The career of jazz trumpeter and composer Miles Davis from the late 1940s through his (temporary) retirement in 1975 largely doubles as a tour of every significant stylistic development in the jazz world during this time. By the late 1960s, after taking acoustic jazz as far as he believed it could go, Miles chose to immerse himself in the world of electric jazz fusion, and his 1970 album Bitches Brew remains both one of the most famous jazz fusion albums and one of the most famous Miles Davis albums overall. In this episode, Mike leads a discussion on this monster of a listening experience: an album that that gets labeled as jazz-rock but often sounds nothing like either jazz or rock; an album that got dismissed by many contemporary jazz listeners and critics as a sell-out even though it's some of the least accessible music Davis ever made; and an album where producer Teo Macero proved that extensive tape manipulation could work every bit as well in the jazz world as it could in the rock world.

Cohosts: Mike DeFabio, Phil Maddox, John McFerrin

Complete show notes: https://discordpod.com/listen/079-miles-davis-bitches-brew-1970

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