Mary asks Joan what he finds most challenging in dance, and how he approaches his work in the idiosyncratic Forsythe ballet, in the middle somewhat elevated.

Pascal shares his artistic process in approaching the role of The Poet in Neumeier’s The Little Mermaid.

In this installment of MTA, Charles and his guests discuss the music of The Little Mermaid, including the presence of the unique electronic instrument, the Theremin. Ms. Eyck gives an informative musical demonstration.

Mr. Riggins discusses his work with Hamburg Ballet, his work with John Neumeier and the production of The Little Mermaid.

Debra gives us an inside look at the pivotal role of the General Manager at San Francisco Ballet.

On opening night of Program 2, Mary discusses the work of Christopher Wheeldon with key members of his design team.

Katita discusses her long and successful career at San Francisco and the imminent changes coming with her forthcoming retirement at the end of the 2010 season.

Cecelia interviews Betsy about the duties and responsibilities of a Ballet Master.

Pierre-Francios talks about the differences among choreographers and the process of learning a dance, including partnering.

Charles McNeal asks Elana about her journey from SF ballet School to Company member to SF Ballet Soloist.