelhousefoundation.org and on facebook reelhousefoundation

Artwork by @_mosla_

Hey, Screamers, we're back with another episode in which we take a look at the new Michael Keaton film Knox Goes Away, and we continue our look at the films of Ralph Bakshi with his version of Lord of the Rings, and American Pop. We add another installment of Dangerous Bangers with a trip back to Reagan-era teen heroics with Iron Eagle.

Keep in touch and read more at whydoesthewilhelmscream.com on instagram and threads @whydoesthewilhelmpod 

Find out more about upcoming Fort Worth Film Club screenings and events at fortworthfilmclub.com and @fortworthfilm

Support the next generation of film lovers at reelhousefoundation.org and on facebook reelhousefoundation

Artwork by @_mosla_

We're back with another episode full of insight. This time we talk 'Love Lies Bleeding,' and 'Drive Away Dolls'--two lesbian love stories with one way better than the other. We also dive further into Ralph Bakshi's animated worldview with the films 'Coonskin,' and 'Wizards.' 

Keep in touch and read more at whydoesthewilhelmscream.com on instagram and threads @whydoesthewilhelmpod 

Find out more about upcoming Fort Worth Film Club screenings and events at fortworthfilmclub.com and @fortworthfilm

Support the next generation of film lovers at reelhousefoundation.org and on facebook reelhousefoundation

Artwork by @_mosla_

On this wild episode* we start a new series on the films of Ralph Bakshi with "Fritz the Cat" and "Heavy Traffic." We take a look at the new Adam Sandler-being-sad-movie: "Spaceman." We finish up with our inaugural approach to Dangerous Bangers, "Swingers."

*Disclaimer: this episode was recorded before Kate Middleton's cancer diagnosis. 

Keep in touch and read more at whydoesthewilhelmscream.com on instagram and threads @whydoesthewilhelmpod

Find out more about upcoming Fort Worth Film Club screenings and events at fortworthfilmclub.com and @fortworthfilm

Support the next generation of film lovers at reelhousefoundation.org and on facebook reelhousefoundation

Artwork by @_mosla_

This one's a doozy. Two new-ish films: 'The Iron Claw,' and 'The Book of Clarence.' Plus we wrap up our look at the films of Hal Hartley with three of his shorter films and the Sarah Polley vehicle 'No Such Thing.' Lots of side tangents in this one, screamers. 

Keep in touch and read more at whydoesthewilhelmscream.com on instagram @whydoesthewilhelmpod and twitter @whywilhelm

Find out more about upcoming Fort Worth Film Club screenings and events at fortworthfilmclub.com and @fortworthfilm

Support the next generation of film lovers at reelhousefoundation.org and on facebook reelhousefoundation

Artwork by @_mosla_

It's a very special episode, screamers! Recently, the Fort Worth Film Club screened Melvin Van Peebles’ scathing look at white privilege, 1970s Watermelon Man. At our post-screening discussion we were lucky enough to be joined by Mr. Marcellis Perkins, and Dr. Frederick Gooding Jr. It was a candid, lively, enriching conversation, and we are pleased to present that live recording here. 

Next episode we’ll be back to wrap up discussion on Hal Hartley and discuss the new(ish) films 'The Book of Clarence,' and 'The Iron Claw.' Until then, enjoy the live conversation with Marcellis and Dr.G.

Keep in touch and read more at whydoesthewilhelmscream.com on instagram @whydoesthewilhelmpod and twitter @whywilhelm

Find out more about upcoming Fort Worth Film Club screenings and events at fortworthfilmclub.com and @fortworthfilm

Support the next generation of film lovers at reelhousefoundation.org and on facebook reelhousefoundation

Artwork by @_mosla_

We're going a little bit out of order in our dive into the films of Hal Hartley. On this episode, we look at The Henry Fool Trilogy: Henry Fool, Fay Grim, and Ned Rifle. The first two films, especially, constitute Hartley's apotheosis. We also discuss Jonathan Glazer's new film 'The Zone of Interest,' a haunting, important film (despite what Manohla Dargis might say).

Keep in touch and read more at whydoesthewilhelmscream.com on instagram @whydoesthewilhelmpod and twitter @whywilhelm

Find out more about upcoming Fort Worth Film Club screenings and events at fortworthfilmclub.com and @fortworthfilm

Support the next generation of film lovers at reelhousefoundation.org and on facebook reelhousefoundation

Artwork by @_mosla_