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It’s likely you’ll hear a good deal of American music today — and rightly so — but we’re taking a minute or two to acknowledge a special British composer’s anniversary, as today’s date marks the anniversary of the passing of William Byrd, one of England’s greatest composers, who produced both sacred and secular works that are still regularly performed today on both sides of the Atlantic.
William Byrd was born in London around 1542 — we don’t know exactly when — and died on July 4, 1623, at the age of some 80 years — a remarkably long lifespan for that time. He was also a remarkably prolific composer, a master of intricate choral counterpoint and virtuosic keyboard pieces. He was the first Englishman to write madrigals in the Italian fashion, but his chief significance lies in his many sacred works.
Byrd lived during the tumultuous period of the English Reformation, and produced works for both the Roman Catholic Church and England’s new Anglican service. Queen Elizabeth I was a great admirer of his music, so much so that she overlooked the fact that Byrd remained an unashamed Roman Catholic in Protestant England, and even granted him a royal patent related to publishing music.
William Byrd (c. 1540-1623): Sanctus, from Mass for Five Voices; The Cardinall’s Musick; Andrew Carwood; Gaudeamus CD 206
By American Public Media4.7
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It’s likely you’ll hear a good deal of American music today — and rightly so — but we’re taking a minute or two to acknowledge a special British composer’s anniversary, as today’s date marks the anniversary of the passing of William Byrd, one of England’s greatest composers, who produced both sacred and secular works that are still regularly performed today on both sides of the Atlantic.
William Byrd was born in London around 1542 — we don’t know exactly when — and died on July 4, 1623, at the age of some 80 years — a remarkably long lifespan for that time. He was also a remarkably prolific composer, a master of intricate choral counterpoint and virtuosic keyboard pieces. He was the first Englishman to write madrigals in the Italian fashion, but his chief significance lies in his many sacred works.
Byrd lived during the tumultuous period of the English Reformation, and produced works for both the Roman Catholic Church and England’s new Anglican service. Queen Elizabeth I was a great admirer of his music, so much so that she overlooked the fact that Byrd remained an unashamed Roman Catholic in Protestant England, and even granted him a royal patent related to publishing music.
William Byrd (c. 1540-1623): Sanctus, from Mass for Five Voices; The Cardinall’s Musick; Andrew Carwood; Gaudeamus CD 206

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