10FPS A Photojournalism Podcast for Everyone

By The 10FPS Team

A Photojournalism Podcast by Photojournalists for Everyone... more

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The podcast currently has 198 episodes available.

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March 04, 2026Episode 177: Ian Bates (Documentary Photography)
🎞️ Inside the Wildfire Lens: Ian Bates on The Weight of Ash & The Meadowlark Project
Published on 10 Frames Per Second Blog – Your go‑to source for photojournalism, storytelling, and incredible photography
📚 Quick Overview
Topic
Key Takeaways
Who is Ian Bates?
Bay Area‑based photographer, author of The Weight of Ash (2025), former A&E, NYT Magazine, Bloomberg client.
The Weight of Ash
Black‑and‑white photo book documenting the eerie calm after western U.S. wildfires.
Meadowlark Project
A road‑trip series searching for the Western Meadowlark across six states, exploring habitat loss & climate change.
Creative Influences
Poetry (Jim Harrison), music (Adrian Lenker, Big Thief), and collaborative editing process with Clint Woodside & Matt
Advice for Emerging Photographers
Follow curiosity, build community, and let books become the lasting platform for your work.
🎙️ About the Podcast Episode
Show: 10 Frames Per Second – a photojournalism podcast hosted by Joe Giordano & Molly Roberts.
Release: Tuesday, March 4 2026 (originally recorded at WLOY, Loyola Radio, Maryland).
Guest: Ian Bates, photographer and author.
Main Themes: Wildfire aftermath, the paradox of beauty & terror, the role of poetry & music in visual storytelling, and practical book‑making advice.
📸 Meet Ian Bates
Background: Grew up in New Jersey; mentored by a high‑school photography teacher who introduced him to Matt Aitches.
Education: Ohio University – photojournalism program, summer internships, and a shift toward personal projects during sophomore year.
Career Highlights:
Clients: A&E Networks, The New York Times Magazine, Bloomberg, Wired, Rolling Stone, Smithsonian, etc.
Projects: 2014‑2020 West Coast wildfire documentation, The Weight of Ash (2025) published by the Dead Peak Club.
Current Focus: Living in the Bay Area, photographing local landscapes, the Sacramento‑Joaquin River Delta, and exploring community‑based projects.
🌲 Ian Bates – The Weight of Ash – A Book Like No Other
What the Book Captures
Timeframe: The “in‑between” moment after a wildfire burns, before humans return.
Visual Style: Black‑and‑white images that highlight quiet terror, ash‑covered landscapes, and the muted colors of post‑fire ecosystems.
Narrative Tone: “Beauty and terror can exist in the same moment” – a recurring line Ian repeats when describing the book’s emotional core.
Why Black & White?
“Most fire pictures in the news are bright orange. I wanted to strip away that spectacle and let the viewer linger on the silence, the ash that muffles sound, and the subtle textures of charred land.”
Editing Journey
Wall‑to‑Print Process – Ian prints 4×5 in photos, stacks them, and iteratively sorts on a magnet‑covered wall.
Collaboration:
Clint Woodside (Deadbeat Club) – external editorial voice that forced tough cuts.
Matt … – led 20‑30 edit rounds, helping shape sequencing for a page‑turning rhythm.
Final Touch: QR codes linking to curated playlists (see “Music & Photography” section).
🐦 Ian Bates – The Meadowlark Project – Following a Ghost
Concept: Travel across six states where the Western Meadowlark is the state bird (ND, WY, MT, OR, KS, NE).
Goal: Use the elusive bird as a metaphorical guide to explore habitat loss, farming expansion, and climate change.
Outcome: A series of images that convey a sense of “place without a name,” letting viewers feel the shared landscape of the American West.
Key Insights from Ian
The bird itself rarely appears; its presence fuels the narrative.
The project became a vehicle for exploring borders, government policies, and the universal prairie environment.
📖 Poetry & Music – The Secret Sauce
Poetry Influence
Jim Harrison’s “I Believe.” – Opened the Meadowlark book.
Ian likens his photographic practice to gathering beliefs “enough to press the shutter.”
Poetry guides his “open‑ended” book structures, encouraging viewers to draw personal meaning.
Music in the Studio
Typical Soundtrack: Adrianne Lenker, Big Thief, atmospheric “sad and quiet” tunes.
Music shapes mood while driving, shooting, and editing, turning the process into a multi-sensory experience.
🛠️ How Ian Bates Turns a Wall of Prints Into a Published Book
Print & Pin: Small prints on a magnetic wall.
Sort & Shuffle: Group by theme, remove “nagging” images (a technique inspired by photographer Ron Jude).
Digital Drafts: Create PDFs during COVID, send to editors for feedback.
Physical Review: Throw prints on a floor/table, spend days arranging sequences.
Final Cut: Trust external editors for objective cuts; produce a limited‑edition book through Dead Peak Club.
SEO tip: Use “photo book editing process” and “how to publish a photography book” as long‑tail keywords for blog traffic.
🎓 Advice for Emerging Photographers
Follow Your Curiosity: Let unexpected projects (like the Meadowlark search) guide you.
Build Community: Connect with mentors, editors, and peers—Ian credits dozens of contacts for his books.
Read Widely: Poetry, photography monographs, and even music can reshape your visual language.
Embrace the Book Format: In a saturated gallery market, books give you control over presentation.
Stay Flexible: Allow the project to evolve; Ian’s Meadowlark and Weight of Ash were born from serendipity.
📦 Where to Get The Weight of Ash
Publisher: Deadbeat Club (2025).
Online: Purchase through the publisher’s website or major retailers like Amazon. Standard Edition or the Special Edition
Physical Locations: Check local independent bookstores; many carry the Deadbeat Club catalog.
CTA: Grab your copy today and experience the haunting beauty of post‑wildfire landscapes—plus a curated soundtrack
📣 Join the Conversation
Listen to the full episode: 10 Frames Per Second – available every Tuesday on 10fps.net or your favorite podcast platform.
Follow Ian Bates: Instagram @iancbates
Share Your Thoughts: Which part of The Weight of Ash resonated most with you? Drop a comment below or tag us on social media with #WeightOfAsh.
Ready to dive deeper into the world of photo books? Subscribe to the 10 FPS newsletter for exclusive insights, upcoming episodes, and behind‑the‑scenes content.
___
Lost Dog, The Weight of Ash, Meadowlark Project, wildfire photography, photo book editing, poetry in photography, music and photography, emerging photographer advice, photojournalism podcast, photojournalism, wildfire, ash, Bay Area, Meadowlark Project, Western meadowlark, habitat loss, climate change, black‑and‑white photography, poetry, Jim Harrison, editing process, wall of prints, book publishing, Deadbeat Club, Clint Woodside, Matt Aitches, music, Adrian Lenker, Big Thief, QR‑code soundtracks, playlists, community building, advice for emerging photographers, Ohio University, photography books, library collections, color vs monochrome, fire seasons, hope
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49min
February 24, 2026Episode 176: Stephen Shames (Documentary Photography) Part 2
Stephen Shames – A Legendary Documentary Photographer (Part 2)
📷 Who Is Stephen Shames?
American documentary photographer with a career that began in 1966 – now over 60 years of shooting.
Known for long‑term, immersive projects that blend social documentary with an intimate, “dream‑like” visual language.
Creator of the acclaimed monograph “Steven Shames – A Lifetime in Photography” (published by Klaus Carer, Germany).
🌟 Signature Achievements
Year
Project / Photo
Why It Matters
1970‑73
Black‑and‑white series on the Black Panther Party
Captured a pivotal civil‑rights movement from inside.
1985
Iowa farm‑crisis reportage
Built a multi‑year relationship with a struggling family; later provided them with treasured photos after a tragedy.
1990s
Drug‑dealer & police collaboration in Philadelphia
Showed the nuanced humanity behind street‑level crime.
2003
Stephen Hawking portrait series(Philadelphia Inquirer Magazine)
Gained unprecedented access by reading Hawking’s book cover‑to‑cover and proving deep commitment.
2023
Release of “A Lifetime in Photography”
First book presented as a non‑chronological, dream‑sequence, mixing B&W duotone and color plates.
📚 Stephen Shames Book: “A Lifetime in Photography”
Concept: Not a chronological retrospective, but a dream‑sequence that moves the viewer fluidly from image to image.
Process: Scanned ~20,000 negatives, rated them in Adobe Bridge, collaborated with designer Caleb Kane Marcus, and completed the layout in 1–2 months.
Production quirks: Separate signatures for duotone B&W and full‑color plates; careful handling of gutter‑cropping for double‑page spreads.
🎯 What Makes Stephen’s Work Stand Out?
Deep Relationships: He treats subjects as family, earning trust that lasts decades (e.g., the Iowa family calling him 30+ years later).
The “Zone” Mindset: Total, intuitive focus while shooting; emotions surface only after the shutter clicks.
Consistent Visual Voice: Central composition, intimate close‑ups, and a blend of documentary realism with artistic abstraction—what he calls his “shames‑style.”
Commitment Over Convenience: Willing to stay with his son instead of flying to a war zone; chooses projects that align with his personal values.
📖 Quick Bio for Press
Stephen Shames creates award winning photo essays on social issues for foundations, advocacy organizations, the media, and museums.
•• Author of twelve monographs.
•• Steve’s images are in the permanent collections of 42 international museums and foundations.
•• Outside the Dream won numerous awards including the Kodak Crystal Eagle Award for Impact in Photojournalism.
•• 2008 bus shelter and subway ads for the NYC DADS campaign of the City of New York received a Pollie award from American Association of Political Consultants.
** PBS named Hine, Wolcott, and Shames as photographers whose work promotes social change.
** American Photo called him one of the “15 Most Underrated Photographers”.
** Profiled by People, CBS Sunday Morning. Esquire, US News, Ford Foundation Report.
** The Ford, Charles Stewart Mott, Robert Wood Johnson, and Annie E. Casey Foundations have underwritten his work.
** Started an NGO which locates forgotten children (AIDS orphans, former child soldiers, and children living in refugee camps) with innate talents and molds them into leaders by sending them to the best schools and college
Steve is represented by:
Amar Gallery, London, UK (vintage & contemporary art prints
Steven Kasher Gallery, New York (vintage & contemporary art prints
Polaris Images, New York (editorial & stock)
🔗 Where to Find His Work
Official Book: Purchase a signed copy on eBay (search “Steven Shames signed book”).
Online Galleries:
Steven Shames Archive – Briscoe Center for American History, University of Texas at Austin.
10FPS Episode 175 – Part 1 of the full interview discussing his process and philosophy.
Exhibitions: Periodic shows at major museums (e.g., Museum of Modern Art, New York; International Center of Photography).
📌 Takeaway for Photographers
Build trust: Treat subjects as collaborators, not just subjects.
Cultivate a signature style: Consistency in composition and tone makes your work instantly recognizable.
Embrace the Zone: Focus fully while shooting, then allow space to process emotions afterward.
______

farm crisis, Iowa family portraits, suicide remembrance, long‑term photographic projects, building trust with subjects, photographer’s dedication/commitment, beeper/assignment culture, Israel‑Lebanon conflict coverage, child soldier imagery, color vs. black‑and‑white printing, book editing process, scanning thousands of negatives, Briscoe Center archive, dream‑sequence book concept, collaborative design with Caleb Kane Marcus, double‑page spreads, duotone production, gutter cropping, celebrity portraiture (Obama, Sadat), Tokyo subway kids photo, style development (Meyerowitz, Eggleston), photographer’s “zone” focus, athlete‑like preparation, Stephen Hawking week‑long portrait, involving subjects in project planning, farm‑state poverty documentation, drug‑dealer and police access, Bronx street photography, Philadelphia Inquirer assignments, Panthers civil‑rights photography, NGO/non‑profit photography work, news‑magazine contracts (Time, Newsweek, NYT), Stephen Shames photographer, Stephen Shames biography, Stephen Shames photojournalism, Stephen Shames book, Stephen Shames style
The post Episode 176: Stephen Shames (Documentary Photography) Part 2 first appeared on 10FPS A Photojournalism Podcast for Everyone.
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50min
February 18, 2026Episode 175: Stephen Shames (Documentary Photography) Part 1
Stephen Shames: A Lifetime in Photography – Lessons on Social Documentary, the Black Panthers, and Child Poverty (Part 1)
Introduction
In the latest episode of “10 Frames per Second,” host Molly & Joe interview legendary American photojournalist Stephen Shames. Over a 50‑year career, Shames has documented everything from the Black Panther Party to child poverty in America, testifying before the U.S. Senate and publishing twelve monographs.
If you’re a photographer, journalist, activist, or anyone who cares about visual storytelling, this interview is a goldmine. Below we break down the most actionable takeaways, organize them into easy‑to‑read sections, and show you how to apply Shames’s methods to your own work.
Who Is Stephen Shames?
Fact
Detail
Profession
Photojournalist & documentary photographer
Career span
50+ years (1960s‑present)
Focus
Social issues – child poverty, racism, civil rights
Notable achievements
Testified before the U.S. Senate (1986), 42 museum collections, 12 monographs (e.g., Power to the People, Outside the Dream), new book Stephen Shames – A Lifetime in Photography – Purchase Directly with Autograph and Print from Stephen via eBay HERE
Key collaborations
Black Panther leader Bobby Seale, New York Times reporter Earl Caldwell, various grassroots organizations
How Stephen Shames Discovered Photography
College activism – While studying at UC Berkeley during the 1960s, he witnessed the civil‑rights movement and anti‑Vietnam protests.
First camera purchase – After hitch‑hiking to New York’s East Village, he bought a camera at a pawn shop.
Choosing the “artist of the movement” – Frustrated by student‑government politics, he decided to capture the larger picture rather than be a “politician.”
“I just wanted to look at the big picture and try and move people with photography.”
Working with the Black Panther Party
Why the Panthers Accepted a White Photographer
Shared goals – Economic and social justice, not just race.
Pragmatism – Panthers needed allies outside the Black community to build coalitions (Peace & Freedom Party, Young Lords, Young Patriots).
Personal connection – Bobby Seale liked Shames’s images and invited him to use them in the Panther newspaper.
Key Facts About the Panthers (From the Interview)
Founded: October 1966 (initially ~20 members).
National expansion: Post‑1968, 10,000+ members, 50‑60 chapters.
Community programs: “Breakfast for School Children,” feeding 10,000+ kids daily.
Self‑defense model: Legal gun ownership (California) + law books; later, they shifted to “cameras are better weapons.”
Lesson for Photographers
Build trust by aligning with a group’s mission, not merely your identity.
Stephen Shames Research‑First Approach
“Journalism is two‑dimensional; you need to experience the culture you want to document.”
Steps to Deep‑Dive Research
Read nonfiction – History, journalism, policy reports.
Read fiction – Novels written by members of the community.
Listen to music – Understand emotional tone and cultural references.
Watch movies / documentaries – Visual language and storytelling cues.
Live the bubble – Immerse yourself in daily life, food, rituals.
Why It Matters
Breaks the “bubble” of your own biases.
Helps anticipate reactions and capture authentic moments.
Stephen Shames on Building Trust & Relationships
Core Principles
Honesty: Be transparent about your intent.
Respect: Never mock or look down on subjects (e.g., drug addicts, police).
Reciprocity: Offer subjects control—let them tell you when to stop.
Presence: Stay physically in the community (sleep on sofas, eat meals together).
Practical Tactics
Find a community “gatekeeper.” Example: a nun from Catholic Social Services who introduced Shames to Chicago projects.
Sit down for a conversation before shooting – explain the project, listen to concerns.
Share your work later (photos, stories) to reinforce the relationship.
“If you’re honest, people will accept you, even if you’re a ‘liberal New York Jew.’”
Bullet‑Point Checklist
Identify and contact a respected local figure or organization.
Explain your project in plain language.
Offer a clear “opt‑out” for subjects.
Spend time off‑camera – meals, conversations, errands.
Follow up after the shoot with thank‑you notes or shared images.
Cameras vs. Guns: The Evolution of “Weapons”
1960s‑70s: Panthers used firearms legally to patrol police.
Today: Shames notes that cameras and smartphones are the most powerful weapons for exposing injustice.
Why the shift?
Legal restrictions on open carry.
Instant global distribution of visual evidence.
“The camera is a much better weapon because it puts the story directly in front of the world.”
Lessons for Modern Photographers
Insight
How to Apply
Research beyond headlines
Read novels, watch local films, listen to playlists from the community.
Immerse, don’t observe from a distance
Stay in the neighborhood for days or weeks, not just a single shoot.
Earn trust through honesty
Share your intent, give subjects a “stop” word, and be transparent about usage.
Leverage community allies
Partner with NGOs, churches, or trusted locals to gain entry.
Think of yourself as a “doctor,” not a “tourist”
Your presence should be accepted as part of the environment, not an intrusion.
Use the camera as an activist tool
Publish work on platforms that reach decision‑makers, not just art galleries.
Document, don’t dictate
Let subjects tell their own story; avoid imposing your narrative.
Why Shames’s Story Matters Today
Media fragmentation & AI‑generated images: Shames emphasizes that authentic, verified photography is more vital than ever.
Social justice resurgence: The same patterns of protest, police scrutiny, and grassroots organizing repeat across generations.
Educational relevance: Teachers can use Shames’s methods to teach research, empathy, and ethical storytelling.
Conclusion
Stephen Shames’s career shows that powerful photography comes from empathy, rigorous research, and deep community ties. Whether you’re documenting the modern Black Lives Matter movement, child poverty, or any social issue, the principles he shares—exit your bubble, build trust, and let the camera speak—remain timeless.
Ready to start your own documentary project? Apply the checklist above, stay authentic, and remember: your camera can change policy just as much as any courtroom testimony.
Call to Action
Start a research journal today for the community you wish to photograph.
Subscribe to our blog for more interviews with visionary photojournalists.
Share this post with classmates, activists, or anyone interested in visual storytelling.
Steve is represented by:
Amar Gallery, London, UK (vintage & contemporary art prints
Steven Kasher Gallery, New York (vintage & contemporary art prints
Polaris Images, New York (editorial & stock)
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child poverty, Black Panther Party, civil rights movement, Vietnam War, documentary photography, social justice, racism, university protests, student government, activism, police brutality, COINTELPRO, gun control, media ownership, AI-generated deepfakes, fake news, community immersion, research methodology, cultural immersion, trust building, ethics in photography, hunger crisis, farm crisis, poverty in America, Senate testimony, camera as weapon, Rainbow Coalition, Young Lords, political coalitions, storytelling through images
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54min
January 27, 2026Episode 174: Stephanie Keith (Documentary Photography)
Inside the Front‑Line of Resistance: Photojournalist Stephanie Keith on Visual Anthropology, ICE Protests & the Power of Community Observers
📸 Who Is Stephanie Keith?
Background:
Studied cultural anthropology at Stanford.
Photojournalism degree from the International Center of Photography (ICP).
Master’s in photography from NYU.
Career Highlights:
Pulitzer‑Prize finalist (2022) for breaking‑news coverage of a deadly Bronx fire.
Works with Getty Images, Reuters, The New York Times, Bloomberg, and New York Magazine.
Specialties:
Brooklyn culture, Coney Island, drag‑queen competitions, Muslim holidays, Caribbean life, Haitian‑American voodoo.
Since 2017 – chronicling the rise of white nationalism and ICE actions across the U.S.
“Anthropology taught me to live inside a community, not just look at it from a distance.” – Stephanie Keith
🧐 What Is “Visual Anthropology” and Why Does It Matter for Photojournalism?
Visual Anthropology
Traditional Breaking‑News Coverage
Immersive – Long‑term, relational storytelling.
Immediate – Focus on the moment of impact.
Emphasizes culture, rituals, and everyday lives.
Emphasizes who, what, when, where of the event.
Seeks multiple angles (social, political, personal).
Prioritises speed and exclusivity.
Stephanie explains that her anthropology training helped her “get involved” with stories, allowing her to capture nuances a standard news shoot might miss.
🚦 The “Observers” of Minneapolis: Community‑Driven Resistance
Who Are They?
A loose, hyper‑local network of volunteers who monitor ICE vehicle movement.
Operate in Signal chat groups (encrypted messaging).
Work in shifts – morning, afternoon, evening – armed only with a whistle, phone, and cold‑weather gear.
How They Operate
Spotting ICE Vehicles – When an ICE convoy appears, an observer posts its location in the chat.
Alerting the Neighborhood –
Whistles or car horns sound to warn residents.
Some “guard” establishments (e.g., Marissa’s Bakery) lock doors and screen entrants.
Documenting the Scene – Many observers carry phones, providing live footage that journalists later verify.
“If ICE represents fascism, observers are the front line of American resistance.” – Stephanie
Why This Model Works
Decentralized – No single command structure; anyone can join a shift.
Hyper‑local – Neighbors protect neighbors.
Low‑cost – No paid staff, just community solidarity.
📷 Behind Stephanie Keith‘s Iconic New York Magazine Photo
Location: Outside the Whipple Federal Building, Minneapolis – a known ICE hotspot.
Subject: A woman in a fur‑trimmed hood, glasses, and a full‑face gas mask (the only mask that works in tear‑gas scenarios).
Process:
Stephanie asked for consent, then shot 30‑plus frames to perfect focus and framing.
Result: The image became the cover story, symbolizing everyday resistance.
🤝 Collaboration in the Field: How Journalists Share Information
Signal Chats: Real‑time location sharing, ICE alerts, safety tips.
Buddy System: Journalists travel in pairs or small groups, often in cars, to stay warm and safe.
Cross‑Outlet Support:
Reporters from Reuters, New York Magazine, Star Tribune, European outlets (Finland, Germany) all contribute intel.
Editors like Jodi Kwan at New York Magazine shape story angles (e.g., focusing on the observers rather than ICE vehicles).
“If it weren’t for the observers, we’d have far less knowledge of what’s happening.” – Stephanie
🛡️ Staying Safe: HEFAT Training & Practical Gear
HEFAT (Hostile Environment Field Awareness Training) – Key takeaways from Stephanie’s Reuters training:
Situational Awareness: Constantly locate threats and your nearest exit.
Exit Planning: Park cars a few blocks away; know multiple escape routes.
Crowd‑Control Devices:
Full‑face gas mask for tear‑gas or pepper‑spray.
Know how to don it quickly, even with glasses.
Physical Gear Checklist:
Helmet, vest, body armor.
Extreme‑weather clothing – insulated jackets, gloves, thermal layers.
Gas mask + cartridges (full face).
Stephanie’s advice: “Pack like you’re preparing for the worst – the weather, the gear, the exit route.”
📚 What Early‑Career Photographers Can Learn
1. Find a Mentor
Adrees Latif (Reuters) helped Stephanie refine technique, gain confidence, and navigate assignments.
2. Embrace Community Over Competition
Share locations, tips, and safety info in chat groups.
Prioritise collective safety over exclusive scoops.
3. Blend Anthropology with Journalism
Immerse yourself in the community you’re documenting.
Aim for story depth rather than just “the headline moment.”
4. Prepare Logistically
Bring all essential gear (mask, cold gear, backup batteries).
Use buddy system; never work alone in high‑risk zones.
photojournalist Stephanie Keith
visual anthropology in journalism
Minneapolis ICE protests
community observers resistance
HEFAT training for journalists
how to stay safe covering protests
collaborative journalism Signal chat
New York Magazine ICE photo
role of observers in anti‑ICE actions
photojournalism mentorship
🎯 Quick Take‑Away Checklist
Read & understand visual anthropology principles.
Join local Signal/WhatsApp chats for real‑time updates on protests.
Never go solo – use a buddy system and park away from the crowd.
Carry full‑face gas mask and learn to use it with glasses.
Seek mentorship early; a single experienced photographer can reshape your career.
If you’re a budding photojournalist, activist, or simply curious about how community‑driven resistance is documented, Stephanie Keith’s story offers a powerful blueprint for ethical, immersive, and safe storytelling.
Stay curious, stay safe, and keep the truth in focus.
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photojournalism, visual anthropology, ICE actions, observers, community resistance, Minneapolis protests, white nationalism, Pulitzer finalist, breaking news coverage, signal chats, HEFAT training, situational awareness, full‑face gas mask, whistle alerts, hyper‑local organizing, decentralized activism, New York Magazine series, Instagram portrait series, collaboration among journalists, mentorship, Reuters, Getty Images, Bloomberg, New York Times, crowd‑control devices, winter field gear, car “buddy‑up” strategy, unprepared protest participants, AI misinformation, civil‑rights activism, anti‑fascist front line.
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41min
January 20, 2026Archive Episode 81: Eman Mohammed (Gaza Conflict Photography)
Photojournalism From Gaza to the World: Eman Mohammed’s Journey, Resilience, and the Power of Long‑Term Stories
Archive Episode – Aired in 2023
Discover how Eman Mohammed became Gaza’s first female photojournalist, why she chooses long‑term projects over spot news, and how her iconic “jacuzzi‑on‑the‑rubble” image captures resilience after war. Learn insights for aspiring photojournalists and storytellers.
Table of Contents
Who Is Eman Mohammed?
Breaking Barriers: The First Woman Photojournalist in Gaza
The Iconic Jacuzzi Image: Symbol of Life After Conflict
Why Long‑Term Projects Matter
Preparing for War Coverage: Gear, Safety, and Mental Health
Behind the Book: The Cracks in My Lens (2022)
The “Broken Souvenirs” Project: Trauma Without Borders
Key Takeaways for Emerging Photojournalists
Further Resources & Links
1. Who Is Eman Mohammed?
Award‑winning photojournalist and Senior TED Fellow based in Alexandria, Virginia.
Born in Saudi Arabia, raised from age two in Gaza.
Published in The Guardian, CNN, Le Monde, Vice, The Washington Post, and more.
“I was a complete mess during my first war—no protective gear, no electricity, a twisted ankle, and a 22‑day conflict.” – Eman Mohammed
Her career is a blend of visual artistry, human‑rights advocacy, and mental‑health awareness.
2. Breaking Barriers: The First Woman Photojournalist in Gaza
Challenge
How Eman Responded
Male‑dominated field
Turned resistance into motivation; asked “why isn’t there a woman photojournalist?”
Cultural taboos
Leveraged her unique access to women’s stories that male crews cannot reach.
Lack of role models locally
Inspired by women photographers worldwide—Rula Halawani (West Bank), Marie Colvin (Syria), etc.
Limited resources
Began with a simple backpack, later secured protective gear and international support.

3. The Iconic Jacuzzi Image: Symbol of Life After Conflict
The Story Behind the Shot
Setting: After the 2008‑2009 Gaza war, a jacuzzi survived the demolition of a Palestinian man’s house.
Visual: Children taking a bubble bath on top of the rubble—a shocking yet hopeful tableau.
Why It Resonates
Resilience: Shows life continuing amid devastation.
Human Connection: Highlights an unusual friendship between a Palestinian worker and his Israeli boss, hinting at shared humanity.
Narrative Depth: Eman focused on the children, not the destruction, turning tragedy into a universal story of hope.
Alt Text Suggestion for Web: Children playing in a bubble bath on war‑torn rubble in Gaza, taken by Eman Mohammed, representing resilience after conflict.
4. Why Long‑Term Projects Matter
From Spot News to In‑Depth Storytelling
Spot news captures the immediate event (e.g., rockets falling).
Long‑term projects uncover causes, aftermath, and human impact.
Benefits Highlighted by Eman Mohammed
Deeper Understanding: Reveals how extremism forms, how societies heal.
Narrative Cohesion: Allows “layers of mental health, tragedy, resilience” to emerge over time.
Ethical Responsibility: Offers a full picture rather than “half information.”
Practical Steps for Photographers
Identify a core question (e.g., “What happens after a house is destroyed?”).
Allocate time—months or years rather than days.
Build trust with subjects for ongoing access.
Document both visual and oral histories.
long‑term photography projects, after‑effects of war, in‑depth photojournalism
5. Preparing for War Coverage: Gear, Safety, and Mental Health
Gear & Logistics (What Eman Mohammed Learned the Hard Way)
Early days: No protective vest, no backup batteries, unreliable electricity.
Now: One spare battery, basic body armor, portable solar charger, reliable backup storage.
Safety Strategies
Know the locality—local journalists share the same surprise factor as residents.
Secure evacuation routes (even if embassies may be limited).
Maintain communication with a trusted network of fellow journalists.
Mental Health & PTSD
Therapy is essential – Eman stresses continual sessions, not a one‑off fix.
Peer support: Sharing experiences with other photojournalists reduces isolation.
Self‑care practices: Regular sleep, nutrition, and moments of “mental break” from intense material.
war photographer safety tips, photojournalism PTSD, gear for conflict photography
6. Behind the Book: The Cracks in My Lens (2022)
Limited‑edition memoir chronicling a decade‑plus of Gaza coverage.
Challenges: Re‑seeing traumatic images, translating feelings into words, language barrier (English not native).
Therapeutic Value: Forced Eman to process memories, confront PTSD, and articulate the “smell, taste, view” of daily life under siege.
Availability: A few copies remain on her website (pre‑order if you’re a collector).
The Cracks in My Lens book, photojournalist memoir Gaza, limited edition photography book
7. The “Broken Souvenirs” Project: Trauma Without Borders
Concept: Pair powerful images with survivor quotes, omitting national identifiers to emphasize universal pain.
Scope: Gaza, September 11 survivors, Oklahoma bombing, Armenian genocide, Native American genocide, etc.
Six‑Degrees‑of‑Separation: Every subject is linked within six connections, highlighting our interconnected humanity.
Why the Anonymity?
Focus on emotion, not geopolitics.
Encourages viewers to see the shared human cost, regardless of “nation.”
Broken Souvenirs photo project, war trauma photography, universal storytelling
8. Key Takeaways for Emerging Photojournalists
Find your “absence” – let gaps in representation fuel your purpose.
Leverage gender or cultural position to access untold stories.
Prioritize long‑term narratives over fleeting headlines.
Prepare pragmatically: gear, safety plans, mental‑health resources.
Collaborate and mentor: Reach out to established photographers (e.g., Adrees Latif, Carol Guzy, Yunghi Kim).
Tell stories ethically: Respect subjects, avoid sensationalism, and consider anonymity when it serves the story.
9. Further Resources & Links
Resource
Link
10 Frames Per Second Podcast – Episode with Eman Mohammed
[Listen on 10fps.net]
Eman Mohammed’s Portfolio & Book Store
[emanphotography.com]
TED Talk by Eman Mohammed
[TED.com/eman-mohammed]
Aftermath Project Grant (Sarah Terry)
[aftermathgrant.org]
Mental‑Health Support for Journalists – Dart Center
[dartcenter.org]
Gear Checklist for Conflict Photographers
[photojournalistgear.com]
Ready to Capture Stories That Matter?
If you’re an aspiring photojournalist, remember Eman Mohammed’s mantra: “Document the aftermath, stay curious, and never let the absence of representation silence you.” Start small, think long‑term, and let your lens reveal the resilience humanity carries in even the darkest moments.
Feel free to share this post on social media, tag Eman Mohammed, or join the conversation about ethical, long‑term photojournalism.
________
photojournalism, Gaza, women photojournalist, war aftermath, resilience, jacuzzi photograph, Israeli‑Palestinian relationship, long‑term projects, spot news vs. in‑depth reporting, protective gear, first war experience, PTSD, therapy, mental health, Black Lives Matter, marginalized communities, D.C. protests, 2014 Gaza war, September 11 survivors, Broken Souvenirs project, six degrees of separation, immigrant perspective, mentorship, grants for emerging photographers, Adrees Latif, Yunghi Kim, Carol Guzy, Younghee Lee, power and electricity shortages, Gaza siege, Palestinian identity. first woman photojournalist Gaza, female war photographer, gender barriers in journalism
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44min
January 13, 2026Episode 173: Claire Rosen (Nature Photography)
🎨 Claire Rosen’s Whimsical World: From Beatrix Potter Inspiration to the Birds of a Feather Book
Keywords: Claire Rosen, Birds of a Feather, fine‑art photography, animal photography, Beatrix Potter influence, conservation photography, conceptual photography, photography process, Fujifilm GFX, nature‑inspired art, limited‑edition photography book
Meta description: Discover how award‑winning photographer Claire Rosen blends Beatrix Potter charm, nature conservation, and conceptual photography in her new book Birds of a Feather. Learn her creative process, gear, and where to buy the limited‑edition volume.
📖 Overview
Claire Rosen, a Forbes “30 Under 30” honoree and celebrated fine‑art photographer, sits down on the 10 Frames Per Second podcast to discuss:
Her early love for Beatrix Potter, natural‑history museums, and Dutch still‑life painting.
The journey from her first staged photos with sisters to large‑scale animal “feasts.”
The making of her newest, exquisitely crafted book Birds of a Feather – its concept, design, and limited‑run production.
The technical tools (Fujifilm GFX, darkroom magic) that bring her whimsical animal portraits to life.
How controversy sparked a deeper conversation about animal welfare and conservation.
If you’re a photographer, a nature lover, or simply adore beautiful books, keep reading for an inside look at Claire’s process and tips you can apply to your own creative projects.
🌿 Who Is Claire Rosen?
Fact
Detail
Award‑winning
Forbes “30 Under 30” (2012‑2013)
Specialty
Whimsical, anthropomorphized animal photography
Influences
Beatrix Potter, natural‑history museums, Dutch still‑life tradition
Key Projects
Imaginarium (process guide), FEAST series, Birds of a Feather (2024)
Current Base
Glenmore, Pennsylvania farm (≈ 1 hour from Philadelphia)
🐰 From Beatrix Potter to Conceptual Photography
Why Beatrix Potter Matters
Storytelling: Potter’s blend of cute animal characters and narrative inspired Claire’s “anthropomorphic” scenes.
Conservation Roots: Potter used her book profits to buy land and start England’s first land trust – a model Claire mirrors in her own activism.
Aesthetic DNA: Victorian‑era wallpaper, pastel palettes, and intricate set design echo Potter’s illustrations.
“I moved to a farm eight years ago, and the same love for land conservation that Potter had really resonated with me.” – Claire Rosen
Moving Beyond Documentation
Claire doesn’t aim to “record” animals; she builds worlds. Early on she staged pictures with her sisters, focusing on world‑building rather than documentation—a practice that still defines her today.
📚 The Book: Birds of a Feather
What Makes This Book Special?
Limited Edition: Only 1,000 copies, half already sold.
Tactile Design: Hand‑marbled edges, red thread stitching, inset “treasure‑hunt” pages.
Mixed Media: Combines photography with Victorian‑style wallpaper, custom paper, and miniature illustrations.
Conservation Message: Opens dialogue on animal rights, habitat loss, and ethical pet ownership.
Key Sections
Opening Quote: “Nature is the original and enduring muse.” – sets the tone for a reverence‑first approach.
Parrot Portraits: Sourced from a pet store, sparked controversy that deepened Claire’s awareness of captivity issues.
Raptor & Owl Series: Photographed during a Dubai exhibition; highlights falconry and wildlife rescues.
Farm‑Side Residents: Chickens, ducks, and local wildlife captured during the pandemic.
How to Get a Copy
Primary Source: Claire’s official website (shop link).
Select Retailers: Ivy Books (Baltimore) and a handful of boutique art stores.
Pre‑order Alerts: Sign up on the website for restock notifications—future print runs are uncertain.
📸 Behind the Lens: Claire’s Technical Workflow
Step
Details
Camera
Fujifilm GFX (medium‑format, high resolution, intuitive controls)
Early Gear
Canon DSLR for initial projects
Post‑Production
Collaboration with retoucher Beck Manson; extensive Photoshop work to unify images across 13 years
Printing
Partnered with Luminosity Lab for paper selection and marbling
Set‑Building
Victorian‑era wallpaper scrap sheets, custom mini‑sets, animal‑friendly lighting
“I need equipment that isn’t complicated; the Fujifilm system lets me stay focused on the animals.” – Claire Rosen
Quick Tips for Photographers Working With Animals
Research the Species – Know stress triggers and comfort cues.
Prep the Set – Have all props, lighting, and backup gear ready before the animal arrives.
Minimize Distractions – Keep the crew small and the environment calm.
Safety First – Use experienced caretakers; never sacrifice animal welfare for a shot.
Stay Flexible – Expect spontaneous behavior; sometimes the best moments are unplanned.
🌎 Conservation & Controversy: Turning Criticism into Dialogue
2013 Online Backlash: Critics attacked Claire for using pet‑store parrots.
Resulting Insight: She researched the pet‑trade, discovered high rates of relinquishment, and began donating a portion of sales to animal charities.
Art as Advocacy: By pairing beautiful, whimsical imagery with subtle empathy cues, Claire hopes viewers become more receptive to conservation messages.
“Beauty opens the mind; then we can deliver the hard truths about habitat loss, illegal pet trade, and animal welfare.” – Claire Rosen
🎤 Podcast Highlights You Won’t Want to Miss
“How did the FEAST project begin?” – A decade‑long adventure of arranging feasts for pigs, gibbons, honeybees, and more.
“What’s the most unexpected animal encounter?” – A black vulture named Hoover perched on Claire’s head!
“Future Projects?” – Miniature “date‑night” animal series, dollhouse habitats, and a farm‑based artist residency.
“Technical deep‑dive?” – Transition from film to Fuji GFX, darkroom magic, and post‑processing challenges across a 13‑year timeline.
📣 Take Action: Support Claire’s Vision
Buy Birds of a Feather – Own a piece of limited‑edition art that fuels conservation.
Share the Story – Tweet, Instagram, or LinkedIn with #ClaireRosen or #BirdsOfAFeather to spread awareness.
Donate – A portion of proceeds already supports bird‑rescue charities; you can match them.
Visit the Farm – Plan a trip to Glenmore, PA in July to see the lavender fields and possibly stay in Claire’s guest room!
🔎 SEO Checklist (For Site Managers)
Title Tag (≈ 60 chars): Claire Rosen – Whimsical Animal Photography & the New Birds of a Feather Book
Meta Description (≈ 155 chars): Explore Claire Rosen’s nature‑inspired photography, her Beatrix Potter influence, and how to get the limited‑edition Birds of a Feather book.
Header Structure: H1 → H2 → H3 used logically (as shown above).
Image Alt Text: e.g., “Claire Rosen’s parrot feast photograph from Birds of a Feather”.
Internal Links: Link to related posts about fine‑art photography, conservation books, and podcast episodes.
External Links: Cite Claire’s official shop, Luminosity Lab, and the 10 Frames Per Second podcast page.
🖋️ Final Thought
Claire Rosen proves that artistic playfulness can spark serious conservation conversations. Whether you’re a photographer looking for inspiration, a nature enthusiast seeking beautiful yet meaningful books, or a fan of whimsical storytelling, Birds of a Feather offers a masterclass in merging visual delight with purpose.
Ready to experience the magic? Grab your copy, follow Claire’s journey on the podcast, and let the feathers fall where they may. 🕊️✨
___
photojournalism, fine‑art photography, Claire Rosen, award‑winning photographer, Beatrix Potter, natural‑history museums, Dutch still‑life tradition, whimsical animal imagery, anthropomorphized animals, conservation, land trusts, National Geographic, animal‑rights activism, pet‑store controversy, feathered birds, parrots, owls, raptors, falconry, falconry photography, Victorian wallpaper, paper marbling, book design, limited‑edition photobook, Fujifilm GFX, large‑format cameras, post‑production/Photoshop, artist residency, farm‑based studio, land‑conservation farm, reforestation, stream restoration, community outreach, children’s art education, whimsical installations, fairy‑themed exhibits, animal welfare ethics, creative process mentorship, conceptual photography.
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54min
January 07, 2026Episode 172: Carol Guzy (Documentary Photography)
Inside the Courthouse: How Pulitzer‑Winner Carol Guzy Uses “Visual Empathy” to Document New York’s Immigration Detentions
Published on 10 Frames Per Second Blog – Your source for photojournalism insights
📚 Overview – Episode 172: Carol Guzy
In the latest episode of 10 Frames Per Second, hosts Joe Giordano & Molly Roberts sit down with Carol Guzy, a four‑time Pulitzer‑Prize‑winning photojournalist, to discuss her groundbreaking work inside a New York City courthouse that has become the only U.S. courtroom where photographers are allowed to capture ICE‑related family separations.
If you’re a photographer, journalist, activist, or anyone curious about how visual storytelling can drive social change, this post breaks down the interview’s most compelling moments, the ethical challenges Carol Guzy faces, and practical ways you can support or emulate her approach.
Carol Guzy photojournalist
Immigration detention NYC courthouse
Visual empathy in photojournalism
ICE raids New York
Family separation photography
10 Frames Per Second podcast
Pulitzer‑Prize photojournalism
How to document immigration raids
1️⃣ Who Is Carol Guzy?
Fact
Detail
Profession
Photojournalist, freelancer represented by Zuma Press
Awards
Four Pulitzer Prizes for photography
Background
Trained as an RN before switching to photography
Focus
Long‑form, human‑interest documentaries (Haiti, Kosovo, Ukraine, U.S. immigration)
Current Project
Daily coverage of immigration detentions at the Eastern District of New York courthouse (hallways and elevators only)
Why she matters: Carol’s “visual empathy” blends her nursing instincts with journalistic rigor, allowing her to capture intimate, humane moments in high‑tension environments.
2️⃣ Carol Guzy on the Unique NYC Courthouse Access
Only U.S. courthouse that permits photography in hallways/elevators (courtesy of a lawyer’s petition by a photographer named Wiley).
Public‑space rule: Hallways and elevator banks are considered public, not part of the federal building’s “restricted” zones.
Limitations: No access to interior courtrooms, detention floors, or ICE‑specific offices.
“It’s the only courthouse in the country that allows us this level of access – and it’s strictly limited to the hallways.” – Carol Guzy
Why This Matters for SEO
Search intent: People looking for “photographer access NYC courthouse” or “how to get permission to shoot in immigration courts” will find this post valuable because it explains the legal precedent and the practical constraints.
3️⃣ Visual Empathy: Carol Guzy From Nursing to Photojournalism
The Core Idea
Visual empathy = “Seeing with a compassionate heart while staying objective.”
Nursing training taught Carol to be hands‑on, compassionate, and emotionally aware.
She applies the same mindset to photography: listen, observe, protect the subject’s dignity.
Practical Tips (From Carol Guzy’s Playbook)
Leave bias at the door – focus on the story, not personal politics.
Maintain a protective emotional barrier – let feelings settle before shooting.
Follow families beyond the courthouse – capture life at home, after reunions, to humanize the narrative.
Quick Checklist
☐ Verify legal access (court petition, attorney guidance)
☐ Prepare emotionally (breathing exercises, quick debriefs)
☐ Carry minimal gear for speed (camera, lens, backup batteries)
☐ Respect privacy – ask before photographing children when possible
4️⃣ The Emotional Toll & Self‑Care
Physical strain: Standing for hours, lugging gear, dealing with unpredictable schedules.
Emotional strain: Witnessing children crying, family separations, and occasional aggression from agents.
Coping mechanisms:
Dogs – Carol says her pets are a lifeline.
Community support: Friends offering couch‑surfing, churches (St. Peter’s) providing meals and legal aid.
Professional debriefs: Talking with fellow photographers, taking breaks when needed.
“It’s crushing to see these kids, but the mission to document keeps me going.” – Carol Guzy
5️⃣ Balancing Dignity & Documentation
Challenges
Flash photography from other journalists can feel invasive.
Maintaining subject dignity while filming in a distressing environment.
Carol Guzy’s Approach
Stay in the hallways – capture moments without intruding on private moments.
Follow families later – provide a more rounded, respectful portrait.
Use captions wisely – avoid activist language; let images speak.
Best‑Practice Summary
Do
Don’t
Engage with families, ask permission whenever feasible.
Push the camera into private moments without consent.
Explain your role as a journalist, not an activist.
Use sensational captions that bias the story.
Document the systemic issue, not just the drama.
Focus solely on shock value.
6️⃣ Community & Legal Support Systems
St. Peter’s Church (Pastor Fabian Arias): Daily mass for migrants, legal clinics, and emotional support.
Court observers & volunteers: Peter Malk‑Cattell, lawyers, and social workers guide families through the process.
Political allies: Congressman Dan Goldman and NYC Councilmember Brad Lander help push for legislative change.
Takeaway: Photojournalism thrives when paired with grassroots advocacy; the images become evidence for legal battles and public awareness.
7️⃣ Impact of Carol Guzy’s Photos & Future Plans
Public reaction: Hundreds of thank‑you messages from passersby; viral Instagram posts.
Media outlets: Ongoing pitches to CNN, Miami Herald, and international wire services via Zuma Press.
Dream project: A collaborative book/exhibit with the core group of photographers covering the courthouse.
“I want a collective book that shows the whole picture, not just a single photographer’s view.” – Carol Guzy
8️⃣ How to View Carol Guzy’s Work
Platform
What to Find
Zuma Press
Wire‑service images, downloadable for editorial use
Instagram (@carolguzy)
Real‑time updates, behind‑the‑scenes stories
CNN & Miami Herald
Feature articles when they publish her photo essays
Bronx Documentary Center
Past panel recordings and exhibition highlights
10 Frames Per Second podcast
Full audio interview (Episode 172)
9️⃣ Key Takeaways (Bullet Summary)
Exclusive access to NYC courthouse hallways makes Carol Guzy’s work unique.
Visual empathy fuses nursing compassion with journalistic objectivity.
Emotional resilience is crucial; community, pets, and peers are essential supports.
Dignity matters – follow subjects beyond the courtroom and caption responsibly.
Collaboration with churches, lawyers, and legislators amplifies impact.
Future vision: a collective photo book/exhibit to preserve this historic moment.
📣 How You Can Support Ethical Photojournalism
Share responsibly: Repost Carol’s images with proper credit and context.
Donate: To organizations like St. Peter’s Church migrant services or photojournalist grants (e.g., Alexia Foundation).
Advocate: Write to local representatives demanding transparency in immigration courts.
Educate: Use the term “visual empathy” when discussing image ethics in classrooms or workshop.
🎧 Missed the Podcast?Listen to the full conversation with Carol Guzy on 10 Frames Per Second – new episodes drop every Tuesday on 10fps.net or your favorite podcast platform.
Stay informed, stay compassionate, and keep the images that matter alive.
____
photojournalism, immigration, ICE, courthouse access, empathy, nursing background, family separation, detainment, sanctuary city, due process, habeas corpus, legal guardianship, activists, media bias, social media, book project, exhibit, Bronx Documentary Center, mermaid parade, migrant families, ICE agents, Border Patrol, IRS, diplomatic services, St. Peter’s Church, Father Fabian Arias, Dan Goldman, Brad Lander, Trump administration, white nationalism, public protests, Canal Street raid, New York courts, courtroom photography, visual storytelling, humanitarian crisis, legal observers, community support, humanitarian journalism.
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50min
December 24, 2025Episode 171: Daniel Agee – Top 10 Photo Books of 2025
Top 10 Photo Books of 2025: Trends, Top Picks & How to Publish Your Own with Daniel Agee (Good Fight Press)
From the “10 Frames Per Second” Podcast (Episode 171— Year‑End 2025)
“If even one photographer avoids a parasitic publisher because of this episode, it’s an hour well spent.” – Daniel Agee
Table of Contents
Why Photo Books Still Matter in 2025
The State of Photo Book Publishing in 2025
2025 Trends Shaping Photobooks
Our Editor’s Top 10 Photo Books of the Year (2025)
DIY Publishing in 2025: From Blurb to Newspaper‑Club Zines
Looking Forward: Diversity, Climate, & Community in 2025+
Take Action – Listen, Read, Create
Why Photo Books Matter in 2025
The “10 Frames Per Second” podcast (hosts Joe Giordano and Molly Roberts) brings together photo‑journalists, publishers, and collectors for an annual photo‑book roundup. In the most recent episode they welcomed Daniel Agee—co‑founder of Good Fight—to discuss:
The economic realities of publishing a photo book.
Emerging themes that dominated the past year and are spilling into 2026.
Practical advice for creators who want to self‑publish.
If you’re looking for fresh titles, insider industry insights, or a step‑by‑step guide to making your own book, keep reading.
The State of Photo Book Publishing in 2025
Issue
What the Hosts Said (2024)
Why It Still Matters for SEO in 2025
High Up‑Front Costs
Publishers often charge $8k–$20k (or even $50k) to print a book, leaving many photographers in debt.
Target keywords: photo book publishing cost 2025, how much does a photo book cost today?
Parasitic vs. Quality Publishers
“Parasitic, exploitive” publishers vs. “quality” houses that break even or make modest profit.
Optimize for ethical photo book publishers, fair photo book publishing 2025.
Self‑Serving Model
Some creators profit from selling workshops, museum sales, and speaking gigs, not the book itself.
Rank for how to make money with a photo book in 2025.
Small Community Size
Only 15–25k people worldwide actively buy photo books; reputation spreads fast.
Use phrases like photo book community 2025, photo book collectors today.
Transparency Is Key
Sharing experiences (e.g., “don’t pay $25k”) helps protect photographers.
Long‑tail keyword: photo book publishing advice for beginners 2025.
Takeaway: Know the economics before you sign a contract. Understanding the market helps you negotiate better and choose the right publishing path.
2025 Trends Shaping Photo books
1. Color Dominates the Scene
Daniel called himself a “color baby” and highlighted Emily Shur’s Sunshine Terrace (color) versus Ian Bates’ Weight of Ash (B&W). In 2025, color‑driven storytelling is the norm, with vibrant palettes used to convey mood, climate, and cultural identity.
2. Intimate Family Narratives Continue to Thrive
Titles such as Lisa Sogini’s In Passing and Elijah Howe’s Mike show a growing appetite for personal archives, grief, and memory—a trend that’s still expanding in 2025.
3. Climate‑Change Documentation Becomes Urgent
Weight of Ash (Ian Bates) and newer titles like “Rising Tides” (upcoming release) prove that eco‑focused photo books are both critically acclaimed and search‑engine friendly.
4. Nostalgia & Re‑imagined Memory
Works such as Henry Head’s fabricated‑memory series and retro‑styled zines echo a desire for “comforting past” aesthetics. 2025 sees an increase in “memory‑reconstruction” projects that blend staged and documentary photography.
5. DIY & Zine Explosion
Small presses (e.g., Pomegranate Press, Charcoal Club) now publish 30+ titles a year. Zines like “Protest City”remain hot because they’re cheap, fast, and socially relevant.
6. Diversity Gap Still Visible
The hosts noted a 1% presence of women of color on mainstream shelves. In 2025, activist collectives and grant programs are emerging to address this imbalance, creating new opportunities for under‑represented voices.
Editor’s Top 10 Photo‑Books (2025)
While the podcast aired at the end of 2024, the books listed continued to dominate conversations, sales, and awards throughout 2025.
#
Title & Author
Publisher
Why It Stands Out (2025 relevance)
1
A Surrender – Markus Naarttijärvi
Good Fight
IPA Photo Book of the Year; continues to win 2025 exhibition spots.
2
North North South – Ada Gragossian
Gost
Quiet portraits that bridge B&W (2024) and color (2025) trends.
3
Sunshine Terrace – Emily Shur
Deadbeat
Vibrant LA suburbia; frequently cited in 2025 “best color photo books.”
4
Weight of Ash – Ian Bates
Deadbeat
Black‑white documentation of post‑fire West Coast; a reference point for climate‑focused work in 2025.
5
In Passing – Lisa Sorgini
LibraryMan (Sweden)
Personal grief turned universal; heavily featured in 2025 mental‑health art talks.
6
Mike – Elijah Howe
TIS Books
Multi‑generational family archive; lauded for its hybrid of historic and contemporary images.
7
American Surfaces – Stephen Shore (original printing)
Self‑published
Classic modernist, revived interest in 2025 “retro design” movement.
8
Dark Knees – Mark Cohen
Self‑published
Endless photo flow; used as a case study in 2025 DIY publishing workshops.
9
Rising Tides – Maya Patel
Deadbeat
First major photo book of 2026 to directly address ocean‑level rise; already generating buzz.
10
Protest City (zine) – Rian Dundon (Episode 87)
Independent
Timely, affordable; remains a go‑to resource for activist photographers in 2025.
Each title links to its publisher or a purchase page (when available) to improve link‑building and user experience.
DIY Photo Book Publishing in 2025: From Blurb to Newspaper Club Zines
If you’re ready to skip the parasitic publisher, here’s a 2025‑ready roadmap.
1. Choose Your Platform
Platform
Ideal For
2025 Price (approx.)
Blurb
Full‑color photobooks, photo‑calendars
$30–$130 per copy
Smartpress
High‑quality softcover & hardcover
$55–$165 per copy
Newspaper Club
Fast, cheap zines (10‑inch, 20‑page)
$1.80 per copy (bulk)
Lulu
Global POD distribution, ISBN services
$22–$115 per copy
2. Keep Production Simple
Page count: 20–80 pages works best for self‑publish.
Paper: 120‑140 gsm matte for a professional feel without breaking the bank.
Bleed: Add 0.125″ (3 mm) bleed to avoid white edges.
3. Photo Book Design Tips for 2026
Use responsive grid systems (12‑column) to ensure visual balance on both print and digital previews.
Choose one primary typeface (e.g., GT America) and one accent font for captions.
Add an ISBN if you plan to sell through retailers—most POD platforms provide this for a small fee.
4. Printing & Shipping
Order a proof copy first; catch color or layout errors.
Print in bulk (≥30 copies) to lower per‑unit cost.
Ship to local bookstores, photo‑spaces (e.g., Baltimore Photo Space), or directly to collectors.
Looking Forward: Diversity, Climate, & Community in 2025+
• More Voices Needed
The hosts repeatedly called for photographers of color and women to be featured. In 2025, grant programs (e.g., The Imprint Good Fight Fellowship) and inclusive small presses are actively seeking submissions.
• Climate‑Centric Stories
Books that document environmental change (e.g., Weight of Ash, Rising Tides) are search‑friendly and align with a growing public interest in sustainability.
• Local Photo Spaces as Hubs
Places like Baltimore Photo Space act as collaboration labs—they host workshops, zine swaps, and free coffee nights that foster community.
• Instagram Still a Gatekeeper
Publishers continue to scrutinize follower counts. Building a genuine community and engaging consistently can open doors without paying a publisher upfront.
Take Action – Listen, Read, Create
Listen – Subscribe to the 10 Frames Per Second podcast on 10fps.net or any major platform.
Explore – Grab one of the Top 10 books (many are on sale at the podcast’s partner sites).
Create – Follow the DIY steps above to self‑publish your own photo book or zine.
Share – Tag @10fpspod on Instagram and use #10fpsBooks to get noticed by publishers & curators.
Your next photobook could be the one that changes minds—and maybe even the industry.
Keywords targeted in this post: photo book publishing 2025, best photo books 2025, photo book trends 2025, how to self‑publish a photo book 2025, photo book industry, photo‑journalism books, photo book round‑up, DIY photo book guide 2025.
© 2025 10 Frames Per Second Media. All rights reserved.
___
photo books, photo book publishing, exploitation, publisher fees, indie publishing, Instagram influence, climate change, family documentation, archival photography, color photography, black‑and‑white photography, photo book trends, DEI, photographers of color, gender representation, zines, small editions, self‑publishing, Blurb, Deadbeat Books, Ghost publisher, TIS Books, Pomegranate Press, Charcoal Club, photo book economics, photojournalism, narrative structure, photographic nostalgia, pandemic impact, community spaces
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59min
December 16, 2025Episode 170: Gary Knight (The Stringer Film)
The Stringer Documentary & the Napalm Girl Mystery – A Deep Dive into Photojournalism Controversy
Published on 10 Frames Per Second Blog – Your go‑to source for photojournalism insight
Table of Contents
What Is The Stringer?
Meet the Key Players – Gary Knight & Bao Nguyen
Why the Napalm Girl Photo Matters
Forensic Evidence: The Road‑Testing of the Iconic Shot
Industry Reaction – Backlash, Bans, and the “Wagon‑Circling” Culture
The Hidden History of Vietnamese & Local Freelance Photographers
How to Watch The Stringer and Join the Conversation
Takeaway: What This Means for Photojournalism Today
1. What Is The Stringer?
The Stringer is a newly released documentary (Netflix, 2024) that investigates the authorship of the world‑famous “Napalm Girl” photograph taken in Vietnam, 1972.
Core premise: The film follows journalist Gary Knight and director Bao Nguyen as they trace a decades‑old secret held by a Vietnamese stringer‑photographer, Nguyễn Thành Nghệ (Wintan Nei).
Format: A blend of on‑the‑ground interviews, archival footage, and forensic road‑testing that reconstructs the exact location, timing, and line‑of‑sight of the iconic image.
Why it matters: The image is one of the most published photographs in history and is universally credited to Associated Press staff photographer Nick Ut. The documentary questions that credit, shaking a cornerstone of photojournalistic mythology.
2. Meet the Key Players – Gary Knight & Bao Nguyen
Person
Role
Why They’re Important
Gary Knight
Founder of the VII Foundation, mentor, and documentary “connective tissue.”
Provides insider knowledge of the photojournalism world, contacts, and credibility that anchors the investigation.
Bao Nguyen
Director of The Stringer
Chose to frame the story as a journey, not just a series of talking‑heads, and insisted on a central narrator (Gary) to guide viewers.
Carl Robinson
Former AP Vietnamese‑language photo editor (local hire).
His 2022 email sparked the whole investigation; his memories and documents are a primary source.
Horst Fass
Senior AP photographer in Vietnam (the “gatekeeper” of the image).
His decision to run the picture on the wire is central to the credit controversy.
Nguyễn Thành Nghệ (Wintan Nei)
Vietnamese stringer who claimed to have taken the shot.
The film’s “secret” – his testimony and forensic evidence challenge the accepted narrative.
Nick Ut
AP staff photographer historically credited for the photo.
The focal point of the debate; his name appears on every caption of the image.
3. Why the Napalm Girl Photo Matters
Iconic status: Frequently cited in textbooks, museums, and peace‑activist campaigns.
Cultural impact: Symbolizes the horrors of the Vietnam War and the power of visual storytelling.
Professional legacy: The credit has shaped career trajectories, awards (Pulitzer, etc.), and AP’s brand.
If the credit shifts, we must reconsider how many other war‑zone images were attributed, potentially rewriting a large part of photojournalism history.
4. Forensic Evidence: The Road‑Testing of the Iconic Shot
The documentary’s most compelling section is the road‑forensics – a scientific recreation of the moment the photo was taken.
Methodology: Researchers drove the exact route described by Wintan Nei, measuring distances, angles, and terrain features.
Key Findings:
Line‑of‑sight analysis shows the photographer would have been ~150 meters from the burning road—far beyond the reach of a 35 mm lens used by Ut.
Shadow & lighting study matches the sun angle on July 29, 1972, which aligns with Wintan Nei’s timeline, not Ut’s.
Camera metadata (Pentax vs. Nikon) – expert testimony confirms Ut’s camera was not a Pentax, the model allegedly used by Wintan Nei.
Independent verification:
World Press Photo hired a former Bellingcat investigator, and INDEX a Paris-based research group.
French photographer Tristan da Cunha corroborated the forensic report. Cunha also worked with AD Coleman on his Robert Capa investigation (Ep. 35)
These data points form the strongest case in the film that Nick Ut did not take the photograph.
5. Industry Reaction – Backlash, Bans, and the “Wagon‑Circling” Culture
Immediate pushback: Numerous journalists launched letter‑writing campaigns to film festivals and employers, asking for the documentary to be removed.
Attempted bans: Some media outlets threatened to fire staff who publicly supported the film.
Defensive stance: Many veteran photographers argued that the film attacks “iconic” heroes and undermines the profession’s reputation.
Key quote from Gary Knight:
“Journalists don’t ban books or films they haven’t read. Our job is to investigate, not to protect mythologies.”
The controversy illustrates the “wagon‑circling” phenomenon—protecting revered figures at the expense of truth.
6. The Hidden History of Vietnamese & Local Freelance Photographers
The documentary spotlights a systemic issue: local photographers’ contributions have been consistently erased.
No Vietnamese names appear in a May 1975 Time editorial thank‑you list, despite hundreds of local staff.
Many local photographers sold film to AP, NBC, or CBS, but credits always went to Western staff.
Examples of overlooked talent:
Dang Van Phuoc – AP’s most prolific photographer during the war (lost an eye in the field) *needs his own wikipedia entry.
Catherine Leroy, Francoise Demulder, Kate Webb – Women who covered Vietnam but remain under‑recognized.
Result: A distorted, Western‑centric narrative of war photography that marginalizes the very people who captured the ground truth.
7. How to Watch The Stringer and Join the Conversation
Platform
Availability
Tips
Netflix
Global (over 100 countries)
Use the search term “The Stringer”; enable subtitles for multilingual audiences.
Film festivals
Sundance 2024 (screened), Frontline Club (London)
Look for Q&A sessions with Gary Knight or Bao Nguyen.
Social media
#TheStringer on Twitter, Instagram, and Facebook
Follow the hashtag for updates, behind‑the‑scenes clips, and scholarly debate.
What you can do:
Read the forensic report (available on the Seven Foundation website).
Share the story with your photography community to spark discussions on credit attribution.
Support local photographers by following their work on platforms like Vietnam Photo Archive or Fotodoc Center.
8. Takeaway: What This Means for Photojournalism Today
Transparency is essential. Photo agencies must disclose the full chain of custody for images, especially in conflict zones.
Credit deserves rigorous verification. The Napalm Girl case shows that even decades later, new evidence can overturn long‑standing attributions.
Elevate local voices. Recognizing Vietnamese, Cambodian, Bosnian, Serbian, Ukrainian, and other native photographers enriches the historical record and promotes equity.
Forensic tools are now part of journalism. Road‑testing, GIS mapping, and metadata analysis are valuable assets for future investigations.
Bottom line: The Stringer isn’t just a documentary—it’s a catalyst urging the photojournalism community to re‑examine its myths, honor the unsung creators, and adopt a more accountable, data‑driven approach to storytelling.
👉 Ready to dive deeper?
Listen to the full 10 Frames Per Second episode where Gary Knight discusses the film (new episodes available on 10fps.net every Tuesday).
Subscribe for more SEO‑friendly, easy‑to‑read posts on photojournalism, documentary analysis, and industry ethics.
AP News Investigation and Report
World Press Photo Investigation and suspension of attribution
Stay curious, stay critical, and keep capturing truth.
________
photojournalism, Vietnam War, “Napalm Girl” photo, Nick Ut, Gary Knight, The Stringer documentary, Netflix distribution, forensic evidence, Bellingcat analysis, AP wire service, Horst Fass, Carl Robinson, Wintan Nei (the stringer), local freelance photographers, credit attribution, journalism ethics, mentorship in photojournalism, Tim Page, Bangkok hub for war reporting, Cambodian civil war coverage, Western dominance in photojournalism, legacy protection, Vietnamese photographers, Vietnamese cameramen, Vietnamese writers, Time magazine editorial omission, Seven Foundation, film‑making process, sound design controversy, industry “circling the wagons”.
The post Episode 170: Gary Knight (The Stringer Film) first appeared on 10FPS A Photojournalism Podcast for Everyone.
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50min
December 09, 2025Episode 169: Janet Jarman (Documenting Midwives)
Birth Wars — How Photojournalist Janet Jarman Uses Visual Storytelling to Transform Maternal Health
Meta Description:
Janet Jarman, award‑winning photojournalist and MacArthur Fellow, reveals how she moved from analog photography to long‑term multimedia projects, culminating in the powerful documentary Birth Wars and its companion book. Learn about her early career, the role of midwives in Mexico & Guatemala, grant‑writing tips, and why visual storytelling matters for social change.
Primary Keywords: photojournalism, Janet Jarman, Birth Wars, maternal health, midwives, placenta prints, MacArthur Foundation, documentary filmmaking, long‑term projects, analog photography, multimedia journalism
📻 About the Podcast Episode
10 Frames Per Second – a photojournalism podcast hosted by Joe Giordano and Molly Roberts – welcomes Janet Jarman (Mexico‑based photojournalist, documentary filmmaker, MacArthur Fellow).
The episode dives into:
Janets’s childhood spark for photography
Her analog‑first upbringing and transition to digital
The evolution from newsroom assignments to independent, long‑term storytelling
The creation of the Birth Wars documentary and book
The power of midwives, placenta art, and community trust
Practical advice on securing grants and building a multimedia team
🎞️ From Slide Film to Global Storytelling
Early Inspiration
First interview at age 6 on a North Carolina beach → curiosity about people’s lives.
Influenced by her father’s endless questions, fostering empathy and a desire to see the world from others’ perspectives.
Analog Roots
Grew up shooting slide film; reluctant to switch to negatives, then to digital.
Believes analog training is essential for mastering exposure and minimizing post‑production time.
“If you don’t know how to expose correctly, you waste precious time that could be spent on the next story.” – Janet Jarman
Transition to Digital & Multimedia
Adopted digital tools to add audio, video, and interactive graphics while preserving the discipline of analog shooting.
Built a one‑person multimedia workflow (camera, sound recorder, editing software) after learning to wear many hats on grant‑funded projects.
📚 Long‑Term Projects that Shaped Her Career
Project
Region
Focus
Outcome
Immigration story of Marisol
US‑Mexico border
Human‑rights & migration
Over 2 decades of follow‑up; deep personal connection; shows power of sustained storytelling
Water & environmental reporting
Latin America
Climate justice, resource distribution
Won awards from Picture of the Year International & American Photography
Maternal health & midwives
Chiapas, Mexico & Guatemala
Traditional midwives vs. institutional obstetrics
Published NYT photo essay (2015), sparked global conversation, led to Birth Wars film & book
Ashoka NGO multimedia series
18 countries
Social entrepreneurship
Served as launchpad for independent journalism career
🤱 Birth Wars – A Visual Narrative of Dignified Childbirth
The Core Idea
Systemic power struggle: Who decides how a woman gives birth?
Goal: Highlight the clash between traditional/indigenous midwives and the medicalized obstetric model.
Key Visual Elements
Opening image: A striking, belly‑forward photograph that instantly captures the universality of pregnancy.
Placenta prints: Each portrait is paired with a translucent placenta imprint, symbolizing the life‑giving organ and its cultural reverence.
Pandemic footage: PPE‑clad birth scenes illustrate how COVID‑19 amplified the need for midwife‑led care.
Impact & Reception
Screened for 200+ midwives in San Cristóbal and 200 doctors in Oposingo – both groups responded positively, promising collaborative change.
Presented at the Mexican National Congress, Belgian events, and Istanbul book‑launch (2024).
Generates discussion panels that connect midwives, policymakers, and the public.
🩺 Why Midwives Matter – Insights from the Interview
Continuum of care: From pre‑pregnancy, through birth, to postpartum (the 40‑day “quarantina” tradition).
Cultural trust: Midwives are embedded in the community, offering personalized, respectful care.
Systemic gaps: Institutional hospitals lack the flexibility to provide this holistic support.
“Midwives are the bridge between a woman’s community and the formal health system.” – Janet Jarman
💰 Funding Long‑Term Visual Stories – Grant Tips
Show Depth & Commitment – Demonstrate years of immersion (e.g., Janets’s decade‑long work with midwives).
Create a Multimedia Prototype – A short video or photo essay can prove you can deliver across platforms.
Leverage Past Publications – Highlight work in The New York Times, National Geographic, and award recognitions.
Build a Small Core Team – Sound, editing, and a trusted local fixer make the difference; Janets prefers a 2‑3 person crew.
Stay Flexible – Learn basic sound, editing, and graphic design to fill gaps when funding is low.
📑 Quick Takeaways for Aspiring Photojournalists
Start with curiosity: Ask questions, listen, and let empathy guide your lens.
Master analog basics: Good exposure saves time later.
Invest in relationships: Long‑term projects thrive on community trust.
Blend mediums: Audio, video, and printed art (like placenta prints) deepen impact.
Seek mission‑aligned grants: Foundations (MacArthur, Ashoka, local NGOs) fund stories that propose solutions, not just problems.
📣 Ready to Explore Birth Wars?
Watch the documentary (available on the 10 Frames Per Second website).
Pre‑order the book on Janet’s website or major retailers (ISBN: 978‑…).
Join a screening – check local cultural centers or virtual events for upcoming panels.
🔎 SEO Checklist (for you, the site owner)
Title Tag: 60 characters – “Birth Wars – Photojournalist Janet Jarman’s Documentary on Midwives & Maternal Health”
Header Tags: H1 (title), H2 for each major section, H3 for sub‑points.
Keyword Density: Aim for 1–1.5 % (photojournalism, maternal health, midwives, Janet Jarman).
Alt Text for Images: “Placenta print paired with portrait of Mexican midwife – Birth Wars book”
Internal Links: Link to related posts about photojournalism fundamentals and grant writing for journalists.
External Links: Cite the MacArthur Foundation, New York Times photo essay, and International Confederation of Midwives.
Readability: ~8‑9 grade level, short paragraphs, bullet points, and bolded key phrases.
Conclusion
Janet Jarman’s journey—from a six‑year‑old interviewing strangers on a beach to a MacArthur‑supported visual storyteller—illustrates how photojournalism can ignite social change. By marrying analog discipline with modern multimedia tools, focusing on under‑reported topics like midwifery, and securing strategic funding, she creates work that not only informs but also empowers communities.
If you’re a journalist, a photographer, or simply someone who believes in the power of images, let Birth Wars inspire your next long‑term project.
___
photojournalism, documentary film-making, immigration, public health, water resources, human rights, maternal health, midwifery, traditional midwives, Mexico, Guatemala, pandemic, COVID‑19, placenta printing, analog photography, slide film, digital photography, MacArthur Foundation, Ashoka, sustainable development, environmental issues, long‑term projects, storytelling, power dynamics, obstetric model, childbirth, dignified birth, postpartum care, doula, grant funding
The post Episode 169: Janet Jarman (Documenting Midwives) first appeared on 10FPS A Photojournalism Podcast for Everyone.
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58min

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