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In this episode we talk about Max Horkheimer’s essay “Traditional and Critical Theory”, which serves as a kind of manifesto for the Frankfurt School of Marxist thought. We talk about how he defines these categories, reflect on whether the distinction holds up, and ask ourselves whether we can call ourselves critical theorists in the present. It turns out grasping oneself as part of a historically unfolding social totality is difficult, if you can believe it.
Special thanks to our friends at the Critical Theory Working Group, who you should check out:
https://ctwgwebsite.github.io/
https://jamescrane.substack.com?utm_source=navbar&utm_medium=web
leftofphilosophy.com | @leftofphil | @leftofphilosophy.bsky.social
References:
Max Horkheimer, Critical Theory: Selected Essays, trans. Matthew J. O’Connell and others (New York: Continuum, 2002).
Music:
“Vintage Memories” by Schematist | schematist.bandcamp.com
“My Space” by Overu | https://get.slip.stream/KqmvAN
By Lillian Cicerchia, Owen Glyn-Williams, Gil Morejón, and William Paris4.6
284284 ratings
In this episode we talk about Max Horkheimer’s essay “Traditional and Critical Theory”, which serves as a kind of manifesto for the Frankfurt School of Marxist thought. We talk about how he defines these categories, reflect on whether the distinction holds up, and ask ourselves whether we can call ourselves critical theorists in the present. It turns out grasping oneself as part of a historically unfolding social totality is difficult, if you can believe it.
Special thanks to our friends at the Critical Theory Working Group, who you should check out:
https://ctwgwebsite.github.io/
https://jamescrane.substack.com?utm_source=navbar&utm_medium=web
leftofphilosophy.com | @leftofphil | @leftofphilosophy.bsky.social
References:
Max Horkheimer, Critical Theory: Selected Essays, trans. Matthew J. O’Connell and others (New York: Continuum, 2002).
Music:
“Vintage Memories” by Schematist | schematist.bandcamp.com
“My Space” by Overu | https://get.slip.stream/KqmvAN

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