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This week we're talking Peter Pan Syndrome, Hulk Hands, John C Reilly Muppets, Sleepwalking, boats and Hoes
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This week's subject film has been picked by long time supporter Gavin Magill.
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Step Brothers is a 2008 American comedy film directed by Adam McKay, produced by Jimmy Miller and Judd Apatow, and written by Will Ferrell and McKay from a story by Ferrell, McKay, and John C. Reilly. It follows Brennan (Ferrell) and Dale (Reilly), two grown men who are forced to live together as brothers after their single parents, with whom they still live, marry each other. Richard Jenkins, Mary Steenburgen, Adam Scott, and Kathryn Hahn also star. Ferrell notably sings "Por Ti Volaré" during the film's climatic scene while Reilly plays drums. [2]
The film was released by Sony Pictures Releasing on July 25, 2008, two years after Talladega Nights: The Ballad of Ricky Bobby. Both films feature the same main actors, as well as the same producing and writing team. It grossed $128.1 million and received mixed reviews.
Plot
39-year-old Brennan Huff and 40-year-old Dale Doback are immature adults still living at home. Brennan lives with his divorced mother, Nancy, and Dale lives with his widowed father, Robert. Robert and Nancy meet, fall in love, and marry, forcing Brennan and Dale to live together as step brothers. Brennan and Dale initially despise each other, and after Brennan defies Dale's order not to touch his drum set, a fight erupts between them. They are grounded with no television for a week and are ordered to find jobs within a month or be evicted.
When Brennan's arrogant classist younger brother Derek, a successful helicopter leasing agent, visits with his family, he openly ridicules Dale and Brennan, and Dale punches him in the face. Brennan is awed that Dale stood up to Derek, while Derek's discontented wife Alice finds Dale's courage attractive, and begins a sexual affair with him, unbeknownst to Derek. Brennan and Dale bond over their shared tastes and interests, particularly music. Brennan had given up singing after Derek and his friends jeered his performance in a school musical. Robert, meanwhile, schedules several job interviews for them, but they perform poorly and then are attacked on their way home by school children. Robert and Nancy reveal that with Derek's help they plan to sell the house, retire and travel the world on Robert's sailboat. They also sign Brennan and Dale up for therapy and set up bank accounts for them to live off of until they find work. Brennan falls in love at first sight with his therapist, Denise, but the attraction is not mutual.
At Derek's birthday party, Dale and Brennan present a pitch video for their entertainment company, "Prestige Worldwide", that includes a music video, "Boats 'N Hoes", which they filmed on Robert's boat without his knowledge. The presentation backfires when the video shows the boat crashing, shattering Robert and Nancy's sailing dreams and straining their marriage. On Christmas, Robert and Nancy announce they are getting divorced, upsetting Brennan and Dale, who blame each other. Brennan and Dale go their separate ways, live independently and gradually become functioning adults.
Brennan gets a job at Derek's helicopter leasing firm and volunteers to oversee a prestigious event, the Catalina Wine Mixer. He hires the catering company that employs Dale and invites Robert and Nancy to attend. The party goes well until the lead singer of the hired Billy Joel cover band loses his temper with a heckler and is hustled away. Derek blames Brennan for the fiasco and fires him. Robert encourages Brennan and Dale to be their eccentric child-at-heart selves again and perform to save the party. The pair take the stage and Brennan sings "Por Ti Volaré" while Dale accompanies him on drums. Brennan's moving performance brings the extended family back together and entrances Denise. Dale, meanwhile, breaks off his relationship with Alice.
Six months later, Robert and Nancy are back together living in their old house, while Brennan and Dale have turned "Prestige Worldwide" into a successful entertainment company that owns six karaoke bars and two karaoke restaurants. As a Christmas surprise, Robert has turned his boat into a tree house for Brennan and Dale to play in, complete with hats and masks. Denise, who has come to the dinner with Brennan, admires the way he looks in a pirate hat. During the ending credits, Dale and Brennan exact their revenge on the schoolyard bullies.
Cast
Will Ferrell as Brennan Huff
Bryce Hurless as young Brennan Huff
John C. Reilly as Dale Doback
Mary Steenburgen as Nancy Huff
Richard Jenkins as Dr. Robert Doback
Adam Scott as Derek Huff
Dmitri Schuyler-Linch as young Derek Huff
Kathryn Hahn as Alice Huff
Andrea Savage as Denise
Lurie Poston as Tommy Huff
Elizabeth Yozamp as Tiffany Huff
Logan Manus as Chris Gardocki
Travis T. Flory as Redheaded Kid
Shira Piven as Nurse
Seth Morris as Doctor
Wayne Federman as Blind Man
Maria Quiban as TV Anchor
Danielle Schneider as Receptionist
Gillian Vigman as Pam Gringe
Brian Huskey as Interviewer
Seth Rogen as a Sporting Goods Manager
Chris Henchy as First Homebuyer
Mary Catherine Hamelin as First Homebuyer
Ian Roberts as Male Therapist
Phil LaMarr as Second Homebuyer
Erica Vittina Phillips as Second Homebuyer
Rob Riggle as Randy
Ken Jeong as Employment Agent
Horatio Sanz as Lead Singer
Jake Szymanski as Caterer
Matt Walsh as Drunk Corporate Guy
Brent White as Therapy Patient
This week Planty is in his Element as both Derby County and Leeds get beat and Michael Sheen does a really good Brian Clough in The Damned United. John is less impressed.
Join us as we visit Saltergate, Elland Road, Old Wembley and The Baseball Ground.
We find out what happened to Derby Baseball Club, Batman Vs Don Revie and why films lie to us about cars and songs.
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The Damned United is a 2009 sports drama film directed by Tom Hooper and adapted by Peter Morgan from David Peace's bestselling 2006 novel The Damned Utd – a largely fictional book based on the author's interpretation of Brian Clough's ill-fated tenure as football manager of Leeds United in 1974.
Originally proposed by Stephen Frears, he pulled out of the project in November 2007, and Hooper took over. Filming took place from May to July 2008. Marking the fifth collaboration between screenwriter Peter Morgan and actor Michael Sheen, who plays Clough, the film was released in the United Kingdom on 27 March 2009 and in North America on 25 September.
Despite controversy due to the film's numerous historical inaccuracies and its poor performance at the box office, The Damned United received critical acclaim upon release, with particular praise given for Sheen's performance. It received numerous award nominations including the British Independent Film Award for Best Supporting Actor, the ALFS Award for British Supporting Actor of the Year, the Satellite Award for Best Actor in a Motion Picture, Drama and Best Actor in a Supporting Role and the Writers' Guild of Great Britain Award for Best Feature Film Screenplay.
Don Revie, the highly successful manager of Leeds United, is appointed manager of England in 1974. Revie's replacement at Leeds is Brian Clough, the former manager of Derby County and a fierce critic of Leeds because of their violent and physical style of play under Revie. Clough's long-time assistant, Peter Taylor, has not joined him at Leeds.
The roots of Clough's conflict with Leeds originate in a 1968 FA Cup match between Leeds, the leaders of the First Division and Derby, who were struggling near the bottom of the Second Division. Excited, Clough had made many preparations to welcome Revie, but Revie failed to even acknowledge Clough upon entering the Baseball Ground. Derby lost 2–0.
Although Clough initially blames the brutality of the Leeds players, he and Taylor recognise that their side are not good on a technical level. They sign veteran Dave Mackay, along with several young players. Derby chairman Sam Longson is extremely anxious about the investment. In 1969 Derby are promoted to the First Division, but in their first league game against Leeds they lose 5–0. The club win their first ever League championship in 1972, earning them a European Cup campaign the following year. They go through to the semi-finals against Juventus. Against Longson's advice, Clough uses his best squad in the last match before the semi-final against Leeds, purely out of pride and determination to beat Revie. Several Derby players suffer injuries, and Juventus subsequently defeat them 3-1, and Clough publicly lambasts Longson.
Taylor suffers a heart attack, and Clough tries to secure his position by offering his and Taylor's resignations to protest Longson's unwillingness to fund further signings. He is outraged when the directors accept their resignations. Support by Derby fans and players raise Clough's hopes of being reinstated, but Mackay is appointed manager instead. He and Taylor are then offered jobs at Brighton & Hove Albion. They agree to take the jobs after taking an all-expenses-paid holiday in Majorca. There, Clough agrees to take control of Leeds after being approached by their representative. Taylor, however, argues the case for staying at Brighton, and after a bitter quarrel, the two go their separate ways.
Preparing for the 1974 season, Clough alienates his Leeds players in their first training session, first by accusing them of winning all of their awards by cheating, and then making them start with a 7-a-side game as if they were schoolchildren. When team captain Billy Bremner protests that Revie never made them do this, Clough reminds them that he is not Revie and threatens a severe punishment for any player who mentions the former manager's name or methods again.
The season starts with a widely anticipated Charity Shield match against Liverpool at Wembley. The event is marred when Bremner gets into a fight with Kevin Keegan. Both are sent off, and in turn throw their shirts off and walk off the pitch bare-chested in defiance. Leeds lose the match and Bremner is given a two-month suspension, forcing Leeds to start the season without their influential captain. As a result, Leeds suffer a horrendous start to the season and are in danger of relegation only one season after winning the title.
After Bremner and the players air their grievances to the board, the club terminates Clough's contract after just 44 days; he forces them to pay an enormous severance package. Afterwards, Clough agrees to do a final interview with Yorkshire Television, but finds Revie there to confront him. After a war of words, Clough brings up the incident at the 1968 FA Cup, and Revie claims to have not known who the rookie manager was at the time. After the interview, Clough drives down to Brighton and reconciles with Taylor.
The film's epilogue reveals that Revie failed as England manager and spent the rest of his career working in the Middle East, where he was accused of financial mismanagement. Clough and Taylor, meanwhile, reunited at Nottingham Forest, where they repeated their achievements with Derby by helping them win promotion to the First Division and then winning the title, and also two European Cups in succession, in 1979 and 1980. The film ends with the caption: "Brian Clough remains the greatest manager the England team never had."
This week we're Kooky and Spooky with what is possibly the best of the Boomer TV to film remakes of the 1990's.
Join us as we talk cancelled Hollywood producers, Orion's money worries and some of the finest casting of 1991.
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The Addams Family is a 1991 American supernatural black comedy film based on the characters from the cartoon created by cartoonist Charles Addams and the 1964 television series produced by David Levy.[4] Directed by former cinematographer Barry Sonnenfeld in his feature directorial debut, the film stars Anjelica Huston, who was nominated for a Golden Globe for her performance as Morticia Addams, Raul Julia as Gomez Addams, and Christopher Lloyd as Fester Addams. The film focuses on a bizarre, macabre, aristocratic family who reconnect with someone whom they believe to be a long-lost relative, Gomez's brother Fester Addams.
The film was noted for its turbulent production. Originally developed at Orion, the film went $5 million over budget due to constant rewrites throughout shooting; health problems of people involved in the filming; and an overall stressful filming for Sonnenfeld himself, which caused multiple delays. The rise in production costs from the film's $25 million budget to $30 million led Orion, financially struggling and fearful of another big-budget flop, to sell the film to Paramount, who completed the film and handled the film's domestic distribution. Orion distributed the film internationally through Columbia Pictures. The film was commercially successful, making back almost seven times its production costs, and was followed by a sequel, Addams Family Values.
This week we're off to Ireland's Premier Theme Park where we learn about Banshees, Pan-Am and the demise of The Big Bopper.
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High Spirits is a 1988 fantasy comedy film written and directed by Neil Jordan and starring Steve Guttenberg, Daryl Hannah, Beverly D'Angelo, Liam Neeson and Peter O'Toole. It is an Irish, British and American co-production.
Set in a remote Irish castle called Dromore Castle, County Limerick, High Spirits is a topsy-turvy comedy with thematic leanings towards Ireland's rich folklore regarding ghosts and spirits, where the castle starts to come to life with the help of such denizens.
Note: Looks like the Gramlins got in the podcast Machine and ruined the last ten mins (I mean of this podcast, that can't be hard!) but this is a reuploaded and fixed version for you all.
Sorry about that, we've sent John out back to murder Gizmo.
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This week we welcome Aaron from the Zed1 Podcast ( @zed1podcast ) As a Patron he has the opportunity to pick a film for his episode and boy did he pick a belter in Young Frankenstein.
Join us as we talk The Black Forest, Frau Blucher *neigh*, Ovaltine and The Village People.
Zed1 Podcast is The UK's premier Audio Drama about a couple stuck in the Zombie apocalypse.
Think Shaun of The Dead meets The Archers.
https://zed1podcast.weebly.com/
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Young Frankenstein is a 1974 American comedy horror film directed by Mel Brooks. The screenplay was co-written by Brooks and Gene Wilder. Wilder also starred in the lead role as the title character, a descendant of the infamous Dr. Victor Frankenstein. Peter Boyle portrayed the monster.[4] The film co-stars Teri Garr, Cloris Leachman, Marty Feldman, Madeline Kahn, Kenneth Mars, Richard Haydn, and Gene Hackman.
The film is a parody of the classic horror film genre, in particular the various film adaptations of Mary Shelley's 1818 novel Frankenstein; or, The Modern Prometheus produced by Universal Pictures in the 1930s.[5] Much of the lab equipment used as props was created by Kenneth Strickfaden for the 1931 film Frankenstein.[6] To help evoke the atmosphere of the earlier films, Brooks shot the picture entirely in black and white, a rarity in the 1970s, and employed 1930s-style opening credits and scene transitions such as iris outs, wipes, and fades to black. The film also features a period score by Brooks' longtime composer John Morris.
A critical and commercial success, Young Frankenstein ranks No. 28 on Total Film magazine's readers' "List of the 50 Greatest Comedy Films of All Time",[7] No. 56 on Bravo's list of the "100 Funniest Movies",[8] and No. 13 on the American Film Institute's list of the 100 funniest American movies.[9] In 2003, it was deemed "culturally, historically or aesthetically significant" by the United States National Film Preservation Board, and selected for preservation in the Library of Congress National Film Registry.[10][11] It was later adapted by Brooks and Thomas Meehan as a stage musical. The film was nominated for two Academy Awards: Best Adapted Screenplay (for Wilder and Brooks) and Best Sound.
In 2014, the year of its 40th anniversary, Brooks considered it by far his finest (although not his funniest) film as a writer-director.[12]
This week we're doing Werewolves, Cujos, Gremlins and Avengers as we talk about 1981's The Howling.
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The Howling is a 1981 American horror film directed and edited by Joe Dante. Written by John Sayles and Terence H. Winkless, based on the novel of the same name by Gary Brandner, the film follows a news anchor who, following a traumatic encounter with a serial killer, visits a resort secretly inhabited by werewolves. The cast includes Dee Wallace, Patrick Macnee, Dennis Dugan, Christopher Stone, Belinda Balaski, Kevin McCarthy, John Carradine, Slim Pickens, and Elisabeth Brooks.
The Howling was released in the United States on March 13, 1981, and became a moderate success, grossing $17.9 million at the box office. It received generally positive reviews, with praise for the makeup special effects by Rob Bottin. The film won the 1980 Saturn Award for Best Horror Film and was one of the three high-profile werewolf-themed horror films released in 1981, alongside An American Werewolf in London and Wolfen.
Its financial success aided Dante's career, and prompted Warner Bros. to hire Dante and Michael Finnell as director and producer, respectively, for Gremlins (1984). A series consisting of seven sequels arose from the film's success.
This week we're back in the USSR and we know just how lucky we are, Boy!
We're talking, Concertos, Communism and laying in state.
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Death of Stalin was picked by our Patron Lee Davis, and grateful we are too.
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The Death of Stalin is a 2017 political satire black comedy film written and directed by Armando Iannucci and co-written by David Schneider and Ian Martin with Peter Fellows. Based on the French graphic novel La Mort de Staline (2010–2012), the film depicts the internal social and political power struggle among the members of the Soviet Politburo following the death of leader Joseph Stalin in 1953. The French-British-Belgian co-production stars an ensemble cast that includes Steve Buscemi, Simon Russell Beale, Paddy Considine, Rupert Friend, Jason Isaacs, Olga Kurylenko, Michael Palin, Andrea Riseborough, Dermot Crowley, Paul Chahidi, Adrian McLoughlin, Paul Whitehouse, and Jeffrey Tambor.
The film premiered on 8 September 2017 at the Toronto International Film Festival. It was released theatrically in the United Kingdom by Entertainment One Films on 20 October 2017, in France by Gaumont on 4 April 2018, and in Belgium by September Film Distribution on 18 April 2018. It received critical acclaim and various accolades, including nominations for two British Academy Film Awards, one of which was for Outstanding British Film, and 13 British Independent Film Awards, four of which it won. There was fierce opposition to the film in Russia, where it was seen as "anti-Russian propaganda", and it was banned there, as well as in Kyrgyzstan, for allegedly mocking the Soviet past and making fun of the USSR.[4][5]
Plot
On the night of 1 March 1953, Joseph Stalin calls the Radio Moscow director to demand a recording of the just-concluded live recital of Mozart's Piano Concerto No. 23. The performance was not recorded; not wanting to anger Stalin, the director hurriedly refills the now-half-empty auditorium, fetches a new conductor to replace the original one, who has passed out, and orders the orchestra to play again. Pianist Maria Yudina initially refuses to perform for the cruel dictator, but ultimately is bribed to comply.
Meanwhile, Stalin is hosting a tense, but rowdy, gathering of Central Committee members at his home, the Kuntsevo Dacha. As Foreign Minister Vyacheslav Molotov leaves, NKVD-head Lavrentiy Beria reveals to Nikita Khrushchev and Deputy Chairman Georgy Malenkov that Molotov is to be part of the latest purge. When the concert recording arrives, Stalin finds a note Maria slipped in the record sleeve, admonishing Stalin and expressing hope for his death. He reads it, laughs, and suffers a cerebral haemorrhage. Despite hearing him fall, Stalin's guards, fearful of being punished for disturbing him, do not enter his office.
Stalin's housemaid discovers him unconscious the next morning. The members of the Central Committee each learn about the situation through their own networks and rush to the dacha. Beria, the first to arrive, finds Maria's note. Once Malenkov, Khrushchev, Lazar Kaganovich, Anastas Mikoyan, and Nikolai Bulganin arrive, the Committee finally decides to send for a team of doctors. Most of the best doctors in Moscow have been arrested for being part of an alleged plot, thus the doctors who can be found are not impressive. After a brief bout of terminal lucidity, Stalin dies. While the members of the Committee return to Moscow, Beria's order for the NKVD to take over the Soviet Army–held security postings across Moscow is carried out.
Beria and Khrushchev vie for the support of Molotov and Stalin's children, Svetlana and her unstable, alcoholic brother Vasily. Beria has Molotov removed from the list of those to be rounded up, and has Molotov's wife released from prison. The Committee names Malenkov chairman. Essentially a puppet of Beria, Malenkov further exerts control by hijacking Khrushchev's proposed reforms, such as releasing political prisoners and loosening clerical restrictions. Khrushchev is relegated to planning Stalin's funeral.
After Beria learns Khrushchev and Maria are casually acquainted, he threatens Khrushchev with Maria's note. To create problems for the NKVD, Khrushchev reverses Beria's order to halt all transportation into Moscow. When 1,500 arriving mourners are killed, the Committee wants to blame junior NKVD officers. Beria angrily dissents, believing that would amount to blaming him, and threatens his colleagues with documents detailing their involvement in various purges.
Irate over the supplanting of the military by the NKVD, Marshal Georgy Zhukov agrees to support Khrushchev in a coup against Beria, provided it occurs after Stalin's funeral the next day and Khrushchev can get the rest of the Committee on board. With time running out, Khrushchev cannot get Malenkov to discuss his plan, but he tells everyone else that the decision is unanimous, and they commit themselves. Khrushchev gives Zhukov the greenlight, and the Soviet Army reclaims its posts from the NKVD. Zhukov, assisted by a group of soldiers led by Kiril Moskalenko, storms into a meeting of the Committee and arrests Beria.
Malenkov does not intervene and reluctantly signs Beria's death warrant, horrified at what he had done to his victims. At Beria's emergency trial, Khrushchev accuses him of counter-revolutionary activities, sexual assault, and pedophilia, and immediately declares him guilty after evidence of the final accusation is delivered by the Soviet army. Beria begs for his life but is summarily shot in the head, and Zhukov has his body burned in the courtyard. Despite Svetlana's protests, Khrushchev sends her to Soviet-occupied Vienna, while keeping Vasily in Russia, where he can be watched. He concurs with Kaganovich that Malenkov is too weak to lead.
In 1956, Maria is the soloist at another performance of Concerto No. 23. Having triumphed over other members of the Committee to become the new leader of the Soviet Union, Khrushchev attends. Brezhnev, who will succeed Khrushchev in 1964, eyes Khrushchev from his seat.
Join us this week for shops real and made up, Non-Union Johnny Five and why you shouldn't miss leg day.
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Chopping Mall is a 1986 American independent techno-horror film co-written and directed by Jim Wynorski, produced by Julie Corman, and starring Kelli Maroney, Tony O'Dell, John Terlesky, Russell Todd, Paul Bartel, Mary Woronov, and Barbara Crampton. It focuses on three high-tech security robots turning maniacal and killing teenage employees inside a shopping mall after dark.
The film was test-screened under the title Killbots by its distributor, Concorde Pictures. After it performed poorly with test audiences, the film was re-titled Chopping Mall, and approximately 19 minutes were excised.
In the years since its release, Chopping Mall has gone on to develop a cult following, and been subjected to film criticism for its perceived themes of human consumption and excess during the Reagan Era in the United States.
They said it couldn't be done! Or that it shouldn't be done... one of those things was definitely said.
Yet here it is, the live recording of our Live show debut. Shrek!
We'll learn about The muffin man, the history of the boxing ring, that onions DON'T have layers and loads more!
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I don't know what to put in this bit now we don't have a live show to promote
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Shrek is a 2001 American animated fantasy comedy film loosely based on the 1990 children's picture book of the same name by William Steig. Directed by Andrew Adamson and Vicky Jenson (in their feature directorial debuts) and written by Ted Elliott, Terry Rossio, Joe Stillman, and Roger S. H. Schulman, it is the first installment in the Shrek film series. The film stars Mike Myers, Eddie Murphy, Cameron Diaz, and John Lithgow. In the film, an embittered ogre named Shrek (Myers) finds his home in the swamp overrun by fairy tale creatures banished by the obsessive ruler Lord Farquaad (Lithgow). With the help of Donkey (Murphy), Shrek makes a pact with Farquaad to rescue Princess Fiona (Diaz) in exchange for regaining control of his swamp.
After purchasing rights to Steig's book in 1991, Steven Spielberg sought to produce a traditionally-animated film adaptation, but John H. Williams convinced him to bring the project to the newly founded DreamWorks in 1994. Jeffrey Katzenberg, along with Williams and Aron Warner, began development on Shrek in 1995, immediately following the studio's purchase of the rights from Spielberg. Chris Farley was cast as the voice for the title character, recording most of the required dialogue, but died in 1997 before his work on the film was finished; Myers was hired to replace him, and gave Shrek his Scottish accent. The film was initially intended to be created using motion capture, but after poor test results, the studio hired Pacific Data Images to complete the final computer animation. Shrek parodies other fairy tale adaptations, primarily animated Disney films.[7]
Shrek premiered at the Mann Village Theatre In Westwood, and was later shown at the 2001 Cannes Film Festival, where it competed for the Palme d'Or,[4][8] making it the first animated film since Disney's Peter Pan (1953) to be chosen to do so.[9] The film was theatrically released by DreamWorks Pictures in the United States on May 18, 2001, and grossed over $492 million worldwide, becoming the fourth highest-grossing film of 2001. It was widely praised by critics for its animation, voice performances, soundtrack, writing and humor, which they noted catered to both adults and children. Shrek was nominated for the Academy Award for Best Adapted Screenplay and won the first Academy Award for Best Animated Feature.
The film's major success helped establish DreamWorks Animation as a competitor to Pixar in feature film computer animation. Three sequels have been released—Shrek 2 (2004), Shrek the Third (2007), and Shrek Forever After (2010)—along with two spin-off films—Puss in Boots (2011) and Puss in Boots: The Last Wish (2022)—with other productions, notably Shrek 5, in development. It is also regarded as one of the most influential animated films of the 2000s and one of the greatest animated films ever made. The United States Library of Congress selected Shrek for preservation in the National Film Registry in 2020, becoming the first animated film of the 21st century to be preserved.
This week the boys are off down the docks to listen to Jean Michel Jarre and visit serial killer Dennis Nilsen's murder house.
It's Clive Barker's classic Sexy horror, Hellraiser!
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Also on our Patron Planty reading Hellbound Heart by Clive Barker.
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Dont forget to join us at Megacon Carlisle on 17th August where we will be performing our first ever live show on the subject of Shrek.
£5 + Booking. Get your ticket here:
https://www.trybooking.com/uk/events/landing/58993
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Hellraiser is a 1987 British supernatural horror film written and directed by Clive Barker in his directorial debut,[7] Based on Barker's 1986 novella The Hellbound Heart, the film’s plot concerns a mystical puzzle box that summons the Cenobites, a group of extra-dimensional, sadomasochistic beings who cannot differentiate between pain and pleasure. It stars Andrew Robinson, Clare Higgins, Ashley Laurence, and Doug Bradley as the leader of the Cenobites, identified in the sequels as "Pinhead"
The film was followed by nine sequels, the first seven of which featured Bradley reprising his role as Pinhead. A franchise reboot, also titled Hellraiser and executive produced by Barker, was released in 2022.
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