As I was revisting this piece due to missing the 4th movement the first time around and wanting to use a lot of the mixing ideas that had been the result of my workinig with Beethoven's 7th symphony, I decided to bring more emotion to this 3rd movement of his 5th Symphony threw tempo/bpm changes (this version ranges from 90 bpm to 135 bpm, and to mirror the flute and piccalo lines with a highly Filtered tb303. So instead of making this a "patch" to the already released 3rd movement... I decided this deserved to be a separate release. So here is the final ( save a few small edits I still wannt to do) version of Beethoven''s 3rd Movement in his amazing 5th Symphony... oh the "XD" refers to the extended Dynamics of this version tansients are fully intact.

TC I have wanted to do one of my Favorite Symphonies for quite some time, but knew I wanted it to be near perfect. I have learned a lot about this type of production as I have built this "Electronica Majoris" series of "Classics". This is my take on this amazing piece that really shows the incrediable diversity in Beethoven styles. About 50/50 "traditional" to pure electronic voices, however this is all completely electronically generated and arranged. Once again for the Conti Bass and Cello line I have used electric bass ala "Chris Squire" styles and rigged (RIP Mr Squire, you are very missed). The mix is a bit aggressive but I feel it is how this piece should be rendered...

The 2nd movement of this piece was feature in the TV series "Mr Robot"...

MTC I have wanted to do one of my Favorite Symphonies for quite some time, but knew I wanted it to be near perfect. I have learned a lot about this type of production as I have built this "Electronica Majoris" series of "Classics". This is my take on this amazing piece that really shows the incrediable diversity in Beethoven styles. About 50/50 "traditional" to pure electronic voices, however this is all completely electronically generated and arranged. Once again for the Conti Bass and Cello line I have used electric bass ala "Chris Squire" styles and rigged (RIP Mr Squire, you are very missed). The mix is a bit aggressive but I feel it is how this piece should be rendered...

The 2nd movement of this piece was feature in the TV series "Mr Robot"...

I was inspired to create this track after watching the movie "The Trench" which was about the Battle of the Sommes 1916 July 1 just days before the beginging of the battle is when the story is set. That movie really brings home the savagery of that battle (July 1 to Nov ) a total of 6 miles was gained with the causualites over a million with England suffering over 59k in the first hours of the battle. The men marched across "no mans land" as their officers were in close quarters behind them... ready to shoot any that tried to run away...

From the WIki: According to Franz Mozart, Wolfgang's younger son, the symphony was given the name Jupiter by Johann Peter Salomon,[4][13] who had settled in London in around 1781. The name has also been attributed to Johann Baptist Cramer, an English music publisher.[14][15][16] Reportedly, from the first chords, Mozart's Symphony No. 41 reminded Cramer of Jupiter and his thunderbolts.

It was this idea that inspired the cover art, and in keeping with the Electronicus Majoris theme of Starships, "Jupiter" (Zeus) rising over the horizon of Earth, hurling Thunderbolts at the ships...

Arrangement choices:

The choices for voices in a work like this, can allow you to hear the piece in a unique way. Mozart voice choices were not only "traditional" but spot on, to that end I only converted the Conti-Bass and Cello lines to Electric Bass.

MTC

Over New Frontiers (A Pattern of Darkness mix) by Wintermut3

These was about a 3 hour work last night start to finish all was built around the first bassline (including the 2nd bassline) glitch was done by automated over time GrossBeat and DBlue Glitch.

Line up:

2x Modo Bass2, running Funk, Breakbeat standard beat patterns

1 x Modo Drum (Jazz Kit)

Sawer (keys)

Massive x2(Pads)

1 x Slayer 2 (Jazz guitar 1)

1 x Flex Synth running Muted Strat (Jazz Guitar 2)

4xAmplitude 5 (Env filter, etc)

ton of Tracks "Inserts" in fruity--the composition follows my Mix to Mixdown in One config (no post except vol reduction)

Electronicus Majoris: Beethoven's 9th Symphony: Presto 'O Freunde, nicht diese Töne! by Wintermut3

Electronicus Majoris: Beethoven 9th Symphony:Adagio molto e cantabile by Wintermut3

Electronicus Majoris: Beethoven 9th Symphony:Molto vivace by Wintermut3