Day 5, a day of interviewing the wonderful filmmakers behind the following films: DIY: The Rise and Fall of Punk, Party People, and Eastern Western. Stay tuned, those interviews are coming soon. 

Keep in touch and read more at whydoesthewilhelmscream.com on instagram and threads @whydoesthewilhelmpod 

Find out more about upcoming Fort Worth Film Club screenings and events at fortworthfilmclub.com and @fortworthfilm

Support the next generation of film lovers at reelhousefoundation.org and on facebook reelhousefoundation

Artwork by @_mosla_

Driving and Screaming: DIFF Recap Day 4 features the films Andre is an Idiot, All That We Love, and Toxic. We also swear at motorists. 

Keep in touch and read more at whydoesthewilhelmscream.com on instagram and threads @whydoesthewilhelmpod 

Find out more about upcoming Fort Worth Film Club screenings and events at fortworthfilmclub.com and @fortworthfilm

Support the next generation of film lovers at reelhousefoundation.org and on facebook reelhousefoundation

Artwork by @_mosla_

Day 3 was another busy day of yapping and watching films. Today: Cafe Chairel, Friendship, Happy as Larry, and Black Spines. Come for the movie talk, stay for the bad Jimmy Stewart impressions and near car crashes.

Keep in touch and read more at whydoesthewilhelmscream.com on instagram and threads @whydoesthewilhelmpod 

Find out more about upcoming Fort Worth Film Club screenings and events at fortworthfilmclub.com and @fortworthfilm

Support the next generation of film lovers at reelhousefoundation.org and on facebook reelhousefoundation

Artwork by @_mosla_

Day 2 of DIFF 25. And Day 2 of nightly recaps. We talk about the films Due West, and The Other. Two films that already feel like standouts at this year's festival. 

Keep in touch and read more at whydoesthewilhelmscream.com on instagram and threads @whydoesthewilhelmpod 

Find out more about upcoming Fort Worth Film Club screenings and events at fortworthfilmclub.com and @fortworthfilm

Support the next generation of film lovers at reelhousefoundation.org and on facebook reelhousefoundation

Artwork by @_mosla_

The Dallas International Film Festival is back! And that means we're back with daily festival recaps--Driving and Screaming. The first day: Salamander King, Omaha, and Daniela Forever.

Keep in touch and read more at whydoesthewilhelmscream.com on instagram and threads @whydoesthewilhelmpod 

Find out more about upcoming Fort Worth Film Club screenings and events at fortworthfilmclub.com and @fortworthfilm

Support the next generation of film lovers at reelhousefoundation.org and on facebook reelhousefoundation

Artwork by @_mosla_

On today's episode, we start our look at the filmography of Amanda Kramer with her, technically, first film: Paris Window. We also discuss the new films Borderline, and The Monkey, as well as remembering Val Kilmer and ranting about theaters (again).

Keep in touch and read more at whydoesthewilhelmscream.com on instagram and threads @whydoesthewilhelmpod 

Find out more about upcoming Fort Worth Film Club screenings and events at fortworthfilmclub.com and @fortworthfilm

Support the next generation of film lovers at reelhousefoundation.org and on facebook reelhousefoundation

Artwork by @_mosla_

Welcome back screamers to another episode where we discuss one of the great actors of our time—Gene Hackman. Gene hackman passed away in February, and we are here to look at a handful of his films: Scarecrow, Night Moves, The Package, and Loose Cannons.

Keep in touch and read more at whydoesthewilhelmscream.com on instagram and threads @whydoesthewilhelmpod 

Find out more about upcoming Fort Worth Film Club screenings and events at fortworthfilmclub.com and @fortworthfilm

Support the next generation of film lovers at reelhousefoundation.org and on facebook reelhousefoundation

Artwork by @_mosla_

“The Screamy is given in recognition of achievements (or lack thereof) in direction, performance, and “should have’s” that represents Wilhelm’s iconoclasm and overall opinionated views during “the previous year.”

Tonight, we invite you to Scream, sit back, and enjoy.

Keep in touch and read more at whydoesthewilhelmscream.com on instagram and threads @whydoesthewilhelmpod 

Find out more about upcoming Fort Worth Film Club screenings and events at fortworthfilmclub.com and @fortworthfilm

Support the next generation of film lovers at reelhousefoundation.org and on facebook reelhousefoundation

Artwork by @_mosla_

We are back, Screamers! And today we're looking at three brand new(ish) films: the Oscar contender 'The Brutalist,' Paul Schrader's look at a dying artist, and the robot love story 'Companion.' Sit back and scream. 

Keep in touch and read more at whydoesthewilhelmscream.com on instagram and threads @whydoesthewilhelmpod 

Find out more about upcoming Fort Worth Film Club screenings and events at fortworthfilmclub.com and @fortworthfilm

Support the next generation of film lovers at reelhousefoundation.org and on facebook reelhousefoundation

Artwork by @_mosla_

On today's show we look at the Oscar contenders "Emilia Perez," and "Conclave." We also finish our look at the filmography of Kelly Reichardt with a beautiful and funny take on the creative process (and more) in "Showing Up." Brock loses his Silly Putty, so stay tuned to future episodes to see if he finds it.

Keep in touch and read more at whydoesthewilhelmscream.com on instagram and threads @whydoesthewilhelmpod 

Find out more about upcoming Fort Worth Film Club screenings and events at fortworthfilmclub.com and @fortworthfilm

Support the next generation of film lovers at reelhousefoundation.org and on facebook reelhousefoundation

Artwork by @_mosla_