Keywords: Andrea Bruce, photojournalism, visual journalism, democracy project, war coverage, local journalism, “Down in the County”, Knight Chair of Visual Journalism, mental health for journalists, grant writing, National Geographic Explorer, Alicia Patterson Fellowship

In the latest episode of 10 Frames Per Second, award‑winning photographer Andrea Bruce shares her unconventional journey—from a journalism‑school writer to a war‑zone photojournalist, a National Geographic Explorer, and now the Knight Chair of Visual Journalism at the University of Georgia. She also explains how she’s tackling the decline of local news through her hyper‑local newsletter “Down in the County.”

If you’re a photographer, journalist, educator, or anyone interested in the future of visual storytelling, this post distills the most actionable insights from the interview.

Takeaway: A single, low‑stakes decision (signing up for that photo class) can launch an entire career. For aspiring photojournalists, always stay curious and be ready to seize spontaneous opportunities.

Quote:

“If you don’t take care of yourself, you’re not going to be able to tell anyone else’s story.”

Actionable tip: Create a personal “check‑in” routine after each intense assignment – a 5‑minute journal entry or a quick call with a trusted colleague.

Lesson: Storytelling that blends the extraordinary with the mundane resonates more than headline‑only coverage.

’s National Geographic‑funded “Our Democracy” road‑trip asked communities three core, non‑political questions:

Key discovery: Income disparity—not geography or ethnicity—shaped people’s answers about power and voice.

Why it matters:

Quick Grant Tip:

“Pitch the problem, not just the project.” Funders want to see a clear need and your plan to address it.

Challenges & Solutions

Takeaway: Even a single‑person newsroom can thrive with a clear niche, community trust, and diversified funding.

“You can’t treat visuals as an afterthought. They are the first language of the story.” – Andrea Bruce

photojournalism, war coverage, conflict photography, mental health, emotional coping, empathy, Washington Post, Iraq war, “Unseen Iraq” feature, local journalism, news deserts, community newsletters, “Down in the County”, grant writing, Catchlight Fellowship, Alicia Patterson Fellowship, Knight Chair of Visual Journalism, University of Georgia, TikTok, YouTube, Instagram, visual storytelling, teaching journalism, journalism ethics, student journalism, grant funding, National Geographic Explorer, democracy research, de Tocqueville, income disparity, media fatigue.

The post Episode 158: Andrea Bruce (Education/Documentary) first appeared on 10FPS A Photojournalism Podcast for Everyone.

Keywords: Jim Marshall, Grateful Dead, music photography, photojournalism, Amelia Davis, Bill Shapiro, Life Magazine, AI and photography, copyright, archival books, Blue Photo Collective

Meta description (155 chars):

Together they unpack:

Jim Marshall didn’t just capture moments—he preserved cultural history with a photographer’s eye and a lawyer’s precision. By honoring his strict copyright stance, sharing never‑seen images, and nurturing new talent, his estate ensures that photojournalism remains vibrant, authentic, and relevant—whether on film, digital, or even in an AI‑dominated future.

Stay tuned to the 10 Frames Per Second podcast for more behind‑the‑scenes stories from the world’s greatest photojournalists.

Ready to dive deeper? Subscribe to the 10 Frames Per Second newsletter and never miss an episode on the legends shaping photography today.

photojournalism, Jim Marshall, Grateful Dead, Life Magazine, Life.com, copyright law, AI‑generated images, music photography, Rolling Stones 1972 tour, Woodstock 1969, Altamont Free Concert, Rolling Stone magazine, album‑cover photography, Grateful Dead book project, contact sheets, grease‑pencil marks, Kodachrome slides, Chronicle Books publishing, Blue Photo Collective, photo‑journalism fellowships, UC Berkeley journalism fellowship, photo‑archive management, street photography, Robert Capa influence, Magnum Photos agency, Henri Cartier‑Bresson, 1970s rock era, punk era exclusion, behind‑the‑scenes photographer role, photo‑rights litigation, self‑destructive artist behavior.

The post Episode 157: Amelia Davis & Bill Shapiro (Jim Marshall archives) first appeared on 10FPS A Photojournalism Podcast for Everyone.

If you’re a budding photographer, a veteran storyteller, or simply curious about the gritty reality behind today’s headlines, the “10 Frames Per Second” episode featuring Ethan Noah Roy is a must‑listen.

“I consider myself a bit self‑taught, learning on the job while assisting photographers.” – Ethan Roy

Start small. Assist on shoots, study photo books, and let curiosity drive you toward a personal style.

“Flash lets me shape the scene, especially when bright sun is blocked by buildings or when I’m dodging tear gas.” – Ethan Roy

Pro tip: When covering protests, avoid facial hair—tear‑gas can cling to it and cause respiratory issues.

Ethan Roy’s conversation on the “10 Frames Per Second” podcast sheds light on the raw, human side of photojournalism—from mastering flash to navigating dangerous terrain, and from self‑education to storytelling.

Whether you’re an aspiring photographer or a seasoned visual storyteller, the episode offers a roadmap to authentic, impactful work that doesn’t just capture images but also preserves truth.

Stay curious, stay safe, and keep shooting.

The post Episode 156: Ethan Noah Roy (Documentary Photography) first appeared on 10FPS A Photojournalism Podcast for Everyone.

The opioid crisis continues to be a major concern in the United States, and its portrayal in the media often sparks debate. In this ARCHIVE episode of “10 Frames Per Second,” podcast hosts Joe Giordano and Elena Volkova sat down with Brandon Soderberg, a journalist and author, to delve into the complexities of covering opioid addiction. Soderberg, who has personal experience with heroin use, offers a critical perspective on how media photography often dehumanizes individuals struggling with addiction, perpetuating harmful stereotypes.

Soderberg expresses frustration with the prevalent use of “zonked out” imagery in media coverage of the opioid crisis. He argues that:

A key point raised by Soderberg is the importance of community in the lives of people who use drugs. He highlights that:

The conversation also touches upon the ethical considerations of photographing vulnerable individuals:

The discussion concludes with a look at potential solutions and positive examples:

The conversation on “10 Frames Per Second” serves as a crucial reminder that effective and ethical journalism requires not only documenting reality but also understanding and conveying the complex human stories behind it.

Note: As this conversation is an archive episode it doesn’t mention the excellent book that Brandon co-authored since the recording “I Got a Monster”, the story of corruption in the Baltimore City Police Department Gun Trace Task Force and its aftermath.

Photojournalism, Opioid Addiction, Media Coverage, Drug Use, Journalism Ethics, Photography, Users, Addicts, Language, Violence, Illness, Disease, AIDS Crisis, Nuance, Opioids, White Crisis, Dehumanize, Crime, Society, Heroin, Community, Isolation, Suburbs, Vulnerability, Titillation, Access, Understanding, Distance, Manageable, Manageable, Humanize, Imagination, Editor, Consent, Trauma, Policy Change, Labor Laws, Journalism Ethics, Ethics, Honesty, Conversation, Respectful, Sincere, Recovery, Portraits, Advocacy Journalism, Homelessness, Gentrification, Housing Prices, Open-Air Drug Market, Perception, Bias, Media Bias, White Bias, Misinformation, Fentanyl, Overdose, Methadone, Propaganda, Shame, Vilification, Solidarity, Competition, Exploitative, Safe Consumption Sites, Choice, Addiction, Alcoholism, Gordon Parks, Richard Price, Clockers, Sam Anderson, Boomtown, Oklahoma City, Oklahoma Basketball, Baltimore Police Gun Trace Task Force Scandal, Corruption, John Dewey, Art and Experience, Photojournalism Experience, William Mumler, Victorian America, Post-Civil War, Ghosts, Mary Todd Lincoln, Photoshop, Image Manipulation, Flash, Weegee, Crime Photography, Overdose Prevention, Hamden, Royal Farms, WLOY Radio, Loyola University Maryland, Audrey Gatewood, John Devecka

The post Episode 45: Brandon Soderberg (Editor) first appeared on 10FPS A Photojournalism Podcast for Everyone.

Welcome to an archive episode of 10FPS, where we delve into the fascinating world of photojournalism through the lens of the “10 Frames Per Second” podcast. Hosted by Joe Giordano and Elena Volkova, this podcast offers a unique perspective on photography, featuring interviews with renowned photographers and industry experts. In this episode, we’ll explore key insights from a recent episode featuring Grant Scott, founder of the United Nations of Photography.

Grant Scott is a prominent figure in the photography world, known for his extensive experience and contributions. Here’s a brief overview of his journey:

One of the highlights of Grant’s career is the creation of the Bill J documentary. Here’s what you need to know:

The podcast episode also delves into the relevance of photo magazines today. Key points include:

Grant Scott emphasizes the importance of embracing new ways of seeing in photography:

The podcast highlights the vibrant and independent photography scene in the UK:

The “10 Frames Per Second” podcast offers a wealth of insights into the world of photojournalism. From Grant Scott’s inspiring journey to the evolving landscape of photography, this episode is a must-listen for anyone passionate about visual storytelling. Stay tuned for more episodes and continue exploring the dynamic world of photography.  For more information and to listen to the full episode, visit the 10 Frames Per Second podcast.

Photojournalism, podcast, photography, Grant Scott, United Nations of Photography, Oxford Brookes University, Bill J documentary, feature film, photography magazines, photo contests, advertising photography, editorial photography, digital capture, analog photography, gatekeepers, photo festivals, photo editors, moving image, still image, storytelling, austerity, British photography, independent publishers, Cafe Royal Books, Ghost Books, portfolio reviews, mentoring, competitions, visual language, cultural interviews

The post Episode 58: Grant Scott (Photo Education) first appeared on 10FPS A Photojournalism Podcast for Everyone.

Welcome to our latest episode, where we delve into the fascinating world of photography and identity through the lens of Jeanette Spicer, a visual artist and editorial photographer. In this episode of the “10 Frames Per Second” podcast, Jeanette shared her journey, inspirations, and the unique perspectives she brings to her work. Let’s explore the highlights of this insightful conversation.

Jeanette Spicer is a visual artist and editorial photographer based in Queens, New York. With an MFA from Parsons, The New School, Jeanette has participated in numerous residencies and published two monographs:

Jeanette’s work is deeply personal and aims to fill a gap in visual representation. She noticed a lack of imagery depicting lesbians interacting with straight parents and sought to create a narrative that reflects these underrepresented dynamics. Her work is not just about capturing moments but about constructing worlds and realities that she wishes to see.

Jeanette emphasizes the importance of representing the lesbian experience in her work. She believes in the power of specificity and the need to highlight diverse experiences within the LGBTQ+ community. Her work challenges the mainstream narrative and seeks to provide visibility to marginalized voices.

Jeanette’s approach to photography is eclectic and experimental. She utilizes various techniques such as:

These methods allow her to create images that are both visually striking and conceptually rich.

In her portraiture, Jeanette is acutely aware of the power dynamics between the photographer and the subject. She prioritizes consent and comfort, often asking her subjects about their boundaries and preferences. This approach fosters a collaborative environment where authentic interactions can unfold.

Jeanette draws inspiration from a range of photographers, including:

Jeanette is currently working on extending her project “What It Means to Be Here,” which involves exploring defunct lesbian spaces and creating unique darkroom prints. This project aims to capture the essence of these lost spaces and the communities that once thrived there.

Jeanette Spicer’s work is a testament to the power of photography as a tool for storytelling and representation. By challenging norms and exploring new techniques, she continues to push the boundaries of visual art. Her dedication to representing the lesbian experience and her innovative approach make her a significant voice in contemporary photography.

For more insights into Jeanette’s work, you can visit her website and explore her published books. Stay tuned for more episodes of the “10 Frames Per Second” podcast, where we continue to explore the world of photojournalism and visual storytelling.

Photojournalism, podcast, visual artist, editorial photographer, Queens, New York, MFA, Parsons, Vermont Studio Center, Wassaic Project, Benico Arte, monograph, Kris Grave Projects, Gost Books, lesbian relationships, straight parents, New York Times, New York Magazine, The New Yorker, Vogue, Women WMN, marginalized communities, truth in images, psychoanalysis, EMDR, heteronormative world, patriarchal society, lesbian representation, LGBTQ+, darkroom, solarization.

The post Episode 155: Jeanette Spicer (Documentary Photography) first appeared on 10FPS A Photojournalism Podcast for Everyone.

Welcome to our latest episode, where we delve into the fascinating world of fine art photography with Lucas Foglia. In this episode, we explore Foglia’s unique approach to capturing the intricate relationship between people and nature, as well as his latest project, “Constant Bloom.” This project not only highlights the beauty of Painted Lady Butterflies but also serves as a metaphor for human migration and climate change.

Lucas Foglia is a renowned fine art photographer based in the San Francisco Bay Area. His work is celebrated for its lyrical, nuanced, and compassionate style. With a BFA from Brown University and an MFA from Yale University, Foglia has published six books, including:

Foglia’s latest project, “Constant Bloom,” is a captivating exploration of the longest butterfly migration, following Painted Lady Butterflies from Kenya to Norway and back. This project is not just about butterflies; it’s about the connections across borders and the impact of climate change on migrating species.

“Constant Bloom” has been showcased in various exhibitions, including a major museum exhibition at Photo Museum Den Haag. Foglia’s work has been featured in galleries across the globe, from New York to Amsterdam and Frankfurt.

Foglia’s approach to sharing his work is inclusive and far-reaching. By collaborating with mainstream media outlets like the New York Times and NPR, he ensures that his message reaches a wide audience, beyond the traditional art world.

Foglia’s storytelling is unique in its ability to blend beauty with complex world issues. His photographs are not just images; they are a call to action, encouraging viewers to think and feel deeply about the world around them.

Foglia’s projects are funded through a combination of art sales, grants, and fellowships. His ability to navigate both the art and journalism worlds allows him to sustain his long-term projects and continue exploring new themes.

Lucas Foglia’s work is a testament to the power of photography to bridge gaps and foster understanding. “Constant Bloom” is more than a photographic project; it’s a profound exploration of the ties that bind us to nature and each other. As Foglia continues to push boundaries and explore new narratives, his work remains a vital part of the conversation on climate change and human migration.

For more insights into Lucas Foglia’s work and to explore his latest book, “Constant Bloom,” visit 10fps.net or check out past episodes on WLOY.org.

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Photojournalism, podcast, photojournalists, Joe Giordano, Molly Roberts, Lucas Foglia, fine art photographer, San Francisco Bay Area, nature, BFA, Brown University, MFA, Yale University, books, A Natural Order, Front Country, Human Nature, Summer Affair, Living on Lava, Constant Bloom, Painted Lady Butterflies, migration, climate change, refugees, interconnectedness, nationalism, Mediterranean Sea, museum exhibition, Photo Museum Den Haag, WLOI, Loyola Radio.

The post Episode 154: Lucas Foglia (Nature Photography) first appeared on 10FPS A Photojournalism Podcast for Everyone.

Welcome to our latest episode, where we delve into the fascinating world of street photography with renowned Baltimore photographer, Chuck Patch. Known for his candid captures and social landscapes, Chuck has been a significant figure in the photography scene since the 1970s. In this episode, we explore his journey, influences, and his latest work, “Silver Keeps.”

Chuck Patch’s love for photography began in his childhood, inspired by his amateur photographer father who had a darkroom. His passion truly ignited in 1970 when he joined a group of photographers at the University of Wisconsin, leading to the creation of a photo co-op gallery.

Chuck Patch has witnessed significant changes in street photography over the decades. He notes:

Chuck Patch continues to explore new themes and projects:

Chuck Patch’s work offers a unique glimpse into the world of street photography, blending historical influences with contemporary themes. His dedication to capturing candid moments and evolving landscapes continues to inspire photographers and enthusiasts alike.

For more insights into Chuck Patch’s photography and to explore his publications, check out the full episode. Don’t forget to check out “Silver Keeps” and “Ordinary Places” for a deeper dive into his captivating work.

In case you missed it, check out last week’s episode with Heather Morton

10 Frames Per Second, podcast, photojournalism, Yoji Ardano, Molly Roberts, street photography, Chuck Patch, Baltimore photographer, museum studies, Hopkins, Ordinary Places, Silver Keeps, Eyeshot, amateur photographer, darkroom, University of Wisconsin, photo co-op, Ansel Adams, Cartier-Bresson, Gary Winogrand, Lee Friedlander, Danny Lyon, FSA photographers, picture researcher, Library of Congress, Historic New Orleans Collection, Clarence John Laughlin, Michael P. Smith, New Orleans photographers, street photography challenges, digital photography.

The post Episode 153: Chuck Patch (Street Photography) first appeared on 10FPS A Photojournalism Podcast for Everyone.

In this episode of the “10 Frames Per Second” podcast, hosts Joe Giordano and Molly Roberts sat down with Heather Morton, a professor in the photography department at Sheridan College, and creator of the BIPOC Mentorship Program, to discuss the evolving landscape of photography. This insightful conversation delved into the challenges and opportunities within the industry, particularly in the context of commercial photography.

Heather Morton, alongside Rob Haggart of A Photo Editor site, has been working on a yearly photo industry survey. This survey aims to provide a comprehensive understanding of the current state of photography, focusing on commercial practices. The survey is designed to:

Morton emphasizes the importance of business education in photography. She notes that many students struggle with the business aspect of photography, which is often underrepresented in educational programs. The survey results are used to:

The survey has revealed several interesting trends:

The podcast also touched on several challenges faced by photographers:

The survey also explored demographic trends within the industry:

Heather Morton and her team plan to continue conducting these surveys annually to track industry trends and provide valuable insights. They aim to foster a more inclusive and transparent photography community, where photographers can share their experiences and learn from one another.

The “10 Frames Per Second” podcast episode with Heather Morton offers a deep dive into the current state of photography. By understanding the challenges and opportunities within the industry, photographers can better navigate their careers and adapt to changing trends. For more insights, be sure to follow Heather Morton on Instagram and stay tuned for future survey results.

Photojournalism, podcast, photography surveys, Heather Morton, Sheridan College, advertising, communication, new media, McMaster University, commercial photography, visual testimonial narrative, authenticity, subjectivity, Rob Haggart, photo editor, business education, gatekeeping, COVID, AI threats, geopolitical instability, transparency, word of mouth, education, community, competitive field, optimism, pessimism, diversity, gender, racial diversity, freelance photographers.

The post Episode 152: Heather Morton (Education) first appeared on 10FPS A Photojournalism Podcast for Everyone.

Welcome to the world of photography through the lens of Maggie Shannon, a talented photographer specializing in portrait and documentary work. In today’s episode of the “10 Frames Per Second” podcast, hosted by Molly Roberts, Maggie shares her journey, inspirations, and the stories behind her captivating projects. Let’s dive into the highlights of this insightful conversation.

Maggie Shannon’s passion for photography began in high school, thanks to supportive teachers and parents who encouraged her artistic curiosity. Her journey took a significant turn when she attended Hampshire College, where she delved into analog photography, and later, the School of Visual Arts (SVA) in New York City, where she honed her technical skills.

Maggie’s first book, “Swamp Yankee,” explores the world of New England shark fishing. This project, characterized by its quirky and colorful imagery, offers a peek into a predominantly male world.

Her latest book, “Extreme Pain, Extreme Joy,” documents midwives and birthing rituals in the USA. This project was born out of the challenges faced by women during the COVID-19 pandemic, highlighting the rise in home births.

Maggie emphasizes the importance of personal projects, often driven by her emotions, particularly anger at social injustices. Her work on late-term abortion clinics and the birthing process reflects her commitment to telling stories that matter.

Maggie shares her personal experiences, including the impact of the Eaton fire on her community and family. Despite these challenges, she remains resilient and continues to find inspiration in her surroundings.

Maggie Shannon’s journey in photography is a testament to the power of passion, curiosity, and resilience. Her work not only captures moments but also tells compelling stories that resonate with audiences. For aspiring photographers, Maggie’s story is a reminder to follow your instincts and let your emotions guide your creative process.

Follow Maggie on Instagram.

For more inspiring stories and insights into the world of photography, tune in to the “10 Frames Per Second” podcast, available on 10fps.net and WLOY.org.

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The post Episode 151: Maggie Shannon (Documentary Photography) first appeared on 10FPS A Photojournalism Podcast for Everyone.