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Ballet Master Betsy Erickson and Principal Dancers Sarah Van Patten and Tiit Helmets speak with dance educator Mary Wood on preparing to dance Christopher Wheeldon's Cinderella©. What makes this ballet as thrilling for the artists to dance as it is for the audience to watch?
Ballet Master Katita Waldo, a dancer at San Francisco Ballet for 22 years (16 of them as a principal dancer), discusses Arthur Pita’s Salome, including her role as the chilling Herodias, the imaginative concept behind this dance-theater piece, and the work’s movement and staging. She also discusses her role as a ballet master in documenting and teaching ballets, touching on George Balanchine’s Stravinsky Violin Concerto.
Principal Dancers Sofiane Sylve and Carlo Di Lanno discuss their experiences dancing Swan Lake, at San Francisco Ballet and at other companies, and share their thoughts on the nuances and challenges of the roles of Odette/Odile and Prince Siegfried in this iconic ballet. They also discuss what it’s like to dance principal roles at young ages, very early in their careers, and their ideas about ballet’s role in educating audiences about the potential of this art form.

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