“Всё мгновенно, всё пройдет; Что пройдёт, то будет мило.” -Александр Пушкин
“Everything is momentary, Everything will pass, What will pass will be dear.” - Alexander Pushkin
1000 Words is a podcast that paints a picture about the creative process. This is a lens to focus on the unique perspective of a specific artist. Hopefully drawing insight as we brush up on how imagination provides a groundwork for artistic exploration. We continue that journey today with Vasilisa Kiselevich!
It will pass, but we hope that the photos will remain. We hope that the images will help us halt this beautiful moment. And it is not just a Faustian fleeting moment of personal life. Now it is a fleeing moment for the whole humanity, the whole World.
Vasilisa Kiselevich's landscape and wild life photography is her contribution to documenting nature on the brink of ecological crises due to climate change and to progressive damage inflicted by human activity. For Kiselevich it is also a way of studying nature. For the last 7 years she has been documenting in images and notes the life of a swan family. She also observed and photographed night life of beavers for a couple of years. Macro photography lets her into the invisible word of butterflies and flowers. Kiselevich did not know that butterflies had two proboscises when they were just born, until she saw it in her photo. Finally, photography is her way of immersing herself in nature, it is a way of being in it, and being a part of it. It is her therapy, which she calls “Nature Sessions.”
Our time is a fleeting moment for society as well. Since the beginning of the COVID-19 Pandemic, she has been working on my “Parallel Worlds” project. While documenting nature in the National Parks, in Canada, in Alaska, and in Buchanan, Michigan, She also documented the tectonic movements of the social landscape in Chicago: Pandemic, Black Lives Matter, 2020 Elections, and most recently the response to the war in Ukraine. The latter gives my photography a new purpose. The photos that she is taking at Ukrainian rallies and events are her way of sharing support, pain and hope. Her images promote awareness about the war and are exhibited in the South Bend Museum of Art as well as in the Buchanan Art Center.
Kiselevich says she is also fortunate to be able to share the world of photography with her talented students. A student’s wife told her: “Thank you for giving photography to my husband. Now it is all of his life.” The student himself said that after taking her classes he became addicted to photography and sees everything “as if it were in a photo.”
“Il faut être toujours ivre. …. Pour ne pas sentir l'horrible fardeau du temps qui brise vos épaules, et vous penche vers la terre, il faut vous enivrer sans trêve. Mais de quoi? De vin, de poésie ou de vertu, à votre guise. Mais enivrez-vous! - Charles Baudelaire.
(You have to be always drunk. … In order not to feel the horrible burden of time which breaks your shoulders, and bends you to the ground, you have to get drunk all the time. But with what? With wine, poetry or virtue, as you wish. But get drunk.)
“With wine, poetry or virtue,” or with photography, Kiselevich would add.
For Kiselvich photography is a way of life, a way of perceiving, and a way of seeing things. It is also a way of expression. She often pairs her poems with her photographs, and calls them photo poems.
Photography is like poetry: it distills the essence. That’s why her studios name is “The Essence of Light Photography.”
We cannot halt a fleeting moment,
But we can capture it as light,
Express its essence in a sonnet,
Or write a fugue to voice its flight.