In this episode, Rekha and Lindsay talk about Boys, a strange film in which Winona is paired with a uncomfortably younger love interest rather than her usual uncomfortably older man. Is this the worst Winona film to date? Listen to find out!

In this episode, Rekha and Lindsay talk about the problem with the "chick flicks" label, try to make sense of the convoluted plot of yet another adaptation, and the overall mediocrity of How to Make an American Quilt.

In this episode, Rekha and Lindsay talk with guest, writer Anne Theriault, about Little Women, Rekha's favorite Winona film. Rekha and Anne discuss their long history with the film (including Rekha's fan site from the '90s) and Lindsay shares her fresh take, having just watched it for the first time.

In this episode, Rekha and Lindsay talk with journalist Alison Lang about Reality Bites, the iconography of the '90s, the relatability of 20-something-shitheads, and bringing back the term "Outtie 5000."

In this episode, Rekha and Lindsay talk about Winona's third adaptation in a row! Heads fly, tables float and fewer ghosts visit than we would have liked in The House of the Spirits.

In this episode, Rekha and Lindsay are joined once again by producer Chris to discuss Martin Scorsese's adaptation of Edith Wharton's The Age of Innocence. They talk about Winona's turn as May, the sort-of-villain of the piece, and try to turn one of Scorsese's films into a musical.

In this episode, Rekha and Lindsay discuss Winona's team up with Francis Ford Coppola and her dream cast in Bram Stoker's Dracula.

In this episode, Rekha and Lindsay discuss Jim Jarmusch's 1991 anthology film, Night on Earth, in which Winona plays a young (yet wise) cab driver who has a gross habit of chewing gum and smoking cigarettes at the same time.

In this episode, Rekha and Lindsay discuss the wonders of a good Winona voiceover, a strong first film role for Christina Ricci and the overwhelming strength and beauty of Cher in the film Mermaids.

In this episode, Rekha and Lindsay discuss the candy-colored (yet super dark) film Edward Scissorhands. They consider whether or not Edward was human, praise the late-Vincent Price, and talk about Winona as a preppy blonde.