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Mike Post started out as a studio guitarist, recording on hits such as Sunny and Cher's "I Got You Babe." As a producer, he won a Grammy for "Classical Gas" in 1968 and worked with artists ranging from Sammy Davis Jr., to Dolly Parton (on her smash 9 to 5 album), to Van Halen.
But Mike is best known as the preeminent television composer of his generation. Often in conjunction with his longtime composing partner, the late Pete Carpenter, Mike crafted thematic earworms that reside in the collective consciousness. The A-Team, Doogie Howser, Quantum Leap, LA Law, Hill Street Blues, The Greatest American Hero, and the entire Law & Order Franchise represent just a slice of a body of work comprising thousands of hours of television music.
Mike discusses his decades spanning career, and he and Joe recall the unusual way they became friends.
By Joe Wong4.9
658658 ratings
Mike Post started out as a studio guitarist, recording on hits such as Sunny and Cher's "I Got You Babe." As a producer, he won a Grammy for "Classical Gas" in 1968 and worked with artists ranging from Sammy Davis Jr., to Dolly Parton (on her smash 9 to 5 album), to Van Halen.
But Mike is best known as the preeminent television composer of his generation. Often in conjunction with his longtime composing partner, the late Pete Carpenter, Mike crafted thematic earworms that reside in the collective consciousness. The A-Team, Doogie Howser, Quantum Leap, LA Law, Hill Street Blues, The Greatest American Hero, and the entire Law & Order Franchise represent just a slice of a body of work comprising thousands of hours of television music.
Mike discusses his decades spanning career, and he and Joe recall the unusual way they became friends.

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