Violin Concerto in D major, Op. 61

Ludwig van Beethoven composed his Violin Concerto in D major, Op. 61, in 1806. It was written for his colleague Franz Clement, a popular violinist, who had helped him with the composition of his opera Fidelio. The concert premiered in the Theater an der Wien in Vienna, as part of a benefit concert for Clement. It is believed that Beethoven finished the solo part so late that Clement had to sight read part of his performance, and to express his annoyance Clement interrupted the concerto to play a composition of his own, played on one string with the violin upside down. The premiere was not a success, and the concerto was little performed in the following decades. The work was revived in 1844 with performances by the then 12-year-old violinist Joseph Joachim with the orchestra conducted by Felix Mendelssohn. Ever since, it has been one of the most important works of the violin concerto repertoire, and it is frequently performed and recorded today.

Violin Concerto in D major, Op. 61 - I. Allegro non troppo

Violin Concerto in D major, Op. 61 - II. Larghetto

Violin Concerto in D major, Op. 61 - III. Rondo: Allegro

출처 : https://musopen.org/music/453/ludwig-van-beethoven/violin-concerto-in-d-major-op-61/

1. Hughs - All the Things You Are

2. Boom Boom Beckett - Talk samba parliamo

3. Magik Studio - This is Jazz Manouche

CC 출처

https://www.jamendo.com/track/1234708/all-the-things-you-are

https://www.jamendo.com/track/1247352/talk-samba-parliamo-un-po

https://www.jamendo.com/track/1243033/this-is-jazz-manouche

Fantasy in C 'Wanderer', D. 760

The Fantasy in C, Op. 15 (D 760) also known as the Wanderer Fantasy is a four movement piece for piano solo, composed by Schubert in 1822. Widely considered his most technically demanding work, Schubert was quoted referencing his own inhability to play it properly. This work is not only a formidable technical challenge, but notable in terms of structure: each movement flows into the next, each one starting with a variation of the opening phrase of his own Der Wanderer lied. The Hungarian composer Franz Liszt, who was fascinated by the Wanderer Fantasy, transcribed it for piano and orchestra (S.366) and two pianos (S.653). He additionally edited the original score and added some various interpretations in ossia, and made a complete rearrangement of the final movement (S.565a).

Fantasy in C Major Op.15 D.760 'Wanderer' - I. Allegro con fuoco - Daniel Blanch

Fantasy in C Major Op.15 D.760 'Wanderer' - II. Adagio - Daniel Blanch

Fantasy in C Major Op.15 D.760 'Wanderer' - III. Presto - Daniel Blanch

Fantasy in C Major Op.15 D.760 'Wanderer' - IV. Allegro - Daniel Blanch

Reference : https://musopen.org/music/141/franz-schubert/fantasy-in-c-wanderer-d-760/

본 방송은 상업 방송이 아니며 주요 음원은 Musopen.org를 통하여 streaming service가 가능한 형태의 저작권 보호가 되어있는 곡만을 선곡합니다. 저작권 관련하여 문의 사항이 있으실 경우 게시판 혹은 이메일([email protected]) 로 문의 하여 주시기 바랍니다. 고전낙원은 작곡가 및 뮤지션의 저작권을 해치지 않기 위해 노력하겠습니다. 감사합니다.

Piano Sonata no. 14 in C#m 'Moonlight', Op. 27 no. 2

The Sonata no. 14, Op. 27, no. 2, was completed in 1801 and dedicated to 17-year-old Countess Guicciardi, with whom Beethoven was, or had been in love. The nickname Moonlight derives from an 1832 description of the first movement by poet Ludwig Rellstab, who compared it to moonlight shining upon Lake Lucerne. Beethoven included the phrase Quasi una fantasia in the title (as well as in the other sonata of Op. 27) partly because the work does not follow the traditional sonata pattern where the first movement is in regular sonata form, and where the three or four movements are arranged in a fast-slow-[fast]-fast sequence.

Paul Pitman - Moonlight Sonata, Op. 27 No. 2 - I. Adagio sostenuto

Paul Pitman - Moonlight Sonata Op. 27 No. 2 - II. Allegretto

Paul Pitman - Moonlight Sonata Op. 27 No. 2 - III. Presto

https://musopen.org/music/278/ludwig-van-beethoven/piano-sonata-no-14-in-cm-moonlight-op-27-no-2/

Symphony No. 3 in F Major, Op. 90 - I. Allegro con brio Musopen Symphony

Symphony No. 3 in F Major, Op. 90 - II. Andante Musopen Symphony

Symphony No. 3 in F Major, Op. 90 - III. Poco allegretto Musopen Symphony

https://musopen.org/music/1588/johannes-brahms/symphony-no-3-in-f-major-op-90/

The Symphony no. 3 in F major, Op. 90 by Johannes Brahms was written in 1883 at Wiesbaden, and premiered that same year by the Vienna Philharmonic. The symphony was well received, and although Wagner had died earlier that year, the public feud between Brahms and him had not yet subsided. Wagner enthusiasts tried to interfere with the symphony's premiere, and the conflict between the two factions nearly brought about a duel. After each performance, Brahms polished his score further, until it was published in 1884. The shortest of Brahms' four symphonies, a typical performance lasts 30-40 minutes, and it is scored two flutes, two oboes, two clarinets, two bassoons, a contrabassoon, four horns, two trumpets, three trombones, timpani, and strings. The piece makes use of the F-A-F (Frei aber froh, free but happy) theme, a play on Joseph Joachim's motto F-A-E (Frei aber einsam, free but lonely).

본 방송은 상업 방송이 아니며 주요 음원은 Musopen.org를 통하여 streaming service가 가능한 형태의 저작권 보호가 되어있는 곡만을 선곡합니다. 저작권 관련하여 문의 사항이 있으실 경우 게시판 혹은 이메일([email protected]) 로 문의 하여 주시기 바랍니다. 고전낙원은 작곡가 및 뮤지션의 저작권을 해치지 않기 위해 노력하겠습니다. 감사합니다.

1. Solovey (Соловей) Nightingale - 서은향 (Seo Un-hyang)

https://www.youtube.com/watch?v=6uUF8yhWpTk

2. 军港之夜, (Night at the Naval Port) - 서은향 (Seo Un-hyang)

https://www.youtube.com/watch?v=uuGGdI5HjVo

본 방송은 상업 방송이 아니며 주요 음원은 Musopen.org를 통하여 streaming service가 가능한 형태의 저작권 보호가 되어있는 곡만을 선곡합니다. 저작권 관련하여 문의 사항이 있으실 경우 게시판 혹은 이메일([email protected]) 로 문의 하여 주시기 바랍니다. 고전낙원은 작곡가 및 뮤지션의 저작권을 해치지 않기 위해 노력하겠습니다. 감사합니다.

본 방송은 상업 방송이 아니며 주요 음원은 Musopen.org를 통하여 streaming service가 가능한 형태의 저작권 보호가 되어있는 곡만을 선곡합니다. 저작권 관련하여 문의 사항이 있으실 경우 게시판 혹은 이메일([email protected]) 로 문의 하여 주시기 바랍니다. 고전낙원은 작곡가 및 뮤지션의 저작권을 해치지 않기 위해 노력하겠습니다. 감사합니다.

Track name : Ballade No. 1 in G minor, Op. 23

Performer : Frank Levy

Composer : Frédéric Chopin

Recorded date : 2015

Frédéric Chopin wrote his Ballade no. 1 in G minor, Op. 23, in 1831. During those years he had taken residence in Vienna, and as the war between his native land and the Russian Empire grew longer so did his music become increasingly dramatic, a reflection of his feelings of loneliness and alienation. The Ballade no. 1 wasn't published until Chopin moved to Paris, where he dedicated it to Baron Nathaniel von Stockhausen. Chopin may be said to be the creator of the Ballade as a distinct genre, inspiring many musicians (such as Liszt and Brahms) to write their own Ballades. Though the pieces seem to be entirely different between them, analysts have shown that the Ballades share a number of traits, like a mirror reexposition (where the order of the first and second themes are inverted), and the so called ballade meter (a 6/8 or 6/4 meter). The Ballade no. 1 in G minor is one of the more popular Chopin pieces. being prominently featured in the 2002 Roman Polanski film The Pianist.

Disco Kid

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