The 500 with Josh Adam Meyers

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The 1969 debut album from The Stooges was a forerunner to what would become the punk rock genre. The 500 turned to its top contributor Wayne Federman to discuss Iggy Pop and the album that would go on to inspire future punk legends like The Ramones and the Sex Pistols. 

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DistroKid Artist Of The Week: Amyl & The Sniffers

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-Fresh is the sixth album by American funk band Sly and the Family Stone, the band’s final album to reach the Top 10. Speech, of hip hop group Arrested Development, makes his debut on The 500 to talk about an album Brian Eno credits with shifting the history of recording, "where the rhythm instruments, particularly the bass drum and bass, suddenly [became] the important instruments in the mix”

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-Often considered his best and most accessible album, So was an immediate commercial success and transformed Gabriel from a cult artist into a mainstream star, becoming his best-selling solo release. Thomas Lennon makes his debut on The 500 to talk about the former Genesis frontman’s hits and deep cuts on 1987’s “So”. 

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DistroKid Artist Of The Week: Nicotine Dolls

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Despite encountering multiple speed bumps in the recording process and fractures within the band that were becoming more prevalent, Buffalo Springfield released their second album before band members like Neil Young and Stephen Stills went on to even bigger things. Adam Ferrara stops by to talk about tracks like “Mr. Soul” and “Broken Arrow.”

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DistroKid Artist Of The Week: Nathan Jacques

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Happy Trails” is an album recorded from performances at the Fillmore East & West venues. Most of the tracks are reworkings of some of Bo Diddley's tracks. Quicksilver Messenger Service was very influential but wasn’t commercially successful The 500 invited Wayne Federman & DJ Morty Coyle back to unpack “Happy Trails”, the last QMS album to feature their original lineup. 

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DistroKid Artist Of The Week: Giant Sand

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Elvis Presley’s popularity began to wain as the 1960s went on. In 1968, he was asked to do a Christmas special but decided to sing songs from his catalog instead. The decision proved to be a wise one, as the popularity of the TV special provided Elvis a career resurgence. Josh Wolf returns to The 500 to discuss the live album “From Elvis In Memphis” and his love of The King. 

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DistroKid Artist Of The Week: Brigitte Calls Me Baby

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Fun House was the second studio album from the Stooges. While it wasn’t commercially successful, it had a tremendous cult following in what would become an emerging punk rock scene later on in the 1970s and early 1980s. Greg Fitzsimmons makes his first appearance since 2020 to talk about the album and one of the more unique singing voices, Iggy Pop. 

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-The Flying Burrito Brothers helped forge the connection between rock and country with their 1969 debut album, The Gilded Palace of Sin. What they lacked in longevity, they made up for with a big influence in rock and country music. Long-time blues guitarist Kenny Wayne Shepherd and friend of The 500 Wayne Federman discuss Gram Parsons and more with Josh. 

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Kenny Wayne Shepherd Tour Dates & “Dirt On My Diamons 2” 

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Comedian Jordan Jensen dives into the rebellious angst and pop-punk anthems of Green Day's 1994 album Dookie

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DistroKid Artist Of The Week: Face to Face

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“Transformer” is considered an influential landmark of the glam rock genre, which includes Lou Reed's most successful single, "Walk on the Wild Side", which touched on controversial topics of sexual orientation, gender identity, and prostitution. Penn Jillette is considered one of the iconic magicians of our time and joins The 500 to talk about Lou’s career from the Velvet Underground and beyond. 

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DistroKid Artist Of The Week: John-Allen Weiss

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