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Between the twelfth and sixteenth centuries, a distinct form of Islamic thought and practice developed among Muslim trading communities of the Indian Ocean. In this episode of BIC Talks, economic historian and author of Monsoon Islam: Trade and Faith on the Medieval Malabar Coast, Sebastian R Prange and art historian and researcher, Ayesha Matthan explore the argument presented in Sebastian's book, that this 'Monsoon Islam' was shaped by merchants not sultans, forged by commercial imperatives rather than in battle, and defined by the reality of Muslims living within non-Muslim societies. Focusing on India's Malabar Coast, the much-fabled 'land of pepper', Prange speaks of how Monsoon Islam developed in response to concrete economic, socio-religious, and political challenges.
Sebastian R Prange is an economic historian who researches the development of Muslim trade networks in the medieval Indian Ocean world.
Ayesha Matthan is an art historian interested in photojournalistic practices, culture and politics in the Indian subcontinent from the 19th century to the present day.
By Bangalore International Centre4.5
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Between the twelfth and sixteenth centuries, a distinct form of Islamic thought and practice developed among Muslim trading communities of the Indian Ocean. In this episode of BIC Talks, economic historian and author of Monsoon Islam: Trade and Faith on the Medieval Malabar Coast, Sebastian R Prange and art historian and researcher, Ayesha Matthan explore the argument presented in Sebastian's book, that this 'Monsoon Islam' was shaped by merchants not sultans, forged by commercial imperatives rather than in battle, and defined by the reality of Muslims living within non-Muslim societies. Focusing on India's Malabar Coast, the much-fabled 'land of pepper', Prange speaks of how Monsoon Islam developed in response to concrete economic, socio-religious, and political challenges.
Sebastian R Prange is an economic historian who researches the development of Muslim trade networks in the medieval Indian Ocean world.
Ayesha Matthan is an art historian interested in photojournalistic practices, culture and politics in the Indian subcontinent from the 19th century to the present day.

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