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How did they get away with using all those companies in "Ralph Breaks The Internet"? (May contain SPOILERS!) In today's session we discuss Fair Use.
Note: We are NOT lawyers. Consult an actual attorney before you make your multi-million dollar, pop-culture-themed movie.
SHOW NOTES:
This week's session is an interview with Gustavo Sampaio, the Founder and Director of the NoHo Cinefest in North Hollywood, now in its sixth year. He is also a writer, producer, director and editor. We discuss the upcoming festival and his film "GAIA."
SHOW NOTES:
Getting a writing gig or selling your script is awesome! That is, until your read the fine print. What happens to your work once you hand it over? Who owns the characters, worlds and stories you create? This session looks into what is a "work for hire," and what it means to your creative future.
SHOW NOTES: None this episode
IMDB, or the Internet Movie Database, is an indispensible resource for writers who want to research films and TV shows, network with producers, managers, agents and talent, as well as showcase their credits and awards. But we writers are not always the best at marketing ourselves. In this week's session, we talk with Kari Nissena, an actor, producer and transformation coach on how to improve our image on IMDB.
SHOW NOTES:
It’s a blockbuster (not the failed movie rental chain) showdown in today’s session as we compare two sense-based horror films from a writer’s perspective. It’s Bird Box vs. A Quiet Place. **SPOILER ALERT!**
SHOW NOTES:
We welcome Steve Spalding to our group session this week. Steve is a writer and producer from Florida whose TV pilot, "The Many Lives of Ann Winters," was one of five winning pilots in the Playstation Emerging Filmmaker Program that were produced by Playstation and Ideas United. Steve discusses he experience producing his pilot and his other writing endeavors.
SHOW NOTES:
I think most writers will agree, scripts are never finished. Up until the editing is finished, the story is still malleable. As a writer though, at some point, we have to put "THE END" on our writing process before we share it with agents, managers, producers, etc. So, when is your script finished?
SHOW NOTES: None this episode
Truth is, sometimes, you just have to do it yourself. In Session #70, we interview Stephen Kogon, who wrote, produced and director the feature film "Dance Baby Dance" to learn how he made his project a reality.
SHOW NOTES:
Truth is, sometimes, you just have to do it yourself. In Session #70, we interview Stephen Kogon, who wrote, produced and director the feature film "Dance Baby Dance" to learn how he made his project a reality.
SHOW NOTES:
Dance Baby Dance: http://www.dancebabydancemovie.com
Sketch for Tuberous Sclerosis Alliance: https://youtu.be/vq5AR2BU0yk
Twitter: https://twitter.com/DBDTheMovie
Getting notes on your projects can be a harrowing experience. How you give them is just as important. In today's session, we discuss how to deal with notes from both sides.
SHOW NOTES: None this episode
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