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You are being haunted.[1. Photo by grayom on Unsplash.] Specters from your past, or someone else’s past, lurk in your world. They twist meaning and distort symbols. They make you jump in the night, recoil from stories others find wonderful, and make the upright seem downright wicked. There is a cure that helps us imagine better, but first we must recognize the problem. What on earth is Church Back Home Syndrome? And why does this matter for Christian fantastical fans?
French culture and artists have been prone to clear anti-religious bias over the years. It’s a country whose faith has been waning despite the beauty and faithful tradition of the past. Do you want to do something about it?
Makoto Fujimura, Aug. 1, 2024 Twitter post
This defense—“you failed to interpret my art properly”—doesn’t absolve an artist. That kind of response is lazy and pretentious. It comes from an ego that assumes the artist’s perspective is the only proper reading of what has been communicated.
By blaming the viewer’s faulty interpretation, the artist asserts that their intent supersedes what their work has communicated. It denies the objective reality of how their art sits in time and space, its context in history and culture.
Jared Boggess, “The Lessons of the Paris Olympics Tableau,” Aug. 1, 2024 at ChristianityToday.com
The organizers claimed they wanted to promote a French culture that welcomed all people to the table and celebrated feasting and peace over war and conflict. They claimed it was centered around Dionysus, the Olympian God of wine and festivity. They have since said it wasn’t meant to depict the Last Supper at all but rather The Feast of the Gods; however, many performers continue to claim it was a reference to The Last supper. Either way, the table stretched over the Seine Friday night was not designed to offend Christians; it was designed to offend the exclusivity of the Christian god. It was designed to honor the new god of the self.
Chase Replogle, “The Last King Strangled with the Entrails of the Last Priest,” undated post, 2024
I was in France watching the opening ceremony live on TV with family and friends. The everyday French people I talked with (none of them believers) are by and large flabbergasted at the bad taste of it all. I also pray, therefore, that this might be a wake up call. We know what God does with what it meant for evil (Gen 50:20).
Stephanie Rousselle, July 30, 2024 Facebook post
Suppose one reads a story of filthy atrocities in the paper. Then suppose that something turns up suggesting that the story might not be quite true, or not quite so bad as it was made out. Is one’s first feeling, ‘Thank God, even they aren’t quite so bad as that,’ or is it a feeling of disappointment, and even a determination to cling to the first story for the sheer pleasure of thinking your enemies are as bad as possible? If it is the second then it is, I am afraid, the first step in a process which, if followed to the end, will make us into devils. You see, one is beginning to wish that black was a little blacker. If we give that wish its head, later on we shall wish to see grey as black, and then to see white itself as black. Finally we shall insist on seeing everything—God and our friends and ourselves included—as bad, and not be able to stop doing it: we shall be fixed for ever in a universe of pure hatred.
C. S. Lewis, Mere Christianity
Whether because of this Syndrome or other challenges, some people can’t help trying to co-opt or reject fantastical stories for political purposes. Most recently that’s been happening with The Lord of the Rings. Especially when politicians or “bad” fans say, “Hey, I really like Middle-earth,” critics come out of their troll-hoards to stomp all over this land. Let’s explore this weird effort to remix Middle-earth.
By Lorehaven4.9
4444 ratings
You are being haunted.[1. Photo by grayom on Unsplash.] Specters from your past, or someone else’s past, lurk in your world. They twist meaning and distort symbols. They make you jump in the night, recoil from stories others find wonderful, and make the upright seem downright wicked. There is a cure that helps us imagine better, but first we must recognize the problem. What on earth is Church Back Home Syndrome? And why does this matter for Christian fantastical fans?
French culture and artists have been prone to clear anti-religious bias over the years. It’s a country whose faith has been waning despite the beauty and faithful tradition of the past. Do you want to do something about it?
Makoto Fujimura, Aug. 1, 2024 Twitter post
This defense—“you failed to interpret my art properly”—doesn’t absolve an artist. That kind of response is lazy and pretentious. It comes from an ego that assumes the artist’s perspective is the only proper reading of what has been communicated.
By blaming the viewer’s faulty interpretation, the artist asserts that their intent supersedes what their work has communicated. It denies the objective reality of how their art sits in time and space, its context in history and culture.
Jared Boggess, “The Lessons of the Paris Olympics Tableau,” Aug. 1, 2024 at ChristianityToday.com
The organizers claimed they wanted to promote a French culture that welcomed all people to the table and celebrated feasting and peace over war and conflict. They claimed it was centered around Dionysus, the Olympian God of wine and festivity. They have since said it wasn’t meant to depict the Last Supper at all but rather The Feast of the Gods; however, many performers continue to claim it was a reference to The Last supper. Either way, the table stretched over the Seine Friday night was not designed to offend Christians; it was designed to offend the exclusivity of the Christian god. It was designed to honor the new god of the self.
Chase Replogle, “The Last King Strangled with the Entrails of the Last Priest,” undated post, 2024
I was in France watching the opening ceremony live on TV with family and friends. The everyday French people I talked with (none of them believers) are by and large flabbergasted at the bad taste of it all. I also pray, therefore, that this might be a wake up call. We know what God does with what it meant for evil (Gen 50:20).
Stephanie Rousselle, July 30, 2024 Facebook post
Suppose one reads a story of filthy atrocities in the paper. Then suppose that something turns up suggesting that the story might not be quite true, or not quite so bad as it was made out. Is one’s first feeling, ‘Thank God, even they aren’t quite so bad as that,’ or is it a feeling of disappointment, and even a determination to cling to the first story for the sheer pleasure of thinking your enemies are as bad as possible? If it is the second then it is, I am afraid, the first step in a process which, if followed to the end, will make us into devils. You see, one is beginning to wish that black was a little blacker. If we give that wish its head, later on we shall wish to see grey as black, and then to see white itself as black. Finally we shall insist on seeing everything—God and our friends and ourselves included—as bad, and not be able to stop doing it: we shall be fixed for ever in a universe of pure hatred.
C. S. Lewis, Mere Christianity
Whether because of this Syndrome or other challenges, some people can’t help trying to co-opt or reject fantastical stories for political purposes. Most recently that’s been happening with The Lord of the Rings. Especially when politicians or “bad” fans say, “Hey, I really like Middle-earth,” critics come out of their troll-hoards to stomp all over this land. Let’s explore this weird effort to remix Middle-earth.

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