To discuss, "You Can't Sit Down" by The Dovells, you need to go back to "Sit Down Servant" by The Staple Singers, a joyous hymn to entering heaven with syncopated handclaps. You also need to return to the raucous instrumental version by The Philip Upchurch Combo and then you'll hear where the South Street singers got all those elements for their 1963 hit. Did you ever wanna hear Wolfman Jack & The Wolfpack do the song? We have you covered with the cover - surprisingly it sounds a lil bit like The Cramps! Australia's Purple Hearts make you stamp your hands and clap your feet, but give the singer a lozenge! Our final version is by Les Calamités and they speed that backbeat up and get their motor movin' ... Gleep gloop!!

To discuss, "You Can't Sit Down" by The Dovells, you need to go back to "Sit Down Servant" by The Staple Singers, a joyous hymn to entering heaven with syncopated handclaps. You also need to return to the raucous instrumental version by The Philip Upchurch Combo and then you'll hear where the South Street singers got all those elements for their 1963 hit. Did you ever wanna hear Wolfman Jack & The Wolfpack do the song? We have you covered with the cover - surprisingly it sounds a lil bit like The Cramps! Australia's Purple Hearts make you stamp your hands and clap your feet, but give the singer a lozenge! Our final version is by Les Calamités and they speed that backbeat up and get their motor movin' ... Gleep gloop!!

To discuss, "You Can't Sit Down" by&nbsp;The Dovells, you need to go back to "Sit Down Servant" by&nbsp;The Staple Singers, a joyous hymn to entering heaven with syncopated handclaps. You also need to return to the raucous instrumental version by&nbsp;The Philip Upchurch Combo and then you'll hear where the South Street singers got all those elements for their 1963 hit. Did you ever wanna hear&nbsp;Wolfman Jack &amp; The Wolfpack do the song? We have you covered with the cover - surprisingly it sounds a lil bit like&nbsp;The Cramps! Australia's&nbsp;Purple Hearts&nbsp;make you stamp your hands and clap your feet, but give the singer a lozenge! Our final version is by&nbsp;Les Calamités&nbsp;and they speed that backbeat up and get their motor movin' ... Gleep gloop!!

You Can't Sit Down

The usual format is this: we pick a song from the 1950s or 1960s (genres range from garage, R&amp;B, Girl Groups, Motown and Doo-Wop), and discuss three versions of that song, or sometimes we just play a song we haven’t heard before and react to it. We’ve covered classics like “Little Bit o’ Soul” and “Psychotic Reaction” to rarities like “Jump and Dance” by the Carnaby, and “Ringo I Love You” by Bonnie Jo Mason (aka Cher). Our aim is to discuss what makes these songs interesting, ineffable, or even intolerable. We place special emphasis on the “moments” in these songs where, perhaps, a new interpretation will emerge from. A close look at song structure is also present in our discussions. If that sounds academic, maybe it is a little bit, but we like to keep the analysis in the spirit of the songs we speak of – which means we drink some spirits (for Erik, it’s bourbon, for Weldon, it’s Stambecco) – and that means by the third song, things can get a little wild. Basically, we talk about rock!

Music

Music Commentary

Music History

The usual format is this: we pick a song from the 1950s or 1960s (genres range from garage, R&B, Girl Groups, Motown and Doo-Wop), and discuss three versions of that song, or sometimes we just play a song we haven’t heard before and react to it. We’ve covered classics like “Little Bit o’ Soul” and “Psychotic Reaction” to rarities like “Jump and Dance” by the Carnaby, and “Ringo I Love You” by Bonnie Jo Mason (aka Cher). Our aim is to discuss what makes these songs interesting, ineffable, or even intolerable. We place special emphasis on the “moments” in these songs where, perhaps, a new interpretation will emerge from. A close look at song structure is also present in our discussions. If that sounds academic, maybe it is a little bit, but we like to keep the analysis in the spirit of the songs we speak of – which means we drink some spirits (for Erik, it’s bourbon, for Weldon, it’s Stambecco) – and that means by the third song, things can get a little wild. Basically, we talk about rock!

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You Can't Sit Down

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