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After the doing comes the selling. We think about the process of submitting work to literary agents, why it can be difficult, and speculate about the usefulness (or otherwise) of positive visualisation.
Bernadine Evaristo interview: https://www.shortstoryaward.co.uk/news/interview-bernardine-evaristo/
If we aren't having new experiences, will we run out of material from which we can create fiction? Or is there an unlimited 'word hoard', as Seamus Heaney describes it, we can delve into as long as we keep our eyes clear? We think about lockdown, and how it may or may not have affected writers.
'North', by Seamus Heaney: https://www.poetryfoundation.org/poems/48393/north-56d22998bff6c
A piece of writing can only be worth something once it's actually written. If it lives only in our minds it can only ever be, as Joseph Conrad once wrote, an 'evanescent reverie'. Sometimes, however, it can be difficult to bridge that gap between reverie and reality.
'A Set of Six' by Joseph Conrad: https://www.gutenberg.org/files/2305/2305-h/2305-h.htm
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