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- Ewan Morrison
Ewan Morrison is a man of many talents: an author, a journalist, a screenwriter and a director. He has written a short story collection and a number of critically acclaimed novels, contributed extensively to The Guardian and been involved in writing and direction for film and TV for a number of years. Recently his first novel Swung was turned into a movie of the same name.I encountered the writing of Ewan Morrison in 2012 when I heard about his novel Tales from the Mall. At the time I was knee deep in studying for a Scottish Literature degree. I always meant to get the book but I never did. The following year I took a module on Contemporary Scottish Literature and Tales from the Mall was on the reading list. I devoured it almost instantly. I was captivated by its unconventional style, its raw subversion of capitalism, how it questioned the very concept of identity in a consumer driven world, and the way it weaved fiction and non-fiction together as it explored what a mall is and represents on every conceivable level.The following summer I consumed his entire oeuvre.I spent so many years studying historical Scottish literature and when we did read something more up to date it was hardly contemporary - the newest thing on the reading list was Trainspotting by Irvine Welsh. It was refreshing to finally observe the Scottish literary landscape as it is now, and Ewan's work is vital to that landscape. Ewan's work deals with many things that we now take for granted, and poses questions that I feel are very important in the current age - what is identity, community, individuality and the very meaning of our relationships to each other in the current, transitory digital age . We're being sold individuality as the ultimate expression of human existence, being told that there is an ideal person we should strive to be which is unlike any other. Yet when we step back we all look, sound and act the same.So far I've mainly spoken to people who are involved in punk rock - the troubadours who sing their songs outside of the mainstream, who choose to do things their own way. The parallel between a musician outside of the mainstream and a writer outside of the mainstream is clear: unless you are in the mainstream you will find it extremely difficult to make a living from doing what you're doing. The internet, with its infinite everything, its boundless choice, is forcing us to "like" the same things. In our strive to be individual, to create culture, we're reposting and retweeting all of the same content as everyone else. Our voice just blends in to the binary din.If this podcast stays outside of the mainstream, then that's where I'm happy to be.My chat with Ewan was broad, interesting and one of the most challenging, thought provoking discussions I've ever had. I really hope you think so too. It's long but it's worth every second.Highlights include:Hosted on Acast. See acast.com/privacy for more information.
By Mark Fraser5
55 ratings
- Ewan Morrison
Ewan Morrison is a man of many talents: an author, a journalist, a screenwriter and a director. He has written a short story collection and a number of critically acclaimed novels, contributed extensively to The Guardian and been involved in writing and direction for film and TV for a number of years. Recently his first novel Swung was turned into a movie of the same name.I encountered the writing of Ewan Morrison in 2012 when I heard about his novel Tales from the Mall. At the time I was knee deep in studying for a Scottish Literature degree. I always meant to get the book but I never did. The following year I took a module on Contemporary Scottish Literature and Tales from the Mall was on the reading list. I devoured it almost instantly. I was captivated by its unconventional style, its raw subversion of capitalism, how it questioned the very concept of identity in a consumer driven world, and the way it weaved fiction and non-fiction together as it explored what a mall is and represents on every conceivable level.The following summer I consumed his entire oeuvre.I spent so many years studying historical Scottish literature and when we did read something more up to date it was hardly contemporary - the newest thing on the reading list was Trainspotting by Irvine Welsh. It was refreshing to finally observe the Scottish literary landscape as it is now, and Ewan's work is vital to that landscape. Ewan's work deals with many things that we now take for granted, and poses questions that I feel are very important in the current age - what is identity, community, individuality and the very meaning of our relationships to each other in the current, transitory digital age . We're being sold individuality as the ultimate expression of human existence, being told that there is an ideal person we should strive to be which is unlike any other. Yet when we step back we all look, sound and act the same.So far I've mainly spoken to people who are involved in punk rock - the troubadours who sing their songs outside of the mainstream, who choose to do things their own way. The parallel between a musician outside of the mainstream and a writer outside of the mainstream is clear: unless you are in the mainstream you will find it extremely difficult to make a living from doing what you're doing. The internet, with its infinite everything, its boundless choice, is forcing us to "like" the same things. In our strive to be individual, to create culture, we're reposting and retweeting all of the same content as everyone else. Our voice just blends in to the binary din.If this podcast stays outside of the mainstream, then that's where I'm happy to be.My chat with Ewan was broad, interesting and one of the most challenging, thought provoking discussions I've ever had. I really hope you think so too. It's long but it's worth every second.Highlights include:Hosted on Acast. See acast.com/privacy for more information.

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