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I use a fair amount of film music in my mixes and have done mixes of all soundtrack tunes but I have never made a best of the year mix for film scores. Until now. There were no blow my mind scores, like Arrival or Solaris, this year but there was a lot of excellent music to choose from for this mix.
As an ambient guy, I lean towards more atmospheric film scores. I'm not at all interested in the soundtrack for the new Star Wars film or Avengers Endgame. So in my list of 2019 favs there are the usual suspects - Clint Mansell, Max Richter, Cliff Martinez & Johann Johannsson. Along with great music from folks like Hildur Guðnadóttir, Peter Gregson, Stuart A. Staples, Daniel Hart, and Adam Bryanbaum Wiltzie.
One of my favorite film music discoveries of the year is William Ryan Fritch. In addition to the monumental collection of film music, Deceptive Cadence: Music For Film Volume I & II, he released two more film scores in November - Artifishal & Exit 12 which I knew I had to include because they are both excellent. All three recordings are available on Lost Tribe Sound - https://losttribesound.bandcamp.com/
Sometimes I start a mix with high expectations but with this one, I was just trying to cobble together enough tracks to make a mix worth uploading. But I've been listening to this mix for a week and I'm very happy with how it turned out. It flows really well is an engaging listen.
Up next Best Film Scores of the Decade.
Cheers!
T R A C K L I S T :
4.9
8080 ratings
I use a fair amount of film music in my mixes and have done mixes of all soundtrack tunes but I have never made a best of the year mix for film scores. Until now. There were no blow my mind scores, like Arrival or Solaris, this year but there was a lot of excellent music to choose from for this mix.
As an ambient guy, I lean towards more atmospheric film scores. I'm not at all interested in the soundtrack for the new Star Wars film or Avengers Endgame. So in my list of 2019 favs there are the usual suspects - Clint Mansell, Max Richter, Cliff Martinez & Johann Johannsson. Along with great music from folks like Hildur Guðnadóttir, Peter Gregson, Stuart A. Staples, Daniel Hart, and Adam Bryanbaum Wiltzie.
One of my favorite film music discoveries of the year is William Ryan Fritch. In addition to the monumental collection of film music, Deceptive Cadence: Music For Film Volume I & II, he released two more film scores in November - Artifishal & Exit 12 which I knew I had to include because they are both excellent. All three recordings are available on Lost Tribe Sound - https://losttribesound.bandcamp.com/
Sometimes I start a mix with high expectations but with this one, I was just trying to cobble together enough tracks to make a mix worth uploading. But I've been listening to this mix for a week and I'm very happy with how it turned out. It flows really well is an engaging listen.
Up next Best Film Scores of the Decade.
Cheers!
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