And now for something kinda different: As those of you who follow me, Nathan, probably know – because I will not shut up about it – I wrote a book! It’s called Stream Big: The Triumphs And Turmoils Of Twitch And The Stars Behind The Screen, and by the time you read this, it will be out! Stream Big was partially born of a desire to clear up misconceptions surrounding Twitch, livestreaming, and content creators, so a discussion of the book seemed like a natural fit for this show. 

Then I realized it was also a golden opportunity for one of my favorite things, INTER-AFTERMATH BRAND SYNERGY, which prompted a eureka moment: I could bring on other members of the staff to ask me questions about a subject I’ve spent the past more-than-half-a-decade investigating. I decided on Riley MacLeod and Luke Plunkett, neither of whom consider themselves all that well-versed in Twitch or the world of content creation, because I figured they’d be best-equipped to present their own misconceptions in an honest and curious way. Also, Luke is a self-proclaimed Twitch hater, and haters always ask the best questions. 

So if you’ve always wondered what the deal is with Twitch and the creators on it – why and how they’ve managed to amass so much influence within the world of video games, especially as the more traditional press fades into an, at best, secondary role – this is the episode for you.

Credits

- Host: Nathan Grayson (temporarily supplanted by Riley MacLeod and Luke Plunkett)

- Podcast Production & Ads: Multitude

- Subscribe to Aftermath!

About The Show

You Are Error is Aftermath’s podcast about common misconceptions in and around video games. Each episode interviews a different guest about something that either games or the people who play them frequently get wrong: It could be something mechanical, like climbing. It could be something born of narrative and world building, like Cyberpunk 2077’s obsession with artificial limbs and exoskeletons, as opposed to what disabled people in the real world actually want and need. A topic could be fairly lighthearted in nature, like horses, or it could be heavier, like an exploration of how arms manufacturers use games as advertisements. Regardless, the goal is not to chide or condescend, but to explain how we got here and what it all means – both for games themselves and for culture more broadly. Games matter. Let’s start treating them that way.

With the triple-A portion of the video game industry reeling from layoffs, a lack of funding, and a series of high-profile flops, some fans, pundits, and even developers have begun looking to indies to save the day. But we’ve also arrived at a point in time where, more so than ever, “indie” means a lot of different things to different people. As it turns out, many games we refer to as “indie” now cost hundreds of thousands or millions of dollars to make. And as big companies struggle to find funding, it’s not like small developers are suddenly flush with cash. Where does this disconnect come from? Why do so many fans – knowledgeable and engaged ones, no less – still view indies as solo operations running on passion, a pocketful of pennies, and a dream? And did independent game development ever truly work that way? Thomas Was Alone creator Mike Bithell, one of the original “solo” indie devs (who has for quite some time run an entire studio), joins us to demystify the time, resources, and manpower it takes to make even a small commercial game these days.

Credits

- Host: Nathan Grayson

- Podcast Production & Ads: Multitude

- Subscribe to Aftermath!

About The Show

You Are Error is Aftermath’s podcast about common misconceptions in and around video games. Each episode interviews a different guest about something that either games or the people who play them frequently get wrong: It could be something mechanical, like climbing. It could be something born of narrative and world building, like Cyberpunk 2077’s obsession with artificial limbs and exoskeletons, as opposed to what disabled people in the real world actually want and need. A topic could be fairly lighthearted in nature, like horses, or it could be heavier, like an exploration of how arms manufacturers use games as advertisements. Regardless, the goal is not to chide or condescend, but to explain how we got here and what it all means – both for games themselves and for culture more broadly. Games matter. Let’s start treating them that way.

After a first episode that delved into the darkest recesses of men’s hearts, it’s time for something a little lighter: horses, aka man’s best friend if we’re not counting dogs. They’re everywhere – in society and in media. We can all at least sort of draw one. And yet, some major games still fail to stick the landing when it comes to basics like legs. Legs! That’s the first thing you notice about a horse. How and why is this happening? And what are game makers choosing to focus on instead? In this episode, video game horse consultant Alice Ruppert answers those questions and more. And don’t worry: We spend plenty of time talking about the hyperrealistic horse testicles in Red Dead Redemption 2 – although, spoiler alert, it turns out that even those are not as accurate as originally advertised!  

Credits

- Host: Nathan Grayson

- Podcast Production & Ads: Multitude

- Subscribe to Aftermath!

About The Show

You Are Error is Aftermath’s podcast about common misconceptions in and around video games. Each episode interviews a different guest about something that either games or the people who play them frequently get wrong: It could be something mechanical, like climbing. It could be something born of narrative and world building, like Cyberpunk 2077’s obsession with artificial limbs and exoskeletons, as opposed to what disabled people in the real world actually want and need. A topic could be fairly lighthearted in nature, like horses, or it could be heavier, like an exploration of how arms manufacturers use games as advertisements. Regardless, the goal is not to chide or condescend, but to explain how we got here and what it all means – both for games themselves and for culture more broadly. Games matter. Let’s start treating them that way.

For You Are Error’s inaugural episode, Nathan speaks to indie developer, speaker, and consultant Rami Ismail about video games’ long history of screwing up Arabic. Why is it such a pervasive issue, and did games inherit it from Hollywood, or did they take their own, equally fraught path to this point? How are mistakes like this symptomatic of a wider Islamophobic culture, and how do they, in turn, help shape that culture? And are things slowly but surely getting better? We discuss all that and more, including a Palestinian game project Rami is helping produce that has a contingency plan in case its creative director gets massacred before the end of development. Needless to say, content warning: violence.  

Credits

- Host: Nathan Grayson

- Podcast Production & Ads: Multitude

- Subscribe to Aftermath!

About The Show

You Are Error is Aftermath’s podcast about common misconceptions in and around video games. Each episode interviews a different guest about something that either games or the people who play them frequently get wrong: It could be something mechanical, like climbing. It could be something born of narrative and world building, like Cyberpunk 2077’s obsession with artificial limbs and exoskeletons, as opposed to what disabled people in the real world actually want and need. A topic could be fairly lighthearted in nature, like horses, or it could be heavier, like an exploration of how arms manufacturers use games as advertisements. Regardless, the goal is not to chide or condescend, but to explain how we got here and what it all means – both for games themselves and for culture more broadly. Games matter. Let’s start treating them that way.