Mr. Riggins discusses his work with Hamburg Ballet, his work with John Neumeier and the production of The Little Mermaid.

In this installment of MTA, Charles and his guests discuss the music of The Little Mermaid, including the presence of the unique electronic instrument, the Theremin. Ms. Eyck gives an informative musical demonstration.

Pascal shares his artistic process in approaching the role of The Poet in Neumeier’s The Little Mermaid.

Mary asks Joan what he finds most challenging in dance, and how he approaches his work in the idiosyncratic Forsythe ballet, in the middle somewhat elevated.

Cecelia Beam and her guests provide an in-depth look at Program 2 including the historical connections to returning works.

Charles McNeal asks Elana about her journey from SF ballet School to Company member to SF Ballet Soloist.

Pierre-Francios talks about the differences among choreographers and the process of learning a dance, including partnering.

Cecelia interviews Betsy about the duties and responsibilities of a Ballet Master.

Katita discusses her long and successful career at San Francisco and the imminent changes coming with her forthcoming retirement at the end of the 2010 season.

On opening night of Program 2, Mary discusses the work of Christopher Wheeldon with key members of his design team.