WMV (World Music Views)

In an exclusive interview with World Music Views, dancehall legend Vybz Kartel opened up about his highly anticipated performance at the Freedom Street concert set for December 31, promising fans an unforgettable experience. Known for his dynamic persona and lyrical mastery spanning two decades, Kartel detailed his plans, which include a series of wardrobe changes and performances that span his entire career. Fans will witness the evolution of Kartel, from the early days of the “Teacher” to his current status as the “World Boss.”

The History Of Reggaetón, Reggae and Dancehall as told by Maxine Isis Stowe, the former Columbia Records executive, sits at the intersection of Reggaetón, Reggae and Dancehall. She played a pivotal role in signing acts like Shy Guy singer Diana King, who she had a similar vision for her as Rihanna achieved, if only Diana could have let go off the small island influences and assimilate her sound more into American pop and sing more like fellow Sony artist Mariah Carey.

“When I saw Rihanna break through, I thought that was what I had in mind for Diana. I would say that Diana’s reluctance to be fully Americanized was her limitation because her voice was big enough, but culturally she couldn’t let go,” Stowe said.

She is also known for her significant contributions to the development of dancehall in the 90s and early 2000s in the US, serving as A&R and executive producer for several chart-topping hits and albums, resulting in over 5 million in album and single sales. This includes Ini Kamoze’s “Here Comes The Hotstepper,” Mad Cobra’s “Flex,” “Bad Boys Soundtrack,” “Cool Runnings Soundtrack,” "Chant Down Babylon" album by Bob Marley, Half Way Tree by Damian Marley and more projects that have achieved Platinum and Gold status in the US.

Roger Steffens on Bob Marley: One Love Movie and Reggae's US$2 Million Archives.

Colin Gayle is the manager of Grammy Winning South African star Tyla. He is a Jamaican who found success in the music business working with acts like Kenny Lattimore, Jazzy Jeff, Jill Scott 50 Cent and more. Colin Gayle has over 25 years in the business and is a Co-Founder and CEO of Africa Creative Agency.

Aidonia opens up about his album "Occupied Mind," major label deal, and willingness to do a 'Best of Both Worlds' project with Masicka.

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In 1982, Grammy nominated reggae band Musical Youth achieved global success with their hit “Pass The Dutchie,” a song based on The Mighty Diamonds’ “Pass The Kouchie.” Three decades later, members Dennis Seaton, Michael Grant, Kelvin Grant, Frederick Waite Junior (Junior Waite), and a representative of Patrick Waite’s estate initiated legal proceedings in 2004 against their lawyers according to court documents obtained by WMV. This, after losing a previous dispute stemming from a 1984 agreement outlining the division of royalties between the owners of the copyright in the original work and the derivative work.

Bob Marley Tops Billboard’s 2023 ‘Year-End’ Reggae Charts—For Fourth Year In A Row.

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Forensic Musicologist Brian McBrearty says he believes the copyright lawsuit filed by Steely and Clevie against the reggaeton community is silly and has no basis.

The riddim making duo submitted a copyright documents for the 1990s dancehall hit song “Dem Bow” by Shabba Ranks in a Los Angeles Court, but Brian, speaking exclusively with WMV says that will not be enough to stake claim over and entire genre even if the riddim is similar to "Dem Bow" genre songs.

A California judges set to decide if the case will go to jury on Thursday September 22 based on evidence presented by the plaintiffs and the dismissal request by lawyers the defendants which include Pitbull, Drake, Justin Timberlake, Karol G, Bad Bunny, Daddy Yankee and more. If the case goes to trial, a forensic musicologist like Brian will be called in to determine whether or not there is a common thread between 1800 reggaeton songs and Steely and Clevie's 1989 riddim 'Fish Market'.

The San Fransisco native admits he is not acquainted with reggae and dancehall culture and only became interested upon hearing about the Steely and Clevie Case. He also says he has been hired by record labels and advertising companies to ensure there is not infringement in songs they may use.

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