At Centuries of Sound I am making mixes for every year of recorded sound. The download here is only for the first hour of the mix. For the full 3-hour version either see below for the Mixcloud player, or come to patreon.com/centuriesofsound for the podcast version and a host of other bonus materials for just $5 per month. As it’s the festive season I’ve decided to use the new function on Patreon to do a couple of membership offers. Firstly I’m offering a 10% discount on all tiers, monthly and annual, just go to patreon.com/centuriesofsound and sign up with the promo code 8AA78 – Secondly, if you buy a gift membership for anyone ($5 p/m tier, annual) then I will give you a CD version of the mixes for the year of their birth (only pre-1950/1972/1989)– so cut up into CD-sized chunks each with its own artwork. For gift memberships – patreon.com/centuriesofsound/gift – then send me a message either on Patreon or by emailing james (at) centuriesofsound.com, I will get those to you within three days.

Mixcloud player with full mix – or listen on the Mixcloud website.

1949 Part Two – The 12″ Mix

How do you listen to recorded music? I feel like every phase of my life has a different answer here – the record player at home, a Walkman, a Discman, the stereo system I had when I went to university, the mp3 player that went around Asia with me, then years of phones, laptops, Bluetooth speakers, headphones, car stereos. Sometimes I would listen privately, sometimes on speakers, sometimes it would be in the background, sometimes it would have my full attention. These days it seems like, aside from the car radio, all my listening is private, streamed from computer or phone, and something feels missing. Centuries of Sound started when I was in an environment where nobody wanted to listen to music so I had to retreat into this private experience, and have I ever emerged from that? Only through sharing with you, really.

Putting on a longer piece of music, sitting down and just experiencing it – that’s just something I don’t have time for any more. It is something I miss, but it’s also something I can live without. When end of year polls come around, this is why I focus on the tracks. I like things bite-sized, not because I have a short attention span, more because there’s so much out there and only so much time I can spend with it. And yet, this thing, what is it but very long-form listening?

Putting on an LP seems like such a fundamental part of music listening for so many people, it seems odd to note that as we approach the middle of the 20th century, it’s only now that this is really becoming an option. If you were listening to a record before 1949, it was probably a 10” shellac disc with not much more than three and a half minutes of music per side, and unless you had an elaborate disc-changing machine, that’s how long you had before you had to get up and change the record. There were “albums” though, and had been for quite a while. The earliest I can find is a 1907 recording of Ruggero Leoncavallo’s 1892 opera “I Pagliacci,” starring Puerto Rican tenor Antonio Paoli, and supervised in its production by the composer himself. But these were “albums” as in a “photograph album” or a “stamp album” – a large book of separate discs. Frank Sinatra’s first album, 1946’s “The Voice of Frank Sinatra” is in this format, eight songs across four discs.

When Columbia introduced the 33? rpm 12” vinyl LP in late 1948, the focus was naturally on what it could do that shellac records couldn’t. With around 26 minutes per side, the initial focus was naturally on classical music – and of course it helped that buyers of classical music had more money and a taste for better quality recordings – LPs had “microgroove technology” that allowed for higher fidelity. Next followed Broadway shows, the more respectable kinds of jazz, and more sophisticated pop music – Frank again. What did not appear at first was the music made by and listened to by poor black people (R&B) or poor white people (country) – neither were the right sort of market. Of course, as we will be seeing in a decade and a half, their descendants would lean into the LP so much that, well, you know.

If you want to chat as listen, you can join the conversation on discord here – https://discord.gg/5a7f6wqjcJ

Track list

Intro

(Clip from Dragnet)

July

(Clip from The Shadow)

August

(Clip from The Hitchhiker)

September

0:58:09 Sidney Bechet – September Song

October

(Clip from The Third Man)

November

1:50:07 Ivory Joe Hunter – I Almost Lost My Mind

December

(Clip from Sir Alfred Munnings’ valedictory speech at The Royal Academy of Art)

Ending

(Clip from Reviewing The Year 1949)