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In our final episode of Season 4, hosts Emily Bassett and Cole Graham zoom in on the figure of Jupiter inside of Lyly's Woman in the Moon specifically and in the context of early modern drama more generally. What does it mean when a major god like Jupiter shows up in your play? What kind of (mostly bad) behavior should the audience expect? And how do productions of these plays handle divine spectacle in practical terms? Join Emily and Cole for an excavation of performance choices and a close-reading of Woman in the Moon's concentrated production history. Featuring a scene from the plays as performed by guest actors Jake Raiter and Joan Raube-Wilson
Hosted on Acast. See acast.com/privacy for more information.
By Molly SeremetIn our final episode of Season 4, hosts Emily Bassett and Cole Graham zoom in on the figure of Jupiter inside of Lyly's Woman in the Moon specifically and in the context of early modern drama more generally. What does it mean when a major god like Jupiter shows up in your play? What kind of (mostly bad) behavior should the audience expect? And how do productions of these plays handle divine spectacle in practical terms? Join Emily and Cole for an excavation of performance choices and a close-reading of Woman in the Moon's concentrated production history. Featuring a scene from the plays as performed by guest actors Jake Raiter and Joan Raube-Wilson
Hosted on Acast. See acast.com/privacy for more information.