Allegories. Christians love allegories! That’s a story element of having a person, place, or thing meant a a direct picture of something else, like Jesus or moral virtues. Some people think Jesus did this in parables, or C.S. Lewis did this with Narnia. Others point to Pilgrim’s Progress as a prime example. Even if they’re right about that, might some readers and authors focus so much on possible “allegories” that we miss great stories’ deeper meanings?

Allegory is a form of literature in which material figures represent immaterial virtues or vices. So in Bunyan’s Pilgrim’s Progress, the character Timorous represents fear and Mr. Worldly Wiseman represents worldly wisdom. In our day, distinction of genres has been muddled a bit, so we tend to regard any story with symbolic elements in it as allegorical, but it was not always this way. C.S. Lewis’ Chronicles of Narnia, for instance, are not allegories, even as often as they are referred to as such, and Lewis himself said as much.

The parables of Jesus could be said to contain allegorical elements, some more than others, but they are not strictly speaking themselves allegories. Jesus definitely deals in the world of virtues and vices, but he is most immediately interested in the world of human beings, their hearts, their words, and their deeds.

“How Not to Read the Parables,” Jared C. Wilson

The reason for the long history of the misinterpretation of the parables can be traced back to something Jesus himself said, as recorded in Mark 4:10–12. When asked about the purpose of parables, he seems to have suggested that they contained mysteries for those on the inside, while they hardened those on the outside. Because he then proceeded to “interpret” the parable of the sower in a semi-allegorical way, this was seen to give license to the hardening theory and endless allegorical interpretations. The parables were considered to be simple stories for those on the outside to whom the “real meanings,” the “mysteries,” were hidden; these belonged only to the church and could be uncovered by means of allegory.

How to Read the Bible for All Its Worth by Gordon D. Fee and Douglas Stuart

Next week is Groundhog Day, and we’ve already seen this story: Your favorite Christian author, who usually talks about book updates and inspirational life anecdotes, is suddenly posting about controversial political stuff. Should readers impose “no politics! no religion!” rules on story creators who feel strongly about a topic? Or might we expect more from authors posting or not posting hot takes?

This podcast and other resources from Lorehaven focus on readers. That’s why, when aspiring writers post questions like, Where can I find an agent? or Will you look at my unpublished manuscript?, we don’t have much to share in that department. Until now. We’re journeying into new lands. This month we’re launching the Lorehaven Authorship within the Lorehaven Guild on Discord. Let’s explore how these new digital channels with pro livestreams and a fan-focused Book Festival will help writers cultivate their God-given imaginations.

Hosted in the Lorehaven Guild, the Authorship offers three member levels:

How to join? Subscribe free to Lorehaven. (Or in January 2026, just click here.) We’ll send you the Guild invitation. Once you’ve entered the Guild, look for the LOREHAVEN AUTHORSHIP channels. Then click one to see your options.

Pro tip: To avoid added fees, avoid signing up for the Authorship on Apple devices. Instead, use the desktop app or browser version.

In the Authorship, published pros will train creatives in the craft of writing. However, we’ll also help you discover your purpose for your imagination. Why did God create you? And why do we feel this drive to create other stuff? If you sense the need to know this greater godly mission, welcome aboard!

I’ll put my 25+ years of creative struggles to work here. So will other pro novelists. This reflects our shared need for training. After all, you can’t go directly from “Let’s write!” to “Let’s change the world with our stories.” Don’t skip that big step in between—the step of Christians helping one another grow our creative gifts.

For example, later this month I’m hosting a fully public livestream:

How to Sell a Sci-Fi Novel in Just Twenty-Five Easy Years

Saturday, Jan. 31

Future livestreams will be available for all Authorship members.

Apart from livestreams, we’ll share this training in every room of the Authorship—from C.S. Lewis’s three-stage view of story-making, to creative challenges like the “Christian” label, to the thorny issue of whether fictional characters can curse.

Lorehaven has spent years connecting authors not just with other authors, but with faithful readers. So the Authorship will also feature the Lorehaven Book Festival.

Anyone in the free Guild can visit the Book Festival to browse virtual booths. Yet only members at the Pro Novelist level can host their own booth spaces. They can recruit readers, share links, or host Q&As—for any length of time.

I am forever grateful to these people for putting this wonderful drama together. I won’t spoil it much here, but there is a part in Glorious Appearing that had me convicted of my sin and my need for a savior several years ago. And as a result, I was converted to Christianity. A follower of Jesus Christ. God saved me. And I did not do anything to earn it. It is all his doing.

Imagine, if you will, that Christian Author X creates a futuristic tale in which cyborg detectives explore the boundaries of good and evil. That seems cool. But how does that compare with, say, Christian Author Y’s fantasy story in which verses and prayer are like magic, people and place names are anagrams for virtues, and the king represents Jesus Christ? Many fine Christians get confused by Author X’s story but get impressed by Author Y’s story—because, after all, it’s allegory! Is this kind of allegory, however, really a more “Christian” kind of story?

“In one cataclysmic moment, millions around the globe disappear.” Jesus returned thirty years ago. Or rather, He sort of pre-returned, the warm-up act, if you will. Many faithful Christians believe in this kind of “rapture.” And in December 1995, two authors teamed up and used this idea to create the most successful biblical end-times thriller we’ve yet seen. In summer 2024 we overviewed the series. Yet now we’ll ask how that first Left Behind novel has aged, thirty years after its release.

“This is the most successful Christian fiction series ever.”

“Combines Tom Clancy–like suspense with touches of romance, high-tech flash, and biblical references.”

“Call it what you like, the Left Behind series . . . now has a label its creators could have never predicted: blockbuster success.”

A novel of the Earth’s last days.

In one cataclysmic moment, millions around the globe disappear.

Vehicles, suddenly unmanned, careen out of control. People are terror stricken as loved ones vanish before their eyes.

In the midst of global chaos, airline captain Rayford Steele must search for his family, for answers, for truth. As devastating as the disappearances have been, the darkest days may lie ahead.

So I am not really a sci-fi/dystopian reader, but follow LH/Enclave for my veracious teen readers. My shocking love was The Chaos Grid and Crier Stone books from Lindsey Llewellyn. Well done!!! I actually read them each in 1 sitting and stayed up WAY too late doing so. ;o)

Your point about sci-fi/fantastical exploration and dominion-taking being a huge part of our future in the new heavens & new earth reminds me of my favorite quote from Wayne Thomas Batson’s Door Within trilogy: the last chapter of the last book ends with the hero asking the God figure, the King, if there will be adventures in His kingdom. The King smiles and says, “More than you can possibly imagine.” That line changed my perspective on eternity completely. Several educational years later, I’m a postmillenial and eager for stories that can transcend time and inspire generations to take dominion of the world for Christ’s kingdom. Here’s to an increase of that in the years to come!

This podcast and other resources from Lorehaven focus on readers. That’s why, when aspiring writers send us questions like, Where can I find an agent? or Will you look at my unpublished manuscript?, we haven’t had much to share in that area. Until now. This month we launch the Lorehaven Authorship in the Lorehaven Guild on Discord. Let’s explore how these new digital discipleship channels, pro livestreams, and fan-focused Book Festival will help authors cultivate their God-given creative purpose.

Last year brought many challenges for Christian fantasy fans. From flops at the theaters now threatened by streaming slop, to creators making more events for Christian storytelling, to the continued growth of biblical fiction as the top genre of Christian-made entertainment—let’s survey the top ten fantasy-related headlines from last year.

“In one cataclysmic moment, millions around the world disappear.” Jesus returned thirty years ago. Or rather, He sort of pre-returned, the warm-up act, if you will. Many faithful Christians believe in this kind of “rapture.” And in December 1995, two authors teamed up and used this idea to create the most successful biblical end-times thriller we’ve yet seen. Last summer, we overviewed the series. Yet now we’ll ask how that first Left Behind novel has aged, thirty years after its release.

Earlier this month, and just in time for Christmas, Focus on the Family made a fun announcement: an upcoming theatrical adaptation of Adventures in Odyssey. Dubbed Journey Into The Impossible, this 3D animated film will explore the town of Odyssey before the establishment of Whit’s End. What kinds of adventures will a young John Avery Whittaker enjoy? (This special episode was recorded live.)

“In one cataclysmic moment, millions around the world disappear.” Jesus returned thirty years ago. Or rather, He sort of pre-returned, the warm-up act, if you will. Many faithful Christians believe in this kind of “rapture.” And in December 1995, two authors teamed up and used this idea to create the most successful biblical end-times thriller we’ve yet seen. Last summer, we looked back on the Left Behind series legacy. Yet now we’ll ask how that first Left Behind novel has aged, thirty years after its release.

“We do not celebrate Christmas that way.” “We do not read those kinds of books.” “We ‘do not handle, do not taste, do not touch.’” We know our world is full of rebellion against God’s law. But many people overreact to moral license with a strict imposing of out-of-context or made-up laws. Faithful saints call this legalism, and Christian fantasy fans know plenty about this. When that influencer or relative rebukes your fantastical interest, how you can respond with grace and truth?

Happy to see this covered, and even happier to get the other half in the Abolition of Man at least touched on!

The position Lewis takes about a very small ruling class who make decisions about all of morality for everyone who comes after very much aligns with the ultimate revealed mission of the N.I.C.E. Not to mention the issues being raised about where a potential soul can come from. I find his look at the outworking and consequences of post-modern thought and reasoning really intriguing, considering that this was all put to paper before the conclusion of the second world war and the mass dissemination of those ideas outside the academic world.

Well, we recently talked about the first Chronicle of Narnia … the book! Yet many fans found or rediscovered this series thanks to the Disney-distributed, Walden Media–made film from director Andrew Adamson. Want to feel old? That was two decades ago! So now we shall look back at Narnia’s journey to the box office with The Lion, the Witch and the Wardrobe, which released twenty years ago on Dec. 9, 2005.

Mark Joseph is a music and film producer, author, columnist and founder of MJM Entertainment Group, a multi-faceted entertainment company with interests in film, publishing, music, TV production and film consulting.

Joseph got his start in television as an anchor for NHK and CNN’s The Entertainment Report in the 1990’s and his company MJM produced documentaries and supervised the international release of over a hundred albums by various pop and rock artists.

In addition to producing his own films, he oversees a marketing team that has marketed 75 films since 2001. From 2000-2005 he worked in development and marketing for Walden Media and Crusader Entertainment and oversaw a grassroots marketing team.

He has served as a producer on 15 films, including Max Rose starring Jerry Lewis, The Vessel starring Martin Sheen, America, Japan: Searching For The Dream, Frank vs. God and others.

Joseph is the author of four books including The Lion, The Professor & The Movies: Narnia’s Journey To The Big Screen and has been a regular contributor to publications like Forbes, The Hollywood Reporter, Variety, USA Today, The Huffington Post and FoxNews.com.

He is currently a senior columnist for Newsweek and hosts the podcast The Mark Joseph Show.

Most recently, he produced the film Reagan, starring Dennis Quaid and published the book Making REAGAN: A Memoir from the Producer of the REAGAN Movie. He also produced the film’s two soundtracks including songs from Bob Dylan, Clint Black, Gene Simmons of KISS, Tanya Tucker and others.

Mark and his wife Kara have six children and reside in Southern California.

The Lion, the Witch and the Wardrobe film released Dec. 9, 2005.

I found the Narnia series in my school library when I was in 4th grade, and yes, they were in the proper order. It was a watershed moment for me. I bought myself a boxed set a few years later. Boy, did I look for portals! When I get into a discussion about the book order, I point out The Magician’s Nephew is a prequel, explaining the back story of the first book.

“We do not celebrate Christmas that way.” “We do not read those kinds of books.” “We ‘do not handle, do not taste, do not touch.’” We know our world is full of rebellion against God’s law. But many people overreact to moral license with a strict imposing of out-of-context or made-up laws. Faithful saints call this legalism, and Christian fantasy fans know plenty about this. When that social-media pastor rebukes your favorite sci-fi, or that relative raises a judgy eyebrow at holiday dinners, how you can respond with grace, truth, and love for legalists?

Long ago, before the great lion Aslan bounded onto bookshelves, C. S. Lewis wrote a science fiction novel set on mythological Mars. From there, the sequel carried Dr. Elwin Ransom by angels to the sister planet Venus. And from there … the Ransom/Cosmic/Space Trilogy descended to the dull world of corrupt college boards, inner-ring politics, and a secret technocracy bent on world domination with the aid of mad science and demons and everything. Eighty years after That Hideous Strength, we explore why C. S. Lewis created this earthbound and weird and wonderful pre-political supernatural thriller.

That hideously obscure front cover image.

Well, we just talked about the first Chronicle of Narnia … the book! Yet many fans found or rediscovered this series thanks to the Disney-distributed, Walden Media–made film from director Andrew Adamson. Want to feel old? That was two decades ago! So now we shall look back at Narnia’s journey to the box office with The Lion, the Witch and the Wardrobe, which released twenty years ago on Dec. 9, 2005.

“Suddenly Aslan came bounding into it.” That is how C. S. Lewis described the plot twist in his creative process for The Lion, the Witch and the Wardrobe. “I don’t know where the Lion came from or why He came. But once He was there, He pulled the whole story together.” And in turn, this story has pulled together the imaginations of millions across the world. Now, 75 years after the first Chronicles of Narnia book was published, let’s explore how this changed fantasy forever.

Some people seem to think that I began by asking myself how I could say something about Christianity to children; then fixed on the fairy tale as an instrument; then collected information about child-psychology and decided what age-group I’d write for; drew up a list of basic Christian truths and hammered out ‘allegories’ to embody them. This is all pure moonshine. I couldn’t write in that way at all. Everything began with images; a faun carrying an umbrella, a queen on a sledge, a magnificent lion. At first there wasn’t even anything Christian about them; that element pushed itself in of its own accord.

—C. S. Lewis, “Sometimes Fairy Stories May Say Best What’s To Be Said,” (1956)

All my seven Narnian books, and my three science-fiction books, began with seeing pictures in my head. At first they were not a story, just pictures. The Lion all began with a picture of a Faun carrying an umbrella and parcels in a snowy wood. This picture had been in my mind since I was about sixteen. Then one day, when I was about forty, I said to myself: ‘Let’s try to make a story about it.’

At first I had very little idea how the story would go. But then suddenly Aslan came bounding into it. I think I had been having a good many dreams of lions about that time. Apart from that, I don’t know where the Lion came from or why He came. But once He was there He pulled the whole story together, and soon He pulled the six other Narnian stories in after Him.

So you see that, in a sense, I know very little about how this story was born. That is, I don’t know where the pictures came from. And I don’t believe anyone knows exactly how he ‘makes things up’. Making up is a very mysterious thing. When you ‘have an idea’ could you tell anyone exactly how you thought of it?

—C. S. Lewis, “It All Began with a Picture,” 1960

[Narnia’]s beauties often get blunted or made lukewarm by the persistent myth spread by well-meaning readers, including many Christians, that the Narnia books are merely “allegorical.” (For example, one author even wrote that Professor Kirke’s mansion “is symbolic of the church” while the wardrobe “symbolizes the Bible.”)

But the “allegory” label ignores the stories’ true purpose according to Lewis, who insisted on calling his world a supposal. In one letter, Lewis wrote that his Narnia stories answered the question, “What might Christ become like if there really were a world like Narnia and He chose to be incarnate and die and rise again in that world as He actually has done in ours?” Lewis then concluded, “This is not allegory at all.”

Case closed. And Aslan be praised that it is closed, because if we turn these stories into mere allegory, we might end up using Narnia like a mere code or container pointing to “higher” ideals.

—The Chronicles of Narnia series review, Lorehaven, March 2020

Early 2000s edition, with cover based on the classic Pauline Baynes illustration.

Long ago, before the great lion Aslan bounded onto bookshelves, C. S. Lewis wrote a science fiction novel set on mythological Mars. From there his hero Dr. Elwin Ransom was carried by angels to the sister planet Venus. And from there … the Ransom/Cosmic/Space Trilogy descended to the dull world of college board meetings, inner-ring politics, and a secret technocratic society bent on world domination with the aid of mad science and demons and everything. Eighty years after That Hideous Strength was published, we explore why C. S. Lewis created this earthbound and weird and wonderful pre-political supernatural thriller.

We still believe in cultural engagement. That’s the Christian mission to share our faith in the real world, seeking to win souls to Jesus. These souls naturally seek biblical influences in stories, songs, and beyond. So why do some believers claim that they want “cultural engagement” but then, when angry or manipulative anti-Christian critics engage us right back, throw up their hands and call for pietistic separation?

So Paul, standing in the midst of the Areopagus, said: “Men of Athens, I perceive that in every way you are very religious. For as I passed along and observed the objects of your worship, I found also an altar with this inscription: ‘To the unknown god.’ What therefore you worship as unknown, this I proclaim to you. The God who made the world and everything in it, being Lord of heaven and earth, does not live in temples made by man, nor is he served by human hands, as though he needed anything, since he himself gives to all mankind life and breath and everything. And he made from one man every nation of mankind to live on all the face of the earth, having determined allotted periods and the boundaries of their dwelling place, that they should seek God, and perhaps feel their way toward him and find him. Yet he is actually not far from each one of us, for

“‘In him we live and move and have our being’;

as even some of your own poets have said,

“‘For we are indeed his offspring.’

Being then God’s offspring, we ought not to think that the divine being is like gold or silver or stone, an image formed by the art and imagination of man. The times of ignorance God overlooked, but now he commands all people everywhere to repent, because he has fixed a day on which he will judge the world in righteousness by a man whom he has appointed; and of this he has given assurance to all by raising him from the dead.”

Acts 17:22–31

Just a note about your recent episode about aliens, and the theory one of you proposed about “supernatural tech”. I actually agree with this…Besides what you mentioned about Elijah being caught up in a “chariot of fire,” there are some excellent and interesting passages in the non-canonical Book of Enoch that talk about a Watcher (one of the angels, not necessarily a fallen one, usually described as Uriel) who takes Enoch on a “tour of heaven” in a craft that sounds a lot like a flying ship or craft he describes as a cloud or as being made of spirit…I have a whole lot more I could say about this, with my beliefs being informed, in part, by the work of Michael Heiser. The point is, do I think these demons (and fallen Watchers, though most of them are trapped in the Abyss until judgement) have physical technology, and can they appear in physical form as aliens? Absolutely. Do I think they may be “leaking” technology to humans for our detriment? It absolutely fits their M.O.

“Suddenly Aslan came bounding into it.” That is how C. S. Lewis described the plot twist in his creative process for The Lion, the Witch and the Wardrobe. “I don’t know where the Lion came from or why He came. But once He was there, He pulled the whole story together.” And in turn, this story has pulled together the imaginations of millions across the world. Now, 75 years after the first Chronicles of Narnia book was published, let’s explore how this changed fantasy forever.