In this episode Tamsin Phillipa Paige speaks with Juliana Santos de Carvalho about how we read the silences in international legal discourse and how some quasi-legal regimes (such as the women, peace and security agenda) are haunted by the shadow of legality. It's hauntology, just in time for Halloween! (Sort of.) Juliana also discusses what it's like to make a career in international law starting out as a first-in-family academic from a disadvantaged region of Brazil.

Recommendations:

Juliana Santos de Carvalho, ‘The Powers of Silence: Making Sense of the Non-Definition of Gender in International Criminal Law’ (2022) 35 Leiden Journal of International Law 963. https://www.cambridge.org/core/journals/leiden-journal-of-international-law/article/powers-of-silence-making-sense-of-the-nondefinition-of-gender-in-international-criminal-law/4C07987AD98E326EEDE644AD7A61B306 ;

Juliana Santos de Carvalho, 'Under the Shadow of Legality: A Shadow Hauntology on the Legal Construction of the Women, Peace and Security Agenda' (2024) Leiden Journal of International Law (First View). https://www.cambridge.org/core/journals/leiden-journal-of-international-law/article/under-the-shadow-of-legality-a-shadow-hauntology-on-the-legal-construction-of-the-women-peace-and-security-agenda/B637D4E3798E7EA4DDC39B90F005154C#article ;

Jack Halberstam, The Queer Art of Failure (Duke University Press 2011);

Maria Lugones, ‘Playfulness,“World”-Travelling, and Loving Perception’ (1987) 2 Hypatia 3 https://www.cambridge.org/core/journals/hypatia/article/abs/playfulness-worldtravelling-and-loving-perception/C3670D079AD93578FB093CF09FBB87D6 ;

María Lugones, ‘Toward a Decolonial Feminism’ (2010) 25 Hypatia 742 https://www.cambridge.org/core/journals/hypatia/article/abs/playfulness-worldtravelling-and-loving-perception/C3670D079AD93578FB093CF09FBB87D6 ;

Tamsin Phillipa Paige‘“The Whore That Lost Everything”: The Tyranny of Law and the Queer Feminisation of Soft Power as Explored in Black Sails’ (2023) 17(2) 415-429 https://www.degruyter.com/document/doi/10.1515/pol-2023-2014/html

Music: Sam Barsh, Oils of Au Lait