1번 곡

Another Day of Sun, opening song from the movie La La Land.

Jazz piano arrangement by Peter Martin, composed by Justin Hurwitz.

출처 : https://www.youtube.com/watch?v=V5EUPCnU5fE

2번 곡

Ken Kubota, cello

Brandon Ilaw, guitar/percussion

출처 : https://www.youtube.com/watch?v=0RIZAY9e24Q

Mahler's Symphony no. 4 in G major was written in 1899-1900.Though typically described as being in G, the work employs a progressive tonal scheme. The whole work is prefigured around 'Das himmlische Leben', a song written in 1892 about a boy's vision of Heaven. It is scored for a fairly small orchestra by Mahler's standards: 4 flutes, 2 picollos, 3 oboes, cor anglais, 3 clarinets, clarinet in Eb, bass clarinet, 3 bassoons, contrabasoon, 4 horns in F, 3 trumpets in F and Bb, timpani, bass drum, cymbals, sleigh bells, triangle, tam-tam, glockenspiel, soprano, and strings.

The Violin Sonata no. 1, Op. 75 is a composition for solo violin and piano written in 1885 by Camille Saint-Saëns and first published that same year. The piece was dedicated to Martin-Pierre-Joseph Marsick.

연주 : Viviane Hagner - Avner Arad

출처 : https://musopen.org/music/4117/camille-saint-saens/violin-sonata-no-1-op-75/

'Fantaisie romantique sur deux mélodies suisses', S. 157 (Romantic Fantasy on Two Swiss Melodies) is a set of two pieces composed by Franz Liszt between 1835-36. They were first published in 1837 and dedicated to V. Boissier.

https://musopen.org/music/3760/franz-liszt/fantaisie-romantique-sur-deux-melodies-suisses-s-157/

Wolfgang Amadeus Mozart wrote his Piano Concerto no. 14 in 1784. Now catalogued as K. 449, it is the first piece he entered in a notebook he kept for the next seven years, which is now a valuable source of information on his compositions.

Antonín Dvořák wrote his String Quartet No. 10 in E flat major Op. 51 (B. 92) in 1879 at the request of the leader of the Florentine Quartet. It is sometimes nicknamed the Slavonic quartet and it takes around 32 minutes to perform.

This concerto is scored for two viole da braccio (regular violas or arm violas), two viole da gamba, cello, violone and harpsichord. The absence of violins is unusual, as it is the choice of using two viole da gambas, an already old fashioned instrument even by 1721 standards. There are many theories about this: one speculates that Prince Leopold actually played the viola da gamba and wanted to join the Kapellmeister.

Reference : http://www.ssenhosting.com/pod/manager/episode_reg?poduid=20291

This concerto makes use of a popular chamber music ensemble of the time (flute, violin, and harpsichord), which Bach used on its own for the middle movement. The harpischord acts both as a concertino and ripieno instrument, alternating between obligatto and figured bass parts. An earlier version, BWV 1050a, exists, and has many small differences from its later cousin, but no major difference in structure or instrumentation.

Reference : https://musopen.org/music/1208/johann-sebastian-bach/brandenburg-concerto-no5-in-d-major-bwv-1050/

This concerto was scored for solo violin, two solo recorders, basso continuo, viola, cello, violone and two violins, and it lasts around 16 minutes. The violin part in this concerto is extremely virtuosic in the first and third movements. In the second movement, the violin provides a bass when the concertino group plays unaccompanied.

Reference : https://musopen.org/music/1218/johann-sebastian-bach/brandenburg-concerto-no4-in-g-major-bwv-1049/

The Brandenburg Concerto no. 3 is a work in three movements, first presented in 1721. The first movement (with no explicit tempo marking but usually played as allegro) can also be found in reworked form as the sinfonia of the cantata Ich liebe den Höchsten von ganzem Gemüte, BWV 174. The second movement consists of a single measure with the two chords that make up a 'Phrygian half cadence' and—although there is no direct evidence to support it—it was likely that these chords are meant to surround or follow a cadenza improvised by a harpsichord or violin player. Modern performance approaches range from simply playing the cadence with minimal ornamentation (treating it as a sort of "musical semicolon"), to inserting movements from other works, to cadenzas varying in length from under a minute to over two minutes. The score calls for three violins, three violas, three cellos, and basso continuo (including harpsichord). A standard performance lasts about 10 minutes.

Reference : https://musopen.org/music/2225/johann-sebastian-bach/brandenburg-concerto-no3-in-g-major-bwv-1048/